After Wu Yue took the magnolia to see it, why did some people feel "unworthy"?

Last night's Magnolia Award Ceremony, Wu Yue got the TV, Lei Jiayin got the Emperor, Ling Ling and Chen Junsheng met at the peak, and I was in a trance to give me an illusion, and the biggest winner was "My First Half of Life".

The fact is that Wu Yue's winning work is "County Party Committee Compound", and Lei Jiayin's winning work is "The World", and these two works also won the best TV series last night.

The actors are powerful, and the drama is also a conscience drama, but this magnolia, everyone still quarreled.

Double yolk egg double in the best TV series

Magnolia's "double yellow egg" wind this year has long been rumored.

The 28th edition, which was supposed to be held in June last year, was postponed to this year due to the epidemic, and it was rumored that it would be held in two years, and the number of winners may be increased.

A few days ago, Magnolia officially gave everyone a preventive injection, saying that there is a high probability of double yellow eggs.

When the fans of the finalists are hoping that the actors they support will win awards at this unlikely magnolia.

The award ceremony gave them a head-on blow, saying that the good double yellow egg turned out to be double on the best TV series.

Among the 22 shortlisted works, "The World" and "County Party Committee Compound" both won the award for best TV series.

This is also the only double yellow egg of this magnolia.

"The World" is a double high reputation and ratings, and the ratings and discussions of "County Party Committee Compound" are not bad, and it is reasonable for these two to win awards.

It is a pity that "The Three-Body Problem" and "Opponents", which are also very popular, were lost. In particular, Magnolia also invited Da Liu to award the best TV series, and the result was no "Three-Body Problem", which is really hurtful for us drama fans.

Perhaps because of the large number of shortlisted dramas, the theme of magnolia this year is quite rich.

The main theme and period dramas are not much to say, in addition to these two big-headed types, there are also sci-fi TV series like "The Three-Body Problem", which do not brush the edges and do not twist and turn, and seriously restore the sci-fi world.

There are also masterpieces like "The Beginning", which have a fresh theme and infinite flow loop, which does not have a large volume, but plays the concept of fantasy appropriately.

There are also several more costume dramas this year, "Menghualu", which is biased towards ancient puppets, "The Long River of the World", which is oriented towards historical dramas, and "Fengqi Longxi", which is a costume spy war, have done well in their respective vertical fields, and there are certain innovations in the theme.

Women's dramas include "Ideal City" and "I'm Good in Another Country", both of which belong to the upper works of the same genre.

To make a new idea on the theme, you have to watch "Opponent", a modern spy couple, walking 500,000, such a small role that is only worthy of playing soy sauce in the drama circle, but it has a more abundant development in the play, which is very subversive of the previous spy war drama.

It hurts that our "Opponents" hangs zero

In this way, the richness of the theme is not bad for a magnolia, and there are double yellow egg places, and in the end, only the period drama and the main theme drama are awarded, which inevitably makes people feel a pity, and also makes people worry that the situation of shrinking the theme of the national drama will appear.

Not a hit, but unexpected

Another strange place about Magnolia this year is that Wu Yue is the best heroine who won by "County Party Committee Compound".

Wu Yue's strength as an actor is not controversial, and the point of controversy is that she won the award through the drama "County Party Committee Compound".

Magnolia as a local award, the advantage lies in breadth, there is the selection of overseas TV series, which is also very commensurate with the style of a metropolis like Shanghai, and the phenomenon of local protection is also more obvious, such as the Best Actress Award, "Hot Mom" can beat "Parental Love".

This problem is also somewhat related to the so-called "supplementary award" metaphysics, before Sun Li failed to overwhelm Song Jia in "Cliff" with "The Legend of Zhen Huan", many people said that although Song Jia is very good, Sun Li is not bad, and then ...

In general, Magnolia has always been eclectic in terms of film selection, and there has always been an "unlimited" standard for "Best Actress" before.

If you follow this line of thinking, it is really completely understandable why many people bet on Zhao Liying's "Wind Blows Half Summer":

In the past few years, although Magnolia is not limited to the subject matter, most of the best heroines are urbanized or independent/big heroines that are very in line with Shanghai's characteristics, such as Zhou Xun in "Red Sorghum", Ma Yili in "My First Half of Life", and Jiang Wenli in "Under the Gate of Zhengyang".

The role of Xu Banxia is the most compatible with the temperament of Magnolia, and the theme of reform and opening up is also relatively easy to rush for awards.

The result? Magnolia sent the Best TV Series Award to "County Party Committee Compound", and also stopped a best heroine... Ideological consciousness has.

Usually in the circle of the best heroine of Magnolia, even Tong Yao has a lot of controversy, but at least it is not controversial that Gu Jia is the most out-of-the-loop character in "Thirty Only".

