Literature illuminates the ruts of history and outlines the contours of the imagination. It makes you escape from wandering, frustrated, ambitious, and unfulfilled, and the world constructed by writers may be second-hand to us, but those condensed words are their answers after their insight into the world. This material has excerpted the classic quotations of many writers for the students, and I hope that you can use them when writing essays
1
Lu Xun
Lu Xun was a modern writer, thinker, and revolutionary. He has been hailed as "the writer who occupied the largest territory on the cultural map of East Asia in the twentieth century". Lu Xun's works are mainly based on novels and essays, and his representative works include: the novel collection "Scream", "Wandering", "New Compilation of Stories", etc.; the prose collection "Chao Hua Xi Shi"; the prose poetry collection "Wild Grass" and so on. Lu Xun used his pen to replace Ge, write hard books, fight all his life, and was known as the "soul of the nation". "Horizontal eyebrows are cold to a thousand fingers, and bowing down to be a widow cow" is a portrayal of Lu Xun's life.
1. But silence is the highest contempt.
2. The beasts of prey are always alone, and the cattle and sheep are in groups.
3. May the young people of China get rid of the cold air, just go upwards, and do not have to listen to the words of the self-destructive and self-abandoning people. Do things that can be done, make a sound that can be heard. There is a point of heat, a point of light. Just like fireworks, you can also emit a little light in the dark, without waiting for the torch.
4. Fate is not a Chinese's guidance in advance, but an effortless explanation after the fact.
5. To sit alone and recall the past, I feel that for most of the year, I have neglected the essence of other lives just for love, blind love. The first is life. Man will live, and love will be beautiful.
2
Lin Yutang
Lin Yutang is a famous writer, scholar, translator, linguist and representative figure of the New Taoism in modern China. Lin Yutang was nominated for the Nobel Prize in Literature twice in 1940 and 1950. He has founded publications such as "Analects", "Human World", and "Cosmic Wind", and his works include the novels "Jinghua Smoke and Clouds" and "Laughter is Wrong". Essays and essays on the feast of life, the art of living, and the translations of Selected Poems of Dongpo and Six Notes of Fusheng.
1. The degree of enlightenment of a person is equal to the depth of his suffering.
2. The two words of loneliness are taken apart to see that there are children, melons and fruits, puppies, and butterflies, which are enough to support the mouth of an alley in the middle of a summer evening, full of humanity. Under the willow shed of the child, the thin dog is in the narrow alley, the world is bustling and laughing, but I have two sideburns. ——Children's fruit cats and dogs flying butterflies are of course lively, but they have nothing to do with you, which is called loneliness.
3. Nature itself is always a sanatorium. It can cure, if not other diseases, but at least it can cure human arrogance. Human beings should be placed in the right size and must always be placed in the position of nature as a background, which is why chinese landscape paintings always paint extremely small figures.
4. The feast of life is already in front of us, and now the only question is what our appetite is.
Life is the expression of something in an instant, the form of the eternal spirit in the shell that exists in the moment.
3
Zhu Ziqing
Zhu Ziqing is a modern Chinese essayist, poet, scholar, and democracy fighter. In 1928, the first collection of essays, Back Shadows, was published. In 1934, he published the Miscellaneous Notes of European Travels and the Miscellaneous Notes of London. In 1935, he published the essay collection "You and Me". Throughout the history of the development of modern Chinese prose, the prose achievements of the "May Fourth" period had the greatest impact on the creation of modern and contemporary prose. The writers with the highest prose achievements in this period should first recommend Zhu Ziqing.
1. The educator must have faith in education, just as the religious believer has in his God... I rebuke the people who use education as a means! I exhort those who take education as a utilitarian! I want us all to work hard and strive to be those who believe in education.
2. I have never seen the face of justice, only its curved shadow—on the lips of the "self," in front of the "authoritarian," behind the "other."
3. From now on, I no longer look up at the blue sky, no longer look down at the white water, only cautious of my footsteps, I want to step on the dirt step by step, make deep footprints!
4. People who tiptoe their feet and stretch their necks and only know "waiting"! They wait for "tomorrow" to do everything, but "today" is dedicated to waiting; naturally, when tomorrow comes, they have to wait for tomorrow's tomorrow.
5. When washing hands, the days pass from the basin of water; when eating, the days pass from the rice bowl; when silent, they pass in front of the frozen eyes. I sensed that he was in a hurry, and when he stretched out his hand to cover it, he passed by the hand he was holding, and when it was dark, I was lying on the bed, and he skillfully stepped over me and flew at my feet. When I opened my eyes and said goodbye to the sun, it was another day.
4
Lao She
Lao She, a modern Chinese novelist, writer, language master, people's artist, the first writer in New China to win the title of "People's Artist". Representative works include "Camel Shoko", "Four Generations Together", and the script "Tea House". Throughout his life, Lao She always worked selflessly, and he was a well-deserved "model worker" in the literary and art circles.
1. There are not many truths in this world, and a woman's blush is better than a large piece of dialogue.
2. Life is a rhythm, there must be light and shadow, there is left and right, there is sunshine and rain, and the taste is contained in this changeable and fierce twist.
3. The bustle of the chaotic world comes from superstition, and the comfort of the fool is only self-deception.
4. Man, even if he lives to be eighty or ninety years old, he can still be a little childish with a mother. If you lose your loving mother, you are like a flower in a bottle, although it is still fragrant, but it loses its roots. People who have a mother are at peace of mind.
5. The heart is a tree, the roots of love and hope must be rooted in the soil, and the branches of wisdom and emotion are spread under the blue sky. Whether it is the wind and rain of the years, or the rolling red dust that obscures the green leaves and green branches, it always stands there silently waiting, and accepts that everything comes, neither arrogant nor humble.
5
Shen Congwen
Shen Congwen is a famous Chinese writer and researcher of historical relics. In 1924, he began to write and publish novels such as "Long River" and "Border City". After the founding of the People's Republic of China, he worked in the Chinese History Museum and the Institute of History of the Chinese Academy of Social Sciences, mainly engaged in the research of ancient Chinese history and cultural relics, and authored "Research on Ancient Chinese Costumes".
1. I have walked on many bridges, seen clouds many times, drunk many kinds of wine, but only loved one person of the right and best age.
2. Everything has a fortuitous coincidence, but the result is like the inevitability of fate.
3. Time turns some heroic beauties into dust, and some fools and villains into rich and broad.
4. All the beautiful birds have no home, