Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Du Shengsu calligraphy | Temporary study works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Du Shengsu calligraphy · Video
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Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
, duration 01:00
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Entering the wood three points force through the back of the paper straight to the widow Approaching the classic: Du Shengsu calligraphy • 100 pieces of temporary works
Du Shengsu Profile:
Du Shengsu, Hebei Baodingren, Zhi Gong Party member, Beijing Municipal Government introduced talents, graduated from Nanjing Academy of arts, Master of Yokohama National University in Japan, Ph.D. of Beijing Normal University, visiting professor of Beijing Socialist College, researcher of China Academy of Calligraphy and Painting of Beijing Jiaotong University, special expert of Li Keyan Academy of Youth Painting, member of China Literary and Art Volunteer Association, director of Beijing Book Association, member of China Book Association, elected as the eighth national representative of China Book Association in 2021...
