Childhood is a true self, although it is very young, but also because of childishness, it leaves an indelible memory.
The joy of childhood is a dream that can be remembered at any time... Children's voices always form a moving movement in the unintentional symphony, children's hearts are transparent and pure, they have no scruples, always how to find fun, pottery and fun and endless fun...
Everyone who grows up will experience that carefree time, catching butterflies and chasing birds, fishing in the water and touching shrimp...
As long as you think of it, you will devote yourself wholeheartedly, enjoy it in a state without interference, and when you are stupid and stupid, you will enjoy a happy time in your own world.
The innocence of childhood is forever nostalgic, every time you look back, everyone will immediately open their hearts, beauty, happiness, a warm current of happiness into the heart, a scene of their own childhood picture leaps forward. (Text/Wang Jiaxun)
Editor's Note:
Wang Jiaxun's children are innocent and simple, thoughtless and careless, and harmonious and unified with nature. Grasping the quality of innocence in childish behavior is also a state that Chinese scribes have been striving for, and all things in heaven and earth are one with me, truly throwing themselves into the embrace of nature and abandoning the troubles of the world. This is precisely the goal of Lao Tzu's natural innocence of "returning to the baby" and the cultivation of the world's self-cultivation.
Wang Jiaxun's children's paintings inherit the spiritual connotation of Chinese painting, and their vivid selection and expression techniques combine realism and exaggeration, integrate their own aesthetic tastes with the public, pursue a better life, express traditional culture, and form his unique style.