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Bamboo Spectrum (Yuan) written by Li Yan
Wenhu Prefecture taught Dongpo Zhiyun: "The beginning of bamboo, the cute ear of one inch, and the knotted leaves have a yan." Since the snake with the belly of the worm, as for the sword pulling out the ten seekers, they are born. Now the bamboo painter is doing it in a knotty manner, and the leaves are tired, and there is no bamboo again. Therefore, painting bamboo must first become bamboo in the chest, holding the pen and looking at it well, but seeing the person he wants to paint, hurrying up from it, vibrating his pen straight, in order to chase what he sees, like a rabbit rising and falling, a little bit will pass away. Po Yun: "With the teachings of Ke Zhi, so to give can not be also." He who is mentally aware but cannot be so, is not the same inside and outside, the mind and hands are not corresponding, and the fault of not learning is also excessive. "And those who Po Gong still thinks that he can't do it, he doesn't learn it, and the person who is behind it cares?" People know that the bamboo painter does not do it in a knotty way, the leaves are tired, or they do not think about the bamboo in their chests, where does it come from? Mu Yuan was greedy, over-level, etc., relaxed his temperament, smeared east and west, and then he took off han mo and got nature. Therefore, when a section and a leaf are taken into the Dharma, when they are not tired, they really accumulate strength for a long time, as for not learning, they are confident that they really have success in their chests, and then they can shake their heads straight, in order to follow what they see. Otherwise, if the pen is well read, what will be seen and chased? Gou can rope ink on the rules, then it is flawless, why bother! Even if it is lost in restraint, it can still reach the rules of the rope ink for a long time, if it is relaxed, it is afraid that it can no longer enter the rule rope ink, and nothing can be achieved. Therefore the scholar will come and go from the Dhamma. The method of painting bamboo: one position, two ink drawings, three dyeing, four colors, five cage sets. Five things are prepared and then bamboo is made. Sticking frame alum silk, this is not a painting thing, can not be law, although the pen is exquisite, will not do anything, so it is attached to this.
Bamboo stalk bamboo branch painting method
1. Painting bamboo is the first to stand on the stalk, and the painting method of the bamboo stalk can borrow the round brush meaning of the seal book.
The center forward draws from the bottom up, from the thickness to the thickness, section by section, the bamboo knots are not uniform, the roots are short, the middle is long, and the top tip is shorter. Bamboo stalks to paint a good point of bamboo knots, point section when the pen and ink is heavier, line pen such as writing calligraphy, do not repeat completely, bamboo knots have B characters on the hug, eight characters under the hug method, bamboo knots are the key to carrying on the up and down, not to be taken lightly.
Draw a bamboo stalk, do not be parallel to the edge of the paper; draw two bamboo stalks should not be parallel to each other, bamboo joints are opposite; painting more than three bamboo stalks, there must be a relationship between front and back, gathering, opening and closing, etc., and the ink color (thick and light, dry and wet) should be slightly changed.
2, the stalk into the first point of the knot, the thick ink should be clear, the lean must be round, the branch is born from the knot.
3. Drawing method of old stalk branches and young stalk branches.
When adding branches to the main bamboo pole, do not add only one side, so as not to unbalance the center of gravity of the picture. The twigs take the form of magpie claws. And the painting style, rain bamboo, there will be corresponding changes, please pay attention to observe.
The pen used to paint bamboo is like the pen used to write calligraphy. When painting bamboo roots and trunks, it is like the "calligraphy" brushwork, which is steady and strong through the back of the paper; when drawing small branches, the "cursive" brushwork is used, and the strokes are smooth and completed in one go. Beginners to draw bamboo, or require the pen to be delivered, do not seek speed, have a certain foundation, and then pursue higher requirements.
Bamboo stalks should be divided into left and right, and the ancients painted bamboo branches with some figurative metaphors, such as: magpie claw branches, fishbone branches, deer antler branches and so on. When drawing bamboo branches, the distribution of bamboo leaves, as well as the rhythm and rhyme of bamboo branches should be considered, and the brush should be coherent when drawing bamboo branches, just like writing cursive.
If there are several or dozens of bamboos in a picture, pay attention to each bamboo and bamboo knot, not on a horizontal line. When painting bamboo poles, there should be changes in pen and ink, and the relationship between virtual and real and the sense of space are created through the thickness of the bamboo poles and the thickness of the ink.
4. Draw bamboo leaves.
Predecessors have summarized many methods, and the most basic form of group leaves is the word "one", the word "introduction" and the word "point". These leaf groups are mostly named by characters, such as "female" characters, "ren" characters, two characters for "heavy people", and three strokes hanging side by side, and one stroke drawing horizontally for "Yichuan" and so on. There are also hieroglyphs named, such as "fish tail", "falling goose" and so on.
