Female painting belongs to the category of figure painting in traditional Chinese painting, reflecting the social life of the time by creating beautiful and moving female figures, and conveying specific artistic tastes and aesthetic concepts.
The works have their own unique features in terms of subject matter content, ideological connotation, creative method, and form of expression.
Wang Jiaxun's Chinese painting ladies have distinct characteristics and unique artistic pursuits in terms of content, artistic conception and fashion.
He weakened and diluted the fat powder of female beauty, and hid the appreciation and praise of female beauty in a neutral, bland and reserved atmosphere, so that the viewer would not have a strong sensory stimulation, so as to maintain the psychological distance required for aesthetic care, reflecting the unity of aesthetic concepts and moral concepts.
In his paintings, the ladies and ladies are more delicate and delicate, quite in the boudoir state, focusing on outlining the fresh and lovely, knowledgeable and rational shape, not frivolous, charming and vulgar. The characters are mostly accompanied by scrolls and ink, which is the image of the literati's ideal of bridesmaids, ladies and jasper, showing a kind of "clean and quiet" fun. The ladies portrayed by Wang Jiaxun have the traditional cultural connotations required by today's society, integrate the self-understanding and emotions of modern people for ancient people, and borrow the past to express the present.
His female character modeling is appropriately exaggerated in realism, rigorous without losing freedom, there is structure, there is anatomy, giving people a sense of artistic beauty, which is different from the ancients and different from realism, and the pen and ink skills have rich expressiveness.
The set in the painting sets off the theme of the work and renders the atmosphere very well. The depictions of decorations such as columns, window ledges, cases, screens, tatami beds, and floor tiles in his works not only inherit the tradition, but are not limited to tradition, and have focal perspective, but they are different from the focal perspective of Western painting. The colors are elegant and the tones are harmoniously contrasted.
There is a distinct rhythm and rhythm flowing in the strokes, the lines are smooth and natural, the softness is straight, and the briskness is seen. On the basis of the creation of teachers and the inheritance of traditions, we attach importance to both form and god.
The painting technique and the content expressed achieve the unity of beauty, reflect the elegant, restrained and timeless beauty characteristics of traditional Chinese culture, and form their own unique artistic style.
Wang Jiaxun Lady "Breeze Pleasant"
Wang Jiaxun Lady "High Pavilion Idle Love Born Poetry"
Wang JiaXun Lady "Qingfeng Suqin"
Wang Jiaxun Lady "Breeze into the Heart"
Wang Jiaxun Lady "Jade Voice Sending Love"