What kind of character can attract "public anger"?
A third party who knows that there are tigers in the mountains and prefers to go to the tiger mountains?
Or is it a big parent who is not young and constantly demonized?
The two are inseparable. In terms of "Little Three", in "The Temptation to Go Home", Ellie shows the riot operation of "wearing clothes on the body", and the "tea master" Lin Youyou in "Thirty Only" has the initiative to nibble on the ice cream of the male protagonist Xu Huanshan, which is impressive.
At the level of parents, Su Daqiang, who is suppressed and cowardly in "All Is Good", always avoids family conflicts, and Xue Pearl, who is hot and fiery in "The First Half of My Life", is both shrewd and protective of the calves, and the complexity and grayness of the role are vividly expressed.
With the TV series "Xiao Minjia" broadcast more than halfway, the domestic drama "Scum Daddy" group has added another general -
Jin Bo (Tu Songyan).
What kind of person is Jin Bo?
This also has to start from the three men that the heroine Liu Xiaomin (Zhou Xun) contacts. Chen Zhuo (Huang Lei), who is middle-aged, belongs to the current "real-life boyfriend".
Although his body shape is blessed, his personality is optimistic. He is Liu Xiaomin's pistachio on weekdays. Teacher Su's image is more complicated. In the early years, Xiao Min and Teacher Su were discredited for copying love poems and were forced to leave their hometown of Jiujiang. Rather than saying that he is the nightmare of Xiao Min's early life, it is better to say that he is the "ideal spiritual partner" in the hearts of every young girl.
One is in the dream, the other is the reality, and Jin Bo naturally becomes the past that cannot be looked back. Jin Bo's appearance is not quite the same as the other two fathers. Chen Zhuo and Hong Wei (Feng Lei) belong to the "emotional dismemberment of the identity of the off-site", while Jin Bo is "the emotional absence of the form under the field".
Chen Zhuo sends his daughter Chen Jiajia (Xiang Hanzhi) to his ex-wife Li Ping (Qin Hailu) for her birthday. Along the way, Chen Zhuo talked and laughed with his daughter, showing his father's love, and also told Jiajia not to spend her mother's money. Considerate and generous, but also able to let the daughter unload her defenses in front of herself, such a father is rare.
Hong Wei is Li Ping's current husband, with a big family and a lot of money, but due to Li Ping's strong personality, he also loves Jia Jia. Jiajia's birthday, he helped Zhang Luo party, and personally put on a gift "key pendant" for Jiajia, which means that Jiajia can use this key to open the door to success when she becomes an adult.
Although the pendant collided with Chen Zhuo's gift, the two fathers' love for Jiajia was similar.
Compared with Chen Zhuo and Hong Wei who accompanied his girlfriend, Jin Bo's appearance was really "not seen by his people, first heard his voice". Xiao Min and her ex-husband Jin Bo's son, Jin Jiajun (Zhou Yiran), come to Beijing for a tutoring class. On the surface, preparing for the college entrance examination and impacting Tsinghua, Jiajun also has a psychological dark line:
His father, Jin Bo, was in debt, and he left Jiujiang with his grandmother and came to Beijing, but he also wanted to pay off his father's debts by doing odd jobs. The first time Jin Bo "appeared" was when he probed his son's tone of voice through the phone.
According to Jia Jun's reply, the audience learned of Jin Bo's debt problem. Pressure replaced companionship, form replaced emotion, and Jin Bo's father lost his impression points as soon as he came up.
Jin Bo's resentment is manifested in his selfishness, lack of dignity, and rebellion. After getting the custody of his son, he did not raise it and pushed it to his grandmother to take care of it; after the failure of the investment after the divorce, he not only worried about the money of his ex-wife Xiaomin, but also acquiesced to his son who was working hard to prepare for the war to play e-sports overnight to pay off the debt.
And him?
Saying that he came to Beijing to find a job, but he spent his days eating and drinking in Xiao Min's house, and he couldn't change the problem of drinking, so he drank with the old man of Hutongkou early in the morning: "Get up in the morning and take a sip, there is no trouble for a day." "I even want to rekindle my old love with Xiao Min, just because I see the comfortable environment of Xiao Min's home."
At the same time, he is not very thoughtful about others. Although his ex-wife Xiaomin had a festival with Li Ping, Jin Bo tried to find an official position in Li Ping, and did not care about Xiao Min's feelings.
He even lived "free" in the old mansion of Li Ping's ex-husband Chen Zhuo. In his heart, as long as he is not embarrassed, it is someone else who is embarrassed.
If Jin Bo is portrayed as a "black and white" facial figure, the richness of the role will be greatly reduced. He is superficially confused, but he also has potential warmth and truth. Chen Zhuo's "warm father" image is beyond doubt, and Jin Bo sometimes has some resemblance to him. During the preparation for the college entrance examination, Jia Junjia Junjia fell in love, which parent will not explode when he encounters this matter?
Interestingly, after Jin Bo learned of the news, his attitude was the same as Chen Zhuo's: he did not stifle this relationship in the cradle, but treated it rationally and calmly, and deliberately matched the two. Perhaps some viewers will say that the reason why Jin Bo does not interfere in this relationship is because he is interested in Jiajia's mother's money.