Different leaf groups can express the characteristics of bamboo leaves in different states. For example, the form of "Yichuan" is suitable for expressing wind bamboo, the form of "heavy people" is suitable for expressing Qingzhu, and the form of "fen" is more suitable for expressing rain bamboo. When painting a bamboo and a bamboo leaf, you can choose one or two similar leaf groups, which are superimposed on each other, both changing and more uniform. Choosing too many forms will make the picture chaotic and difficult to clean up.
After mastering these basic leaf forms, they should be used flexibly in actual painting. The overlapping and broken leaves of the group will make the leaves in the painting full of vitality.
The top or branch of the painted bamboo is called the "knot top", which can be said to be the place where it is unveiled. How to "debut"? There is no certain rule, or to draw the basic leaf form well, with vividness as the principle. More sketching in nature, more observation, more experience.
If you look closely at the bamboo, you will find many vivid and interesting places. The so-called "flat tip" and "tip" refer to the end of the bamboo branch, there are mature leaves, showing the overall shape is relatively flat, called "flat tip"; and the small leaf buds that have just grown, pointed and straight, are called "sharp tip".
5. Combination of bamboo leaves.
The combination of bamboo leaves should have changes such as primary and secondary, virtual and real, before and after, and how many. The main part of the leaf is more, usually drawn with heavy ink, the secondary part of the machine time, and the main body echoes the auxiliary role of the leaf, usually when painting will add some water in the heavy ink, the treatment of them is slightly virtual, there is a tightening of the main body. This also allows the picture to be varied and harmonious.
In bamboo leaf tissue, the organization method of bamboo leaf holding branches and branches holding stalks is common, and the roots of the leaves are tight inside and loose outside.
Painting bamboo pays attention to composition and pays attention to the relationship between gathering and dispersion. The layout of bamboo leaves in a painting is gathered and scattered, and cannot be treated evenly. Where to gather, where to scatter, where to leave blank, should be considered before painting, there is a plan, the so-called "chest is confident".
6. The group leaf painting method of "two silkworms arriving at the head"
The leaf form of "two silkworms reaching the head" can clearly show the growth structure of leaves and branches. Its painting method is to start from the petiole and leaf root part, and it needs to have the action of the hidden edge, and then press the pen, line pen, lift pen, and virtual pen. The shape of the pen is very similar to the head of a silkworm, and the leaves are opposite and very tense.
7. The group leaf painting method of the word "point"
The use of the word "divide" in the form of leaf groups to draw bamboo leaves, more is to express the rain bamboo. When painting, pay attention to the overlay of "points" words, each group has a small difference in angle, can not completely overlap one place, black as a clump. Pay attention to the small white space between the leaves, and also pay attention to the relationship between gathering and dispersing and denseness.
8. The leaf painting method of "four fish"
The leaf form of "Four Fish" is suitable for expressing clear bamboo, and there are front leaves and side leaves in a group of leaves, and the form is stretched, so that the picture has a strong sense of space, and at the same time, it can accurately show the vibrant state of bamboo.
When organizing the relationship between the gathering and dispersion of bamboo leaves, it can be broken with the word "one". Dense places should not be ambiguous, and sparse places should not be spaced.
9. The group leaf painting method of "Goofy Lonely Swallow"
The leaf form of "Goofy Lone Swallow" and "Four Fish" have similarities, but they still have its pen characteristics. The pen of "Goofy Lone Swallow" is stronger, which is more suitable for bamboo that is mature and stable during the vigorous growth period.
When learning to draw bamboo leaves, it is important to practice organizing the gathering and dispersion relationship of bamboo leaves. The bamboo leaves that practice stacking should be physically stacked and not confused.
10. The bamboo leaf combination painting method should pay attention to the following matters
Leaf up: Leaf crossing angle is less than 90 degrees.
The unequal-sided triangular bamboo leaf modeling method pays attention to the dense relationship between the combination of bamboo leaves.
Bamboo leaf triangles require a length-to-width ratio of gold.
Bamboo leaves are shaped into unequal triangles, and the leaf tissue should be densely divided and coherent between groups.
The organizational structure of two groups, three groups and four groups of bamboo leaves should pay attention to the curve changes of leaf appearance.
Wind bamboo painting method
Wind bamboo is expressed in the form of "Ichikawa" leaf group. Use the pen to be strong, real press the virtual up, wipe it out. You can't hesitate to drop the pen and stay less. Painting style bamboo should have a dynamic potential, the posture and posture of wind bamboo all lie in the branches and leaves, the branches and leaves should be tilted according to the wind, and the pen should be through and neat, and the feeling of swaying with the wind should be drawn.
