The best cp of the beginning of the year, isn't it this pair?

Greeting the God of Vesta on the fourth day of the first lunar month, have you eaten and drunk well today?

Spring Festival at home, I will also accompany my parents to watch TV, in the past often because of the different themes I like can not see together, this year my family does not have this trouble.

Because my mom and I chased "The World" together.

Anyone who hasn't watched this show, I'm going to be sad, OK?

The best cp is actually this pair?

"The World of Man" is about the growth and life of an ordinary family in Northeast China and a family of five in the Zhou family.

The story begins in 1969, with the imprint of the times when the young people went to the countryside, and there are also the trivial daily life of personal love and small family twists and turns. This kind of TV series with epic temperament sounds easy to be grand and boring, but who can think that the first thing that makes people get on the head is actually -

The CP in the play is so bumpy?!

The love line of the eldest brother Zhou Bingyi and the eldest sister-in-law Dongmei is a sense of contrast.

Poor boy and governor of the province, the identity should be very different. As a result, the era suddenly changed, the eldest brother was divided into the legions in remote areas, and Dongmei became an ordinary female Zhiqing with bad composition.

Although their status has been reversed overnight, the two young people are still passionate, and they love to go to the cypress forest near the corps to talk to each other, and occasionally they will be caught by friends and buttoned wrongly...

The two of them looked shy and sweet, and they knocked me to death.

The love of the second sister Zhou Rong is even more deviant, a family letter, Zhou Rong will carry her bags to the mountains, in pursuit of lovers who have only met once and fall in love by letters.

The memory of a thousand miles of love is also worthy of wishes, and the days are poor and simple, but self-sufficient.

Zhou Bingkun, played by Lei Jiayin, is the youngest brother and the most twisted one in the emotional line at present.

At the beginning, he encountered the bold pursuit of the straight ball girl Chunyan, "he fled, she chased, he inserted his wings and was difficult to fly", helpless Bingkun did not love this spicy northeast flower... Otherwise, the twisted melon is actually quite sweet.

And Bingkun's official match is actually Zheng Juan, played by Yin Tao, a woman who is the most miserable woman in the whole drama so far.

Her family was not well-off, and her fiancé was shot. Zhou Bingkun appeared in the darkest stage of Zheng Juan's life, wearing a silly military hat.

For Bingkun, Zheng Juan is the "most beautiful woman" he has ever seen; for Zheng Juan, Bingkun is a kind of redemption, giving her a kindness and respect that she has never felt, and the love between the two people is silent but extraordinarily turbulent.

However, the best bump in the whole drama, the most worthy of savoring, is the "steady happiness" of Zhou Father and Zhou Mother.

In them, there is the warmth of the older generation.

Zhou's father wants to go to the southwest to work, and the Zhou family station bids farewell to the scene, and every detail presents the purity and simplicity of this love. Zhou's mother, who is sad because of her son's departure, has always been Zhou's father silently patting his back and silently comforting.

The farewell in and out of the car, both of them can not say the words of flesh and numbness, simple hand-holding, are done under the guise of farewell. But the groping after holding hands is a restrained affection.

Yes, the whole drama to now, the most intimate action of Zhou Father and Zhou Mother is to shake hands.

Once when they are separated, when they hold their hands, they are full of reluctance;

Once, after two years, the two finally said goodbye, lying on the kang at night, Zhou's father, who could not sleep, stared at Zhou Mu for a long time, and his hand had been holding one of Zhou Mu's hands.

There is not a word, but the tacit understanding of keeping words is played to the extreme.

Zhou Mu, who woke up, also took the initiative to extend her other hand to hold her husband tightly, not saying love, but every detail is love.

In them, I stumbled into the simple and beautiful appearance of love.

The torrent of the times and the fragility of human feelings, but for Zhou's father and mother, holding hands is a lifetime, and a lifetime is to walk together every day.

The Zhou family's "philosophy of love"

The love of Zhou's father and mother is not only good, their words and deeds have also allowed the children of the Zhou family to be consistent in their concept of love, and even formed the unique "love philosophy" of the Zhou family.

First, it is a sense of responsibility for love.

