Whether it is the process or the ending, the life of Zhou Bingkun, the protagonist of "The World of Man", is heart-wrenching. When the audience saw this extremely sensible Zhou Bingkun, the days were getting better and better, and they were sincerely happy, but the good times were not long after all. Zhou Bingkun in the play is like a protagonist specially selected for torture, and Zhou Bingkun after this "torture" is more like an idealized audience in the play, an audience that has completely lost itself.
Zhou Rong grabbed the "machine". In his youth, the family needed two people to go to the countryside, and the whole family agreed to let Zhou Bingyi and Zhou Bingkun go to the countryside. For the only daughter of his parents, Zhou Bingkun wanted to go as the youngest child. Sometimes I feel that this is the earliest time of his self-awareness, but in view of the original intention, it is still a manifestation of losing himself. He went to the countryside so that his sister Zhou Rong could stay in the light tablet to take care of his mother, not for himself. Zhou Rong did not quit and said goodbye, leaving Zhou Bingkun to stay in the light word piece, which has also become the tone of Zhou Bingkun's entire life, in this light word piece, in the absence of a large platform and a wide vision, how to live your own life and support your own small family.
Zhou Rong has read more books relatively well, has a stronger sense of self, and can desperately go to the mountains of Guizhou to pursue so-called worshipful love, leaving aside the land where she grew up, these relatives. Zhou Bingkun is the opposite, and there are too many people or things he is unwilling to do.
Zhou Rong ran away, and Zhou Bingkun became the main force in this family's "filial piety before the bed".
Zhou Bingkun's filial piety, for his mother, can be regarded as a "exhaustion" word, which few people in our contemporary era can do. His mother was the first teacher to educate her children, and Zhou Bingkun spent the entire second half of her life with her mother, and his personality in the company of his mother can really be called "gentle and frugal". Zhou Bingkun, from the timber factory to the soy sauce factory, to the publishing house's restaurant and this level, is inseparable from his mother, which can also be said to be inseparable from his company. "Companionship is the longest confession of affection", Zhou Bingkun is like this for his mother.
Li Suhua can see her young son every morning and evening, and sit together to eat every day, which is an extremely happy and satisfying thing for herself. In Zhou Bingkun's own eyes, his development was far inferior to that of his brother and sister, and even because of this, he had been angry with Zhou Zhigang for several years. From Li Suhua's mouth, that is the most authentic Zhou Bingkun in this family, "I have always felt that you are stronger than your brother and your sister." Since your brother and your sister left in 1969, I think they are really gone, there is something that can't be seen or caught, and the family doesn't rely on you! When you are at home, your mother is at ease. In this family, whether it is Zhou Bingyi or Zhou Rong, they can be praised in the light character piece, and they can be regarded as the "Guangzong Yaozu" in the rural concept. In fact, in the limited life, Zhou Bingkun is the "main heart" of this family.
Zhou Bingyi is moving forward all the way in his career, tired of running for his life, and the care of his original family is far from enough; Zhou Rong is the embodiment of selfish self, and the contribution to the original family is not even comparable to Zhou Bingyi. Zhou Bingkun, however, is a person who has really dedicated his life to this family, whether he is married or not, whether he has his own small family, only he is "loyal" to his "old" family.
When Li Suhua suffered a cerebral hemorrhage, his future wife Zheng Juan helped Zhou Bingkun take care of her mother. At this most difficult time, Zhou Bingkun did not tell his father, brother and sister about the changes in the family, because they all had a good "future", and he firmly believed that he could stabilize and turn the situation around. It is this incident that makes people feel that Zhou Bingkun grew up in an instant, not a "slippery" player, and he really became the main backbone of the family of the light character film.
Nowadays, most of us are away from home, and the day of reunion with our parents is also the Spring Festival holiday, and most of the time we are in a state of gathering less and leaving more, and even this state has been habitually regarded as a norm. In ancient times, there were "parents are here, not far away", and now, we always like to emphasize that "travel must be square" to comfort ourselves. But actually? No one wants their job to be "more expensive and less close to home."
Leaving the soy sauce factory, Zhou Bingkun started a restaurant, and it was at this time that he moved his family away from the light character piece and spent 1700 yuan to live in a better and bigger house. This small family, which is not only lived by him and his mother, has truly become a big family.
Until his parents finally left at the same time, Zhou Bingkun was always by his side, and such companionship was what parents in the world wanted, and it was also difficult for children to do and difficult to achieve. In Zhou Bingkun's life, the family responsibility he took on was not a new small family formed by himself, but a whole family. Seeing Zhou Rong, people feel that there are actually many independent individuals in society, who can pursue themselves and abandon everything; look at Zhou Bingkun, he has no self, but his filial piety is truly unashamed.
Shoot Tu Zhiqiang. Zhou Bingkun was assigned to a state-run timber factory and worked as the most tired producer. In this workshop, Tu Zhiqiang is the best person for him at work. One day, it was announced that Tu Zhiqiang was a murderer, and he wanted to parade in the streets and then shoot him. Zhou Bingkun's brain once again lost itself. The director of the factory asked Zhou Bingkun, who had a good relationship with Tu Zhiqiang, to go to the scene to "observe" to show the "innocence" of the factory, and for Zhou Bingkun, this kind of behavior was even more "murderous". Tu Zhiqiang left, and Zhou Bingkun only remembered that "Brother Qiang" was a good person. Can't sleep at night, always call the wrong name during the day, and eventually "carry the bucket and run away". In this matter, Zhou Bingkun was repeatedly hit by Tu Zhiqiang's death until it collapsed. It was this incident that made him slowly get to know Zheng Juan.
