Chen Jiru was a literati of the late Ming Dynasty and a "strange man". The history books record that when he was 29 years old, he decided to live in seclusion and then read and paint behind closed doors. Say that he lives in seclusion, he is still attached to red dust, and there are many prominent people among his friends. Say that he raised hope, Gu Xiancheng of Donglin Academy recruited him, and he had no interest in going out of the mountains. Even when someone recommended him to the Chongzhen Emperor, he felt that it didn't matter. From this point of view, Chen Jiru has a bit of the strength to go his own way.
Chen Jiru is particularly talented in painting, he likes to paint landscapes, and famous artists throughout the ages have been his role models. He likes the elegant and sparse painting style, especially likes to paint all kinds of ink cloud mountains. Looking at the natural and casual landscape paintings with beautiful brush and ink, what do you think? Whether it is simple and detached, whether it is to avoid the world, or to be clear and lofty, then feel it under Chen Jiru's brush.
Chen Jiru Spring is cloudy and rainy
Some people say who paints what. The characteristics that painters reveal in their works are precisely their personality characteristics. As can be seen from the Yunshan diagram, Chen Jiru's personality is somewhat contradictory. On the one hand, he loves leisure, on the other hand, he is afraid and deeply confused about the future. He painted the yunshan map, aiming to reveal the inner contradictions, hoping to find comfort after spending pen and ink.
Loose with the pen, moist with ink, lack of strength, lack of attitude, but he will never get by. Such Chen Jiru represents the mentality of most of the literati of the late Ming Dynasty. After Chen Jiru lived in seclusion, he made a living selling articles, calligraphy and paintings. He longs for the elegant life under the forest spring, but he has to be wary and sensitive to the ups and downs of life. When he painted the map of Yunshan Mountain, he also examined the society of the times from the perspective of a cold-eyed bystander.
Chen Jiru Spring overcast rain local
Understand his mentality, read his pen and ink. Reading his pen and ink, you know how great he is in painting. The techniques of painting Yunshan have existed in ancient times, such as Mi's Cloud Smoke, Gao Kegong's Freehand Painting, and Fang Congyi's Light Dyeing, which can be seen in Chen Jiru's paintings. The clouds in his pen flow softly, as if floating in the mountains. In a trance, it is as if the white clouds and the mountains and rivers coexist, inseparable.
Chen Jiru is not only painting clouds, he paints the literati's human nature and life pursuits. The unpredictable white clouds, the pen and ink born of virtual reality, and without Chen Jiru's yunshan map, the painting world at the end of the Ming Dynasty will lose its luster. He used various techniques to draw yunshan diagrams, all to express his attitude.
Chen Jiru Yunyan Xiao Temple
Tao Yuanming said, "The cloud has no intention of coming out, and the bird is tired of flying and knows how to return." The cloud in Tao Yuanming's eyes was tired, and he was too pessimistic. The cloud in Chen Jiru's eyes is freedom, uninhibited and free attitude, and a strong and soft wind bone, which is his ideal state.
Admire Chen Jiru's yunshan map, look at it, you will ignore the pen and ink skills, and instead think about the pen and ink interest. This is the unique creative ability of literati painters, transforming the scene in the painting into the scene in the scene. When the literati and the painting are blended, they give the work philosophical thinking.
Chen Jiru Yunyan Xiao Temple partial
From sensibility to rationality, the more I look at Chen Jiru's picture of Yun shan, the more I like it. It was as if through the drawing paper, I saw a thin literati, holding a pen and contemplating, showing worry between his eyebrows, and his attitude was still arrogant.