Meet the wine and hehe, life can be geometric! Wang Jiaxun's Chinese paintings are lyrical and freehand

When you meet wine and hehe, life can be geometric.

Wine is full of wine, books are full of shelves, fame and fortune do not hang on the heart.

I don't know if I have my body, but this pleasure is the most.

Ten thousand poems, ten thousand wines. Several times I looked at the prince.

Flowers are full of Nagisa, wine is full of Ou, and there is freedom in the waves.

Wash the fish and swallow the ink, and cook the tea crane to avoid smoke.

Those who meditate on idleness should also be the most biased by me.

A pot of wine, a pole body, happy as a nong there are a few people.

The stream reflects the firewood gate, and the old man is idle with the grandson.

The wind and autumn are more beautiful, and the poetry and books are not passed on.

The second chick should comfort me, and the heart should be appreciated alone and leisurely.

In his old age, he was quiet and did not care about everything.

Editor's Note:

Wang Jiaxun's freehand is developed on the basis of deep and solid realism, and is the result of an in-depth and meticulous analysis of the object. Therefore, his freehand characters are precise, rigorous and delicate in shape, and the pen and ink are more varied, and through the changes in lines, the texture of the state of matter is expressed. He deals with the images in the painting around his own unique and realistic feelings about objective objects, derived from reality and higher than reality.

The tone of the work is light and elegant, and the language expression is simple and simple, sincere and flexible. It fully demonstrates the unique freehand essence of Chinese painting, and pursues "magic between similarity and dissimilarity" to achieve the purpose of "writing my heart".