Father Zhou took root in the southwest and could not return home for several years, but his responsibility for the family was not put down for a moment.

He only had to give out a piece of soap in three months, and he saved a full 6 yuan in two years in order to bring good things to his family.

Under the influence of his father, the eldest brother became a person who carved a sense of responsibility into his heart.

For his fiancée Dongmei, he is willing to give up a better future, because this future requires him to break up with Dongmei.

Dongmei once fell into a well in the winter, which affected his body and made it difficult to give birth, but he silently decided to take all the problems on himself and hold up this feeling.

I think that their love can be defined by this sentence: "Birth is also a curse, and death is also a rafter."

Even Bingkun, who was the most humble in the early stage, looked like he had no heart and no lungs, and after falling in love with Zheng Juan, he also silently shouldered the responsibility of feelings.

After discovering that Shui Ziliu was arrested, he raised money as a family bracelet, and went to send money to Zheng Juan every month as always, but did not mention anything about the arrest of Shui Ziliu.

The second truth that Father Zhou teaches children is that love can not look at conditions, but it must follow the right path.

Dongmei came to the Zhou family when she was the governor of The Province, and Zhou's father and mother had a kind attitude and did not stoop; when Dongmei's identity changed dramatically, and when she was saddled with a bad composition, they did not discriminate, but considered her ideas everywhere.

Therefore, when Bingkun held a tentative mentality and told Zhou Dad that he had seen a divorced and baby object, Zhou Dad would be furious. A kick overturned Zhou Bingkun, almost knocking on the door of the unwarranted "introducer".

He felt that his son and widow were involved, "not the right way, it was an asshole", which was why he was angry.

Of course, there is nothing wrong with the germination of love between two single men and women, and it is the shackles of the times that cause outsiders to feel that this kind of love is not the "right way." In the trailer, Zhou's father later accepted Zheng Juan, or because he found zheng juan's good, Bingkun was responsible.

Zhou Father was angry with Zhou Rong for so long, in addition to worrying about his daughter, it was more in his old-school values, running away from home and smuggling himself into marriage, which was really not good.

The third truth that Father Zhou teaches the children is the firmness of their feelings that they have been together for decades.

Even if Father Zhou knew that Mother Zhou had become a vegetative person, he never thought of giving up, and this firmness towards his lover also affected every child in the Zhou family.

Therefore, the three brothers and sisters of the Zhou family, when faced with the difficult choice between emotion and worldly love, they have stepped on the emotional end.

The eldest brother's consistency with Dongmei does not change due to the change of Dongmei's identity several times; Zhou Rong's firmness towards Feng Huacheng, the hard life in the mountains of Guizhou, cannot be indelibly erased; Bingkun's treatment of Zheng Juan, from hesitation and difficulty, also learned to stick to and affirm.

At the moment when fast food love is prevalent, it is difficult not to be moved by the "love philosophy" of the Zhou family.

The reason why modern love is fast food is because the calculating adult is afraid of choice and rejects the responsibility and results in love. Floating lightly on the surface of love pleasure, without entanglement, there is no tighter and tighter entanglement, not into the heart, naturally can be said to give up.

Microwave ding-dong can eat bento in a minute, WeChat chat for a few days can be hot emotions, come easily and simply, they don't even have to face the choice, they will get off directly at the previous stop of the choice.

Therefore, the true feelings of "The World of Man" are rare and moving.

Many times their choice is invisibly to give the current fast food love a blow.

In the trailer, Zheng Juan and Bingkun eventually became a family, and no matter how much gossip and external conditions were actually not as good as the true relatives.

At least in this increasingly unromantic moment, the "love philosophy" of the Zhou family tells us that we can still take a little tolerance and fantasy and leave it to love.

Why is the love of the period drama always so moving?

The more TV dramas I have watched in the past few years, the more I have discovered a law that is not a rule: the male and female masters have evolved to the idol dramas that can do everything on the cornices, but it is difficult to show the truth.

And the love of ordinary ordinary people in the era drama is moving.

Far away, "Parental Love" has so far sat firmly in the top spot of the love drama of the era, jiang Defu and Anjie's run-in and keeping, the feelings have become more sincere after fifty years of wind and rain.