Almost everyone will say that Zhou Bingkun was lucky to meet Zheng Juan. Zhou Bingkun and Zheng Juan are a model of "male outside, female inside", Zhou Bingkun in his life in the economic aspects, personnel handling to make the family better, Zheng Juan is obscure to manage the one acre and three points of land under the eaves. The first time Zhou Bingkun was imprisoned, Zheng Juan helped take care of Li Suhua, who was paralyzed and unconscious; Zhou Bingkun was imprisoned for the second time, zheng Juan did not abandon it, and did not let this small family that had lost its main heart collapse. In addition to the two big things, the small things are innumerable, and Zheng Juan has become a model of a good wife and mother in the play.
On the other hand, in fact, this is the so-called "two-way rush". Zheng Juan knew Zhou Bingkun's previous situation, with an "old mother", a blind brother, a child without a father... Looking around, in this era of relative abundance of materials and relatively open minds, almost no one dares to take this "disk". So? Zheng Juan's meeting with Zhou Bingkun is also a kind of luck.
Zhou Bingkun's family situation is not a surplus, but in the whole Guangzi Tablet, and even the entire Jichun City, there are not many families that are so outstanding as his family. Zhou Bingkun's economic conditions are not dependent on Zhou Bingyi's help to lead the entire light character film, not to mention the social status of the family, which is the highest light character piece. According to the actual situation of that era, Zheng Juan actually married into a famous and prestigious family. For Zheng Juan, Zhou Bingkun's love is unswerving, regardless of the previous suspicions is an extremely excellent trait of Zhou Bingkun. Compared with the husband and wife relationship shown by the brother and sister-in-law's final divorce storm, Zhou Bingkun handled it more perfectly. Because Zhou Bingkun's two sons have not made trouble, this kind of husband and wife relationship is even too perfect today. "Poor couples Pepsi lament" is not caused by poverty, but has always been poor. When there is no hope of getting better in life, and the whole family lives in poverty for many years, the spiritual level will naturally be the same.
Neither of them was lucky to meet anyone, but a state of mutual achievement. Zhou Bingkun is a well-known "old knot", Zheng Juan is the widow of a murderer that everyone "fears", neither of them is good, and when they come together, they are completely different. Zhou Bingkun's handling of the relationship between husband and wife is not very meticulous in the play, and it can even be directly said to be a straight man, but I have to admit that the biggest routine in the world is extreme sincerity. Whether it is a family change or Zheng Juan suspects that Zhou Bingkun and Sun Xiaoning "have a leg", he is dealing with all this with a sincere heart.
The light character film "Six Gentlemen" fell apart. The word disintegration is not used accurately, and their aggregation or dispersion is a filtering process.
Sun Chaochao and Yu Hong were the people who got the most help from Zhou Bingkun, and even asked Zhou Bingyi for help for Sun Chaochao, and before that, Zhou Bingkun never sought help from his own brother. In the end, Sun Chaochao's ending was painful, and Zhou Bingkun's dedication did not allow them to improve for a long time. Yu Hong surprised the audience in the final stage, of course, no one could have imagined that Zhou Bingkun's two sons could sacrifice themselves to help others, and even this help indirectly led to the fact that they broke with Cao Debao's two sons.
Xiao Guoqing and Wu Qian got help in letting the Zhou family's old house live in, and the embarrassing thing was that when Zhou Bingkun's new house was forcibly recovered, they were actually reluctant to move out, and even gave people the feeling that the house was their own home. According to the current network, it is "lower head".
Cao Debao and Qiao Chunyan had nothing to say, they had completely blackened, although in the ending, they forced everyone to sit together and drink wine. Off-screen people know that this is almost impossible. Cao Debao relied on Qiao Chunyan to eat soft rice to live, and even hurt Zhou Bingyi in the end, although it was not achieved, this behavior has completely violated Zhou Bingkun's bottom line.
Tang Xiangyang and Lü Chuan are well-mixed representatives of the "Six Gentlemen". Tang Xiangyang took the compilation of "businessmen", and Lü Chuan directly entered the central government. The two disappeared earlier, but the feelings left by Zhou Bingkun's group were more real. Years later, reunited, can still "spin one" without scruples.
Every year on the third day of the first year, people gather together. The most regrettable thing is that The Sun Chaochao couple who Zhou Bingkun helped the most did not have a good ending; the most chilling thing is that Qiao Chunyan and his wife finally "forced" Zhou Bingkun to help them find a relationship and cheat on the demolition house under the premise that they could afford to eat and live in a big house.
In the "Six Gentlemen" of the light character film, Zhou Bingkun is like a main heart, maintaining several small and direct friendships. In the subsequent life, there are more and more other elements of this pure friendship, but they must be maintained. I often wonder how I can maintain gray hair when I have such a bunch of people around me? Relatively speaking, Zhou Bingkun has more ups and downs in his life than everyone else, and he has to admit that his attitude towards life is more positive than everyone.
Off-screen audiences are actually not much different, under the influence of traditional virtues, there is a good side. Everyone wants to do filial piety, handle the relationship between husband and wife, and maintain long-term harmony between relatives and friends, but we do very little. In these experiences, he is either for his parents, for his family, for his friends, he has no self, but he also enriches himself in the extreme loss of self. This kind of loss is a manifestation of responsibility, but also a way to fulfill oneself.
This is not a mistake, at least in the rush of life, it is difficult for us to take care of "others". This kind of inattention makes more and more people become shallow, and also makes themselves more and more nihilistic. It seems that Zhou Bingkun has been in prison twice, married a widow, bought a house and was taken back, and his children were buried overseas, but we have to admit that he is already the luckiest character in "The World". This kind of luck is not given by others, but the result of spending a lifetime of time.
As we grow up, losing ourselves is the norm, and how to find ourselves in our loss becomes a test.