But the style of "County Party Committee Compound" is extremely close to the documentary, there are no particularly strong highlight characters, and there is no absolutely prominent character like "Daughter in the Mountains".

Ai Xianzhi is indeed the heroine, but the scene is not the majority.

In terms of the upper limit of play, Tan Zhuo's female spy is higher; In terms of character tone, Zhao Liying's gray female entrepreneur is more colorful; In terms of character nationality and communication breadth, Yin Tao's Zheng Juan should even know about her grandmothers.

The heroine of "County Party Committee Compound" can only be said to have taken advantage of the little advantage given by the theme, even if it is compared with other roles played by Wu Yue himself, it is not a very outstanding one.

However, in this matter, the most outrageous thing is that Chen Jin and Wang Ziwen combined, did not win a nomination in this award that is claimed to be based on internationalization and "innovative value"... It's also a bit outrageous.

Female themes are not coming out on the first day?

Wu Yue's post-award interview mentioned that her role only has about 100 scenes, but she focuses on the performance itself, and will not chase the so-called "big heroine" because of the lack of drama, and this label is also difficult to attract her.

This has caused new controversy, some people say that Wu Yue's words are very detrimental to the development space of actresses, actresses go to filming, even the number of scenes is not pursued, can a new ceiling be created? Questioning Wu Yue's statement as "backstabbing female themes" and "self-PUA".

Perhaps let's take a look at the "definition of a big heroine" first.

The role of Ai Xianzhi is the heroine, but there are few scenes, according to Wu Yue, this is not a big heroine.

So Tong Yao is a second woman in "Thirty Only", but a woman who is bigger than Jiang Shuying's Wang Mani, is this a big heroine?

In the case of the two heroines, Ruping's aura in "Deep Rain" is so big that she presses Yiping, she has parents to pet, money, and licking dogs, except that Shuhuan doesn't like her so much, but this doesn't seem to be a big heroine.

Whether a drama is a big heroine has no equivalent relationship with whether the female character is wonderful or not, and there is no equivalent relationship with whether the heroine has super-era progressive significance.

"The Firmament of the Firmament" is a super heroine, and the characters have reached the level of Empress Dowager Cixi, and no one dares to say that this character's life is not exciting.

But it is clear that this character is against the times, and her identity is destined to be absolutely impossible to fully achieve the "female awakening" advocated now, and it is impossible to admit that this is a big heroine.

Wu Yue said that he does not pursue the so-called "big heroine", in fact, because the big heroine drama is written like a big male protagonist in domestic dramas, and there are too few good scripts that focus on personal brilliance rather than children's love.

Therefore, the meaning of Wu Yue's words should be: don't use gimmicks that seem to be breakthroughs that have not actually grown to numb yourself.

By personal definition, the most widely recognized "big heroine" should have the audacity not to be afraid of the limitations of the background of the story, as well as extraordinary but not outrageous abilities, and an independent and always hopeful state of fullness, not necessarily completely in line with contemporary virtues or teenage fantasies about big women.

Personally, I think that the heroine's aura is not big, her status is high, and there are not many men who love her, which is really not necessary to consider, but the scene still has to be pursued.

The actresses are all polite to their positions, and they are also polite to the length of time, everyone goes to be green leaves, is it to let the pears in the entertainment industry?

Sister E's epilogue

If you watch enough dramas last year, you will find that many of the female characters in last year's domestic dramas have made great progress in behavior and personality and three-dimensionality.

Ye Wenjie in "The Three-Body Problem", a magical woman who kills her husband and preaches, she presses the button that decides the fate of mankind and retains a glimmer of opportunity, discussing her You will want to talk about the depth and unpredictability of human nature; There is also a very hot one, but the role is very bright, Peng Lai in "Rock 'n' Roll Flower", an anti-traditional middle-aged mother, self-independent, a bunch of rotten problems, fresh and wanton against secular life, the degree of evil women and the degree of moving are the same. As well as Zhao Sanyue, which I personally like, the growth of women under the funeral culture, and so on.

They come out of their shells under the wrapping of silly white sweet heroines and intelligent female characters, showing the variety of ways women can have, and they are also precious existences under the waves of women's themes.

In the industry under the mud and sand, there are still so many moving female characters, which is quite gratifying, why did the female theme not come out?

Each award ceremony has its limitations, the audience and fans do not have to be too high, for most actors, there are no regrets to meet a good role, and then perform it solidly, and be seen and remembered by everyone.

Today's late-night topic is:

What is your role in mind?

Let's talk about it in the comment area~

-Today's headline の主作-

Your little fairy E sister, with an eye for sweet and spicy sauce & blue eagle

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