Looking closer, Debao and Mai Miao in last year's "Mountains and Seas" are a little bit better, and "Children of the Qiao Family" has also produced several pairs of cp of true love and patience.

I think that the reason why the love of the period drama is moving may be because it is real enough, simple, and with the background of love.

"Authenticity" has always been the strength of the period drama.

Itself is born out of the short life material of parents, and love seems to be the epitome of real life.

The truth in "The World of Man" relies on a lot of northeast flavors, ice pillars frozen under the eaves, frozen pears that entertain people, cabbage that is hoarded in large quantities in winter, and northeastern dialects with their own comedic temperament.

The laying of these details makes Chunyan Snow Day Block Bingkun both interesting and real.

The snow was windy, so the two were in the corner of the alley, and Chun Yan could take a step forward and stuck the big head on the wall.

The second is rustic.

The love of the era drama rarely has the "bells and whistles" of the idol, life has been difficult, and naturally there is no inexplicable sentiment that makes people look at the tooth acid.

The most beautiful love sentence in "The World of Man" should be zhou dad said to zhou mama" "you have worked hard", they are not used to saying love, which is already an implicit and profound expression.

Coupled with the two actors who do not say a word, but are full of affection, it is more than the so-called 8-position idol drama kissing scene, but also can make people feel the love and sincerity.

There is no superfluous expression, but because of the simplicity of emotion, it is closer to the true appearance of love, so it is moving.

But most importantly, these scenes are paved with the background of "love", and they can all grow in love.

Love can be the attraction of appearance, the worship of talent, or even just the hormonal moment to see the right eye, love can also be mutual support, not limited external reciprocity.

But love shouldn't just be that.

There is a sentence in the book of poetry that reads, "Pan Yang Zhou, load sinking and floating." When I see a gentleman, my heart rests. In fact, love is a lot of times, more of an inward quest and growth.

Bingkun's first growth in the play is that he has developed love for Zheng Juan, and he has also learned to be responsible and dedicated, putting five pieces of his own into an envelope, obviously timid and afraid of things, but he goes to Zheng Juan's house every month to send money without moving.

The second growth is that he knows all the things that happened to Zheng Juan, he is shocked and panicked, and he wakes up from the excited hormones and begins to think calmly about this love.

Good love makes people learn responsibility and growth.

And the love of the era drama, the partner is not only a lover, but also a mentor on their life path.

This kind of "growth" will eventually lead the audience, so that everyone can immerse themselves in the play, experience "growth" like a character, and feel the preciousness of true feelings, far from being comparable to fast food love.

In the final analysis, a good love drama is nothing more than "three truths"——

"True feelings and true intentions and real actors" seems easy, and few can be done, which is even more rare in the impetuous moment.

Sister E concluded

In recent years, we often say that we can't see "ordinary people" in domestic dramas, and there are no real life sketches that can make people sigh.

What is surprising about "The World of Man" is that although this drama has a large time span and a large era background, it is rare to have a "small life of a small person".

Mr. Liang Xiaosheng wrote in the original work: "All because of having a home, living is something interesting. ”

Saving meat tickets for the New Year's day to take meat dumplings, the opportunity to buy pork without tickets, and flocking to the crowded supply and marketing cooperatives are all the memories of the times of my grandparents and parents. It is also the small family of the Zhou family, the ordinary daily life.

The times are far away from me, but ordinary life is very close to me.

Friends who don't look up to each other suddenly freeze their former suspicions because they finish something together; when I was young, I liked to be unreasonable, and "love at first sight" was a normal thing; complaining that the sweater pants were too small, and wanting my mother to knit a new "thunder head", and my mother's nagging urge me to wear autumn pants intertwined with each other.

All the details are paired with trivial life, which is the fireworks that can be seen.

When I was in college, the original work of "The World of Man" was more of a great change in the times, and it was the development of new China in the past fifty years; now when I watch dramas, I see the clutches and sorrows of small people, the change of a family, and the warmth of human feelings.

Although I have never experienced it myself, it is really like ordinary life in every ordinary moment.

Today's topic is:

What kind of period drama do you like?

Let's talk about it in the comments section