"Books for the Heart Painting - Yuzhong Calligrapher Sang Zuokai Calligraphy Exhibition" was held at the National Art Museum of China

On May 1, sponsored by the National Art Museum of China, the Propaganda Department of the Central Committee of the Democratic League, and the Nanjing CPPCC, the "Calligraphy Exhibition of Sang Zuokai" was held at the National Art Museum of China.

This exhibition displays a total of 65 works newly created by Sang Zuokai, which are all equipped with true, grass, subordinate, seal, and line, or majestic and bold, or ancient and simple, or scattered and simple. There are both small and long masterpieces. The artistic creation is rich in content, including excellent poems and essays of the past dynasties, modern and modern revolutionary poems, as well as personal calligraphy practice and insights, as well as enthusiastic eulogies of China's socialist modernization and the great changes in his hometown, as well as the expression of deep friendship with teachers and relatives and relatives.

Sang Zuokai, born in 1944 in Yuzhong County, Lanzhou City, Gansu Province, is a national first-class artist, a professor at the Training Center of the Chinese Calligraphers Association, and a director of the Central Academy of Fine Arts of the Democratic League. He was the winner of the Literary and Art Award of the Nanjing Municipal People's Government, a member of the 9th and 10th Nanjing CPPCC, and the vice chairman of the Nanjing Calligraphy Association (1995-2007). In the 70s of the 20th century, Sang Zuokai successively worshiped Xiao Xian, Lin Sanzhi, and Gao Ershi, three contemporary masters as teachers, and studied all kinds of calligraphy in depth, especially good at cursive. Its calligraphy inscription is integrated, into the ancient and new, and the aesthetic style is ingenious.

The exhibition will be on display in Hall 2 on the first floor of the National Art Museum of China until May 14 (closed on Mondays).

Work appreciation

Mao Zedong, Qingping Le Huichang, 72x136cm on paper, 2019

Zhou Enlai, Spring Occasional Success, 36x136cm on paper, 2023

Couplet: Deng Xiaoping's Verses on paper, 35x136cmx2, 2019

Gao Ershi, Xuanwu Lake Chrysanthemum Exhibition, 52x100cm on paper, 2021

See the Wisdom of the Wise, 35x136cm, 2022

Zhang Yan, Youqi Xia Temple, 36x136cm, 2018

Two Essays on Sun Guoting, Paper, 35x136cm, 2022

Chu Mo, Inscription: The Monk's Room of Xia Temple, 48x40cm, 2020

Crane in the Clouds, 75x137cm, 2021

Couplet: Pen Fall-Poetry on paper 36x137cmx2 2023

Jia Island, The Hermit Is Not Encountered, 35x88cm on paper, 2022

Meng Haoran, Spring Dawn, 75x137cm on paper, 2013

Sang Zuokai, Hometown Trip, 36x138cm on paper, 2018

Be prepared for danger in times of peace, 36x136cm, 2023

Yuan Zhen, "Make Dongchuan and South Qin Xue", paper, 36x136cm, 2017

Sang Zuokai, Four Beauties of Calligraphy, 60x137cm on paper, 2015

Wang Changling, Furong House Sends Xin Gradual, 36x136cm on paper, 2023

Couplet: Dragon-Tiger Roar, 36x136cmx2, 2022

Yue Fei, Man Jianghong, 36x137cm on paper, 2019

Yuan Mei, Moss, 36x136cm, 2023

Editor-in-charge: Zhu Guanghua and Li Jiebing

Gallery photography: Zheng Binbin

Source: People's Daily client National Art Museum of China