Yes, Jin Bo was indeed snobbish, but when Jiajia wanted to help him pay off his debts, Jin Bo still refused. In the kitchen, he looked at Jiajia with shame: a little girl is more distressed than this father.
Jin Bo has the way of thinking of residents of third- and fourth-tier small cities: well-being and sincere, even if you can't pass the Tsinghua School, it's okay, "wife and children hot kangtou" is the key.
Jiajia's big grinning personality is, in some ways, a bit like Jimbo's undisguised and unreasonable personality. This kind of straightforward and unconcealed inner characteristics made Jin Bo extremely fond of this "future daughter-in-law".
Jin Bo in the play is not a tool-type big evil man, he also has a "history of suffering". At that time, Jin Bo was also the "second generation of the factory". Backward in the family road, they do not seek progress, and they are in trouble all the time. However, to Jiajun, Jin Bo also lost his father's love. From Jiujiang's hometown to jiajun to bring military shoes, during the meal is busy to give the sub-vegetables of their own can also burn a hand of food.
It's just that his selfishness is greater than his kindness to his children. The "scumbag" in domestic dramas is not an absolute villain, they all have unspeakable secrets. Take Qiao Zuwang (Liu Jun), the eldest parent in "Children of the Qiao Family", who is not only an incompetent father, but also has the thoughtfulness of an elder.
When his wife was in the basin, he also rubbed mahjong with his elder brother; the children were growing their bodies, but he had to keep the "essence" to himself every time he ate; he walked the streets and alleys on weekdays, and from time to time he also ordered the chicken gizzards of the neighbors;
Erqiang held a parent-teacher conference, Simei was sick and bedridden, and he didn't pay attention to it. But he wasn't a cold-blooded animal either. His selfishness is a product of the times, after all, the patriarchal trend prevailed at that time, and if there were children in the family who could not afford to raise them, they would be fostered to others. Even so, after fostering Simei to an intellectual family, Qiao Zuwang still stood by the door and cried.
Yin Pingchuan (Zhai Xiaoxing) in "Life Home" also makes people hate it and itch their teeth. Years after abandoning her eldest daughter Qiu Donna (Wen Qi), Yin Pingchuan suddenly appeared, playing the trick of "Ming Xiu Zhan Dao, Dark Chen Cang": spending money for Donna, wooing her colleagues, seemingly making up for the late father's love, but in fact, under the banner of recognizing relatives, Wang Donna donated bone marrow to her second daughter Yuanyuan.
Before the donation, Yin Pingchuan ate and drank well, and also replied to the pen money given to Donna; on the day of the operation, seeing that Donna's half-sister Yuanyuan had improved, the "scumbag" immediately crossed the river and demolished the bridge, not only stopping Donna's room rate, but also deliberately concealing the password of the bank card.
However, there are also pity for hateful people. Yin Pingchuan's father's love is misplaced. After giving birth, women naturally become mothers, but men's father roles are present. Yin Pingchuan missed the opportunity to accompany Dena, but found a sense of responsibility as a father in Yuanyuan. Yin Pingchuan is not without love, but unfortunately, this love is not in Donna. At first, Tonna refused bone marrow donation, and Yin Pingchuan and Tonna's father and daughter squatted on the ground and cried.
This plot is matched with the lyrics from the interlude "Star": "Is it okay to come back and grow old with you?" Don't be the protagonist of the world. Is it good to just have a hug? The brightest stars I've ever seen. Yin Pingchuan wants Yuanyuan to grow old with him, and Donna is embraced by her father. Do everyone learn the skills of parenthood when they are born? Did the school teach us how to be a competent parent? None. Therefore, parents are the most difficult, and the trick has to be explored by themselves.
"Xiao Min Family" has such a detail: Xiao Min, who is accustomed to being alone, is uncomfortable after her son Jia Jun lives in. On the one hand, she wanted to fulfill her mother's duty and give the master bedroom to the family; on the other hand, she could not share the master bedroom with others. When Jia Jun appeared in front of Xiao Min naked after bathing, they were a little shy with each other.
When Jia Jun was a child, he lacked the company of his mother Xiaomin, which also made the mother and son have some estrangement. Supposedly, there is nothing wrong with a mother looking at her child half naked. However, urban solitary women will be a little uncomfortable when they see men's naked bodies, no matter who the other person is. This leads to the dual dilemma of middle-aged people: First, blood relations are diluted by emotional estrangement.
Xiao Min's identity is a mother, but lack of companionship, and the relationship between the two is not as good as the relationship between Jia Jun and Jin Bo. Second, Zhongjiajun is tormented by the curse of "others are hell" at all times, and it is difficult to adjust his own life color. Xiao Min is with Chen Zhuo, but she does not dare to disclose the relationship between the two because she cannot get out of the shadow of Teacher Su in her early years. Nowadays, although she and Chen Zhuo are divorced, the law also protects their rights and interests in remarriage, and Li Ping, Jin Bo and others still have social prejudices.
The story of "Little MinJia" is too dramatic, and each character is deliberately placed in some kind of pre-programmed network. But for the depiction of the emotional plight of middle-aged people, "Xiao MinJia" is in the bull's eye.
Society's attitude towards young people is "how you should be", but the attitude toward middle-aged people is "how you should be". But how many "shoulds" are there in the world? Who should define this "should"?