Painting style bamboo pays attention to the control of wind potential, according to the size of the wind, draw the corresponding form of bamboo leaves. The bamboo leaves in each part of the same picture should also be strong and weak and the relationship between primary and secondary, as well as the dynamics of each group of leaves. Painting a good wind and bamboo requires more observation of life and more experience.
The painting method of rain bamboo
Painting rain bamboo mostly uses the form of "point" characters, and can also be assisted and interspersed with the form of "heavy people". In the rain, the bamboo leaves are sagging, and the ink can be more moist, which can show the rain and hazy feeling. Bamboo that expresses different states, using the corresponding pen and ink, is to go through repeated practice and exploration, so more looking, more painting, more experience, in order to master the skillful technique.
Haruka's drawing method
Painting Qingzhu is more suitable for using the word "person" and the form of "heavy person" group leaves. The pen needs to be clean and sharp, take a clear and energetic pen, and make the relationship between the bamboo leaves clear.
Snow and Bamboo Painting Method
The ink color of painting snow bamboo is thicker, the branches and leaves should fly white, do not draw too specifically, and leave some "unintentional pen" places. After the ink color is completely dry, dye the ground with a slightly lighter ink to set off the snow.
How to draw bamboo shoots
There are many excellent works of painting bamboo, and there are relatively few works of painting bamboo shoots, often appearing in vegetable and sketch paintings. Carefully observing the growth of bamboo shoots will also have a special charm. Painting bamboo shoots is completely different from painting bamboo in terms of shape and pen and ink operation. It is necessary to observe and sketch more in order to draw vivid works.
Double hook bamboo painting method
Painting double hook bamboo should have the basis of sketching white painting, but the double hook of the pen is different from the white stroke of the brush, and it is necessary to pay attention to subtle changes such as virtual reality and thickness in the use of pen and ink, and draw a straight and energetic feeling. Bamboo leaf crossing should be appropriate.
Bamboo composition – long and fan composition
"A little incense in the cold is enough to reward the heavens and the earth." In the treatment of the relationship between virtual and real in the composition, the picture of virtual reality is born, leaving people with room for association as much as possible. I think that in the treatment of the virtual reality of the picture, it is absolutely impossible to treat it equally, and the profundity of "neglect can be taken away, and the needle is not allowed" should be seriously understood by every painter.
The composition of the round fan should seek harmony in change
Chinese painting, like Chinese poetry, pays attention to "conciseness and meaning", "less is better than more", etc., requiring every stroke, every line, and every point to show rich connotations. The relationship between points, lines and surfaces should be as simple as possible, but also rigorous. Among the components that make up the picture, there are surfaces in the points and points in the surfaces; there are points in the lines and points in the lines.
Bamboo Composition – Banner Composition
Banner composition should pay attention to the relationship between the opening and closing of the picture layout, the contention and "let", and cannot be treated equally. The theme position of the picture should be real, and the secondary position should be virtual. The composition of the fan surface pays attention to the blankness of the picture, and the blank space must be both decent and natural.
Chinese painting pays attention to "boldly dropping the pen and carefully cleaning up", that is to say, the pen must be sharp, the cleaning must respect rationality, do not "act rashly", and do not destroy the whole part. When painting, you must not only pay attention to the care between the objects and images of the picture, but also pay attention to the position of the inscription and the seal, because this is also part of the entire layout of the picture. Some paintings are suitable for long questions, some paintings are suitable for short questions, and the font selection of the titles should be in line with the dynamic and quiet and thick and light relationships of the picture. For example: the picture is moving, the title is relatively quiet, the picture is broken, the title is relatively whole, and vice versa. In addition, stamping is also an important means of enriching the picture, and the number of prints should be arranged according to the needs of the picture and considered from the overall situation.
Bamboo Composition – Square Composition
Composition often speaks of "impossible and lawless". The realm of "unable to act" is a kind of breath conveyed by the picture, so that the composition of the picture is connected and integrated. The relationship between large and small, front and back, thick and light, just right to set off the main body of the picture, but also plays a balanced role.
The "strangeness in peace" in the composition of traditional Chinese painting is a "seemingly ordinary but strange" act of "carelessness", which requires the painter to have a comprehensive cultivation. In my opinion, "peace and strangeness" are inseparable from looseness and freedom, and looseness is to be "smooth" and "homeopathic" when transporting the pen. Only in this way can we achieve looseness and vividness.
Ink bamboo drawing method step diagram
1. Draw bamboo stalks with counter-sharp strokes, and pay attention to changes in gestures and ink colors
2. The side branches of the painting should pay attention to the changes in the gesture and the change of the virtual reality of the pen, and the pen should be loose and not scattered
3. When painting bamboo leaves, use the pen to live in virtual reality, and pay attention to the echo relationship between bamboo leaves and bamboo branches
4, dot the moss, pay attention to the change of ink color, dry and wet, can not be noisy
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