At this time the style who can write Hi have Hao Liang Cui Zi Xi
——A Brief Discussion on the Characteristics of Yang Liqi's Goose Painting Brush and Ink Technique (Excerpt)
Text/Zhao Qibin
2021 Wonderful Realm Ru ru 103x66 Birth Announcement
Yang Liqi's goose-painted theme painting is a significant feature that people are interested in and affirmed, that is, the special pen and ink effect expressed in painting on raw rice paper. The appearance of this characteristic of his painting is very surprising, whether it is the black and white visual effect image painted with ink smudge or the elegant and beautiful picture image drawn by relying on rich colors, which reflects his unique painting characteristics and aesthetic characteristics. This is also one of the most important painting characteristics expressed in Yang Liqi's goose paintings, which makes people feel the rich artistic expression of Chinese brush and ink techniques and the richness of Chinese brush and ink language.
Four screens Birdsong Four Seasons 2022 66x34 Shengxuan
Yang Liqi boldly used raw rice paper to create goose paintings, which indeed brought different aesthetic effects and style categories to his paintings. The use of this painting technique of his not only retains some of the traditional pen and ink performance, feeling and style created in silk fabrics such as drapery, aya, silk, etc., but also directly changes his temperament, spiritual experience and aesthetic tendency due to changes in painting materials, such as the smudge and color effects and brush and ink feelings on raw rice paper that are different from the traditional silk fabrics such as drapery, aya, and silk. So he said:
Painting with ShengXuan, painting with brush and ink with Shengxuan and Familiar Propaganda feeling completely different, at this time your technique is bound to change, you must grasp the paper, the pen to an excellent state, in order to control to the state of blending, according to their own state, understanding to grasp the painted objects, the image in the heart perfectly expressed, this may also be an innovation, but I feel that it is a summary of long-term experience.
Four screens Bird Song Four Seasons 2022 68X32 Shengxuan
Since the performance of raw rice paper and the silk fabrics of cooked xuan, aya, silk and drapery is completely different, corresponding changes should be made in pen and ink techniques, and there should be different understandings of paper and pen. It is precisely because of the change of painting material that Yang Liqi has made a considerable breakthrough in goose painting, injecting different painting elements and visual aesthetic experience into Gongbi flower and bird paintings. On raw rice paper, the freehand brushwork and the brush flower and bird technique are integrated very freely, and the painting style of wild elegance and seiko elegance is unified, showing the spiritual feeling of wealth and elegance and nostalgia, the modern atmosphere and classical charm are integrated, and the works present an elegant and beautiful, beautiful and elegant style, overflowing with extremely unique artistic spirituality and personality.
Four screens Bird Song Four Seasons 2022 68X32 Birth Announcement
Yang Liqi's painting of goose paintings on raw rice paper is also very in line with the modern and contemporary views on material science. In the history of the mainland, the birth and application of new painting techniques are often directly related to the change of painting materials and the change of aesthetic values. Huang Gongwang's landscape painting on raw paper, Xu Zhang's creation of portraits and figures on raw paper, are all revolutions in the use of materials in painting, due to the change of materials used in painting, which directly led to a huge change in the creation of Chinese painting. Due to the changes in painting technology materials such as painting tools, it is inevitable to directly lead to the overall change of Chinese painting, or even a fundamental change. Fu Baoshi once had a very clear understanding of this, saying:
Painting cannot remain unchanged, and the times, ideas, materials, and tools are all stirred indirectly or directly. Song Ming is not dead, at least there will be no Wu Zhonggui, Ni Yunlin, Shi Tao, the Eight Greats, Jing County and its vicinity of rice paper is not developed, the climax of ink painting does not rise to the top, the heavy coloring of silk cloth and the like are beaten to a standstill, it can be seen that the painting itself is changing at any time and anywhere and has to change. From this point of view, green, ink, shifu, and courtyard are changes in painting, that is, the same tradition or teacher inheritance also has its own face and realm.
("Self-Introduction to the Noonday Painting Exhibition")
It is believed that the changes in materials and tools are the same as the changes in ideas, which are important forces to promote the development and reform of painting. The continuous changes in the era, ideas, tools, materials and other objective reasons in history have inevitably or indirectly or directly triggered the change and development of Chinese painting, such as the use of silk and cloth in traditional Chinese painting and the emergence of paper, which has led to the repeated rise of "green" landscape painting, "ink painting", "Shifu painting", and "courtyard body painting". Yang Liqi painted on raw rice paper to paint goose paintings, which brought different painting characteristics and aesthetic elements to his goose paintings, and directly promoted the new progress of modern gongbi flower and bird painting.
Four screens Bird Song Four Seasons 2022 68X32 Shengxuan
In summary, Yang Liqi, due to the absorption of many traditional painting factors and modern painting elements, as well as his own special talent, has made bold changes in pen and ink techniques in the field of Gongbi flower and bird painting, and created Gongbi flower and bird paintings with his novel and unique pen and ink techniques, so that his goose paintings have a distinct artistic style characteristics, and are recognized by people for their layout atmosphere, Tang and Song Dynasty charm and modern painting elements. Yang Liqi introduced the aesthetic category and aesthetic artistic conception of the unique poetic tradition of the mainland into the picture, and effectively used the modern painting creation techniques with light and shadow effects, especially the painting of Sheng Xuan, giving full play to the unique material characteristics of rice paper, which brought a new visual feeling and aesthetic experience to his goose painting, and also directly established the characteristics of a beautiful and unrestrained, fresh and elegant artistic style.
Palace fan works
Yang Xiaoqi was born in 1979 in Zhaoyuan City, Shandong Province. He is currently an associate professor and master tutor of Nanjing Academy of arts; a member of the Nanjing Municipal Committee of the Chinese People's Political Consultative Conference; the vice chairman of the Nanjing Flower and Bird Painting Research Association; the vice president of the Jiangsu Zixun Calligraphy and Painting Institute; and the vice president of the Calligraphy and Painting Institute of the Jiangsu Collectors Association.
Exhibit:
2021 College Classic National Art Academy Young and Middle-Aged Small Brush Works Exhibition
2021 Jiangsu Provincial CPPCC 100th Anniversary Calligraphy and Painting Exhibition
2019 "Oriental Art Beauty. Ink Painting Exhibition "Hatsuho Art Museum, Osaka, Japan."
2018 "Writing a New Era and Envisioning the Chinese Dream- Calligraphy and Painting Exhibition of the Nanjing Municipal CPPCC Commemorating the 40th Anniversary of Reform and Opening Up"
2018 "Hong Yue Shenmei" Exhibition of Teaching Achievements of the 40 Years of Reform and Opening Up of Chinese Painting and Calligraphy majors of Nanjing University of the Arts
2018 Calligraphy and Painting Exhibition to Commemorate the 70th Anniversary of the Founding of the Revolutionary Committee of the Chinese Kuomintang and the 140th Anniversary of the Birth of Mr. He Xiangning
2018 Melt. He-Nanjing International Cultural Exchange Center Famous Works Exhibition
2018 Brahman. Direction" - Yang Liqi gong pen flower and bird painting exhibition in Tokyo, Japan
2017 "Cultural Benefits the People And Then Departure" Water Side Nanjing Fine Arts Photography Exhibition
2017 Nanjing Flower and Bird Painting Research Association first council work exhibition
2017 Shenzhen Beauty - Nanjing Academy of the Arts 105th Anniversary Celebration Calligraphy and Painting Young Masters Group Exhibition
2017 Jinling Xinyun - Invitation Exhibition of Young and Middle-Aged Calligraphy and Painting Artists in Jiangsu
In 2017, he participated in the national flower and bird painting exhibition of art colleges and universities in the new context of painting language interpretation
In 2017, he participated in the Chinese Contemporary Buddhist Art Exhibition
2017 College New Phalanx Decadal Exhibition
