Cui Shenghui
Cui Shenghui is a professor of the Calligraphy Training Center of the China Book Association, a tutor studio tutor, a member of the Book Committee, a member of the national lecture tour expert group of the "Chinese Calligraphy Public Welfare Mobile Lecture Hall", a member of the first batch of expert groups of the "Hanmo Salary Transmission Project", a researcher and master director of the National Academy of Painting of China, a distinguished professor of the Calligraphy Advanced Research Class of tsinghua academy of fine arts and a calligraphy graduate class of the Art College of Renmin University, the dean of the School of Calligraphy of Beijing University of Humanities, a special commentator of the 11th National Calligraphy and Seal Engraving Exhibition, and a judge of the 12th National Calligraphy and Seal Engraving Exhibition. He has served as a judge of national single exhibitions and comprehensive exhibitions organized by the China Book Association for many times.
Creation of lily couplets
It is a form of calligraphy creation, and it is widely used, both practical and artistic. In the creation of calligraphy, various types of books can appear in the form of Yang Lian.
LiShu yin place sleep time union
In terms of the practicality of the Yang Lian, the main book is the most suitable, such as li, kai, or xing kai, which is convenient for ordinary viewers to read. I remember that the residential area of a certain place is inscribed by a famous seal book master, and everyone does not know its words, if someone goes by taxi, tells the community that does not recognize the name, the driver can deliver, which has become an interesting story. If you use cursive inscription, I am afraid that not many people will know. Plaques and links are in public places, first of all, recognizable, and then artistic.
If placed on both sides of the door hall, there is a certain distance in the middle, so it pays more attention to the integrity and beauty of the single link, and the arrangement of the words pays more attention to the overall relationship between the upper and lower words and the single line.
Lishu Han Shilin Wind Union
Since the calligraphy form of The Yang Lian entered the study hall and the exhibition hall, the position has changed, and the upper and lower couplets have changed from long-distance separation to close-range juxtaposition. From the perspective of the artistic effect of creation, on the basis of the previous emphasis on the relative independence of the single link, emphasizing the left and right echo relationship of the upper and lower links, and paying more attention to the overall sense of the combination of the upper and lower links, the difficulty lies in the fact that there is a strong ability to control and imagine in the two lines of words from the aspects of single words, word groups, ink colors, virtual reality, etc., and even the single look at the upper and lower links is not established, and only when they are put together are wonderful.
Lishu Jizhao Su Huailian
As for the creation of Lishu, it can be selectively applied in the orthography and style that appear in different periods and different styles. For example, if you take the Fa Seal, the Jian Shuai, the Mo Cliff, the Han Stele, and so on, the chapter law can have rows and columns, and there are rows without columns, and then refer to the font size, the character posture is odd, the distance between the words, the thickness of the dot painting, the change of ink color, etc.
Lishu Ten Mile Half Slope Union
Lishu itself has dignified, neat, simple and other artistic characteristics, the above technical treatment can certainly increase the visual sense, but the grasp of the degree needs attention, the breath is the key, the technique is to serve, the breath is the positioning of personal aesthetics and the character of the work.