Zhao Congjun; Zihui Yuan. Jai No.: Read Ming Xuan. Born in June 1965, a native of Shunyi District, Beijing. Graduated from the Calligraphy Training Center of the Chinese Calligraphers Association. Listened to the lectures of Shen Peng, Liu Bingsen, Yan Gongda and other calligraphers. Later, he entered the room and received the teachings of Mr. Xue Fubin and others.
Main awards and exhibitors: Entered the exhibition of the completion achievements of the Calligraphy Training Center of the Chinese Calligraphers Association, and was rated as an excellent student. It was included in the exhibition of outstanding works of students on the 10th anniversary of the establishment of the China Book Association Training Center. (National Art Museum of China) Commemoration of chairman Mao's first prize in the National Calligraphy Competition for the 55th anniversary of the conferring of titles on the Ten Marshals. Entered the national calligraphy exhibition to commemorate the centenary of the birth of 'Deng Xiaoping' (sponsored by the China Book Association). The 2nd Chinese Calligraphy Festival was included in the Fourth National Calligraphy Exhibition (sponsored by the China Federation of Literature and Literature and the China Book Association). He was selected for the "Lady Sin Award" in the National Calligraphy Competition (sponsored by the China Book Association). First prize in the National Calligraphy Competition to commemorate the 880th anniversary of Zhu Xi's birth. The 6th International Cultural Exchange "Sackler" Cup Calligraphy Competition Excellence Award. He won the third prize in the "Crown of the Orient" National Calligraphy Works Exhibition at the World Expo. He won the "Yalu River Cup" and "Moriho Cup" National Calligraphy Competition. He won the Excellence Award in a joint exhibition of works by painters, calligraphers and poets celebrating the 50th anniversary of the founding of the People's Republic of China. In commemoration of the 120th anniversary of Chairman Mao's birth, the national workers proposition calligraphy 'Qinyuan Spring. Snow' enters the exhibition (sponsored by the China Staff Book Association). His works and portraits were included in the China Stamp Album, the theme of celebrating the 65th anniversary of the founding of the People's Republic of China, and published as a stamp. In commemoration of the 70th anniversary of the victory of the War of Resistance Against Japan, the theme of the "China Stamp Album" was included and published for stamp issuance. Calligraphy works celebrating the 37th anniversary of the establishment of diplomatic relations between China and the United States were included in the Stamp Album and published on stamps by the United States.
He has participated in domestic and foreign competitions and won 100 awards, was invited to visit North Korea and Vietnam, and donated and sold works in the Hope Project love activities in Jiangsu Province. Some works are exhibited and collected in Japan, and some works are collected at Hainan International Airport. In the Wenchuan earthquake in Sichuan, the auction money of calligraphy works was donated to the disaster area. In the fight against the new crown pneumonia epidemic, the signed article "Salute to the Noble and The Heart of the Hero" was published through the people's daily. Selected by CCTV's "Most Valuable Artist with Investment And Collection Value in Contemporary China". Names, profiles and pictures have been collected into many classics such as the Dictionary of Contemporary Calligraphers and Painters of the World, the Dictionary of Chinese Contemporary Artists; the Chinese-English Dictionary of Calligraphers, the Talent Pool of Chinese Experts, and the Classics of Famous Calligraphy and Painting Artists Across the Century.
The pen is full of ink and the momentum is strong - remembering the famous calligrapher Zhao Congjun
Cursive writing style, especially can be hanmo supreme, but although the current book world is a group of sages, but most of the people's calligraphy is mostly known for calligraphy, lishu, seal writing, and xingshu, and the hanmo calligraphers who can really withstand the cursive high-grade are very rare! The reason is also related to the bad atmosphere in the current book world, various exhibitions emerge in an endless stream, all kinds of drainage strange and grotesque, resulting in most of the writers' books being invaded by interests, but also eroded by fame, and the only thing in the works is the lack of literati feelings and loose and relaxed atmosphere! In this way, those cursive masterpieces that indulge in the heart and put their hearts on the pen are naturally like the morning star, and gradually become rare! That being said, there are still a number of Hanmo masters in the current book world who can achieve the best of the grass, and mr. Zhao Congjun, a famous calligrapher, is one of them! His writings began in the wisdom of Linchi, and then through the teachings of the famous master Xue Fubin, he continued to make the grass have the traditional Dharma lineage, which is said to have a teacher in the right path, and even more in the mental image!
Mr. Zhao Congjun has been working tirelessly for decades, and his love for calligraphy has a profound impact on him: On the eighth day of the first month of the first month of the winter of 2000, Mr. Zhao Congjun was alone in the fire and even in the middle of the night, gradually feeling sleepy, falling into a deep sleep, sleeping for an unknown amount of time, about twenty hours, after waking up, his whole body was wooden and his hair was half lost. At that time, the brain was still somewhat clear, mr. first thing was to pick up the brush daily class calligraphy, but just lifted the pen to write, felt physical and mental exhaustion, the whole body was weak, quickly called the hospital to rescue and inhaled hyperbaric oxygen, only to save his life. It can be seen that Mr. Li's love for calligraphy has reached the level of obsession! The ancients said: "Bookworms, literary workers; art obsessives, skills must be good." "But his obsession can be good, but he can not quit, so he can be gradual." When he takes calligraphy as his life, it is natural to make calligraphy again, and it is full of Zhengda weather. He integrates the power of life into his creation, and there is a positive energy of cherishing the world and the world of Sian Chay. During the Wenchuan earthquake, Mr. Li actively cooperated with the national rescue and did his best to auction all the money donated to the disaster area through charity, with great love, virtue and art!
Cursive is not like other writing styles, as a heavy image zigzag, itself is out of the fixedness of one move and one style, and because of this, the achievement of cursive writing is by no means an overnight cultivation, if the writer is too impatient, but it will be easy to go astray, and even writing without knowing is also a common thing! And Mr. Zhao Congjun, as a famous cursive artist in the current book world, has long been familiar with the creation of cursive calligraphy, and mr. Zhao Congjun is also different from the popular trend in creation, and the works he has written have neither blind innovation nor rigidity, but only take the coexistence of tradition and the times as the basis for creation, from the broad and ancient meaning, following the lyrical style!
Looking at the pen and ink techniques in the work, Mr. Zhao Congjun has also reached a high-level realm with the time shu scroll, many cursive calligraphy can be traced with a pen, and the white traces can be transmitted with ink, and where the pen and ink are traveled, it is all invigorating, and the thickness is appropriate! As the knot of the Chinese character grass body, it is even more caused by the deep source of the heart, sometimes with the virtual and real reflection body, sometimes with the rigidity and softness, between the characters, there is also a continuous connection between the top and the bottom, and there is a belt between the left and right, and the view is like a dragon and snake, raw and spicy, and the momentum is magnificent!
The pen is full of ink and powerful. Since modern times, under the influence of multi-faceted cultural elements and aesthetic elements, the traditional artistic concept and inheritance can be said to have been greatly impacted, and the Westerners and mercenaries can be described as everywhere! From the perspective of artistic development, this situation has also directly led to the loss of direction of many artists, especially in the calligraphy world, this problem is extremely obvious! Many calligraphers have not only lost the traditional legal lineage of absorbing ancient sage inscriptions, but also lacked the literati atmosphere that calligraphers should have. However, from the perspective of this problem, Mr. Zhao Congjun's Hanmo attainment is undoubtedly a very pure creative stream, the book can be drawn from the source, and the rhyme can be discarded from the disadvantages of narrowness, which means that the inheritance path of traditional Hanmo has really been found! Books are full of value!
Famous critic of calligraphy and painting art Shi Feng