2016 7070 Contemporary Chinese Painting Artist Nomination Exhibition
2016 Be your own nobleman - Yang Liqi Gongbi Flower and Bird Painting Exhibition
2015 Hong Kong "Ink Jiangnan" New Chinese Painting Exhibition
2015 Paper Qiankun "China Art Newspaper" 20th Anniversary Calligraphy and Painting Famous Artists Invitation Exhibition
In 2015, he won the silver medal of the first Jiangsu Provincial Art Fair
2015 The 7th Exhibition of Chinese Calligraphy and Painting Masters
2015 Lu NingHui invited exhibition of calligraphers and painters from Ningqi Lu
2015 Academy New Phalanx
2014 The first "post-70s" ink painting exhibition
2014 "Painting for China" National Higher Art College Flower and Bird Painting Teaching Seminar Teachers and Students Exhibition
2014 Yang Liqi "The Story" Hong Kong solo exhibition
2014 Ink to The Abnormal State of China Contemporary Ink Painting Invitation Exhibition
2014 Ten Bamboo Painting Academy 2014 Annual Young Artist Nomination Exhibition
2013 Jinling Evening News Nomination Exhibition for Young and Middle-Aged Artists
2013 Zhuzi Impression 70 Pioneer Contemporary Ink Painting Invitation Exhibition
2013 "Watch Classics" Centennial Ink Painting Exhibition
2013 Group Exhibition of Calligraphy and Painting of Nanjing Academy of arts, National Taiwan University of the Arts
2012 China-Korea Exchange Exhibition
2012 Xiamen National Gongbi Painting Biennial Invitation Exhibition
2012 Hong Yu Shenmei Nanjing Academy of the Arts Centennial Celebration Teachers and Students Art Works Exhibition
2011 Invitation Exhibition of Contemporary Young Masters of Chinese Painting
2011 National University Aesthetic Education Alliance 2011 Academic Invitation Exhibition of Chinese Painting Works
In 2009, he participated in the invitation exhibition of contemporary art masters
In 2009, he participated in the invitation exhibition of contemporary art masters
In 2009, Yang Liqi held a solo exhibition of Yang Liqi's past at the Yangmotang Art Museum
2009 Contemporary Flower and Bird Masters Collection
Won the 2008 Contemporary Art College Students Annual Nomination Exhibition Tian Liming Award;
2008 National Academic Invitation Exhibition of Chinese Painting to Commemorate the 30th Anniversary of Reform and Opening Up.
Silver Award, 2007 Annual Nomination Exhibition for Contemporary Art College Students;
Participated in the 3rd Chengdu Biennale in 2007;
Publication:
In 2019, the new classic of Gongbi "Su Wei Xuan" was published
In 2019, Yang Liqi's paintings were published from the line - teaching and research on Chinese painting in the Academy of Fine Arts of Nanjing University of the Arts
In 2018, the 12th issue of "Big Art" was published
In 2018, he published the album of Yang Liqi's paintings "The Direction of the Heart of Brahma"
Published "Art and Design" in 2017
In 2016, he published the collection of works of contemporary Chinese young artists in 2016
In 2015, he published shengqi youth, a collection of works by contemporary Chinese young artists in 2015
2015 Publication of "Notes on Birds of Literature"
2014 Publication of Zoo
In 2014, he published shengqi youth, a collection of works by contemporary Chinese young artists in 2014
In 2014, he published the journal "Nanjing Social Sciences"
In 2014, he published "Painting for China" and the exhibition of teachers' and students' works of the National Higher Art College Flower and Bird Painting Teaching Seminar
Teacher's Portfolio
In 2013, he published shengqi youth, a collection of works by contemporary Chinese young artists in 2013
Published in 2013 Chinese Painting and Calligraphy
Published in 2013 Oriental Collection
2013 Publication of Watchman Classics
2013 Published "Modern Gongbi Bird Painting Method"
In 2012, he published "Monogatari" National Excellent Course, Nanjing University of the Arts, Chinese Painting Technique Course
Published in 2012, Beijing Evening News is a collection of fine artists with new sharp brush strokes
Published in 2012 Oriental Art
In 2011, he published "Painting Realm" Yang Liqi brush flower and bird painting exploration
Published in 2009, a collection of fine works by aesthetic and new sharp brush painters
In 2008, he published a collection of contemporary Gong Pen Paintings by Yang Liqi, a new force of aesthetic beauty