When it comes to Chinese painting, it is inevitable to involve the topic of inheritance and innovation.
Wang Jiaxun studied under Fa Ren Bo Nian and Chen Laolian, which reflects a certain context of his aesthetic taste and emotional development. But he is well versed in the principle of "ancient and not muddy", and his works are full of ancient meaning and full of modern atmosphere.
His Chinese paintings are light in brush and ink, and the artistic conception is detached, but the carving has obtained the effect of conveying the divine portrayal. The characters in the painting are relaxed and pleasant, full of leisure and wisdom, and through modeling performance and pen and ink rendering, they create a beautiful life picture full of fun and affection in their hearts.
These artistic characteristics are very much in line with contemporary aesthetic tastes. It can be said that Wang Jiaxun's paintings condense the Chinese cultural temperament and meaning, and pursue the artistic and life ideals of Tsinghua outside the Tsinghua, indifferent to it, and not burdened by the world, whether in conception or pen and ink. It is worth patiently reading and appreciating.
He not only painted the state of mind, painted his own style, but also achieved the artistic realm of returning to simplicity and truth. The unique pen and ink language gives full play to the beauty of the lines, ink rhymes and the layered changes of colors.
Wang Jiaxun believes that in order to express his understanding of life in his works, he needs to devote himself to life with constantly developing ideas, beliefs and emotions, to find a language that truly belongs to him, and to constantly explore. He walked from life to art, naturally focusing on the search for life and the spiritual world of man. Its simplicity and simplicity, its clean atmosphere, the joy and leisure of life, overflowing with hidden philosophies.
In expressing his personal feelings, Mr. Wang Jiaxun felt art and life, sublimated his spiritual realm, based on life, shaped the unique atmosphere of freehand figure painting, and inherited and carried forward the excellent part of traditional culture.
Wang Jiaxun's Chinese painting "Pingsheng Yunshui Heart"
Wang Jiaxun's Chinese painting "Endless Words of Good Guests, Happy Life"
Wang Jiaxunguo painting "With the Tao Suffocation Desire, then the Heart Is Self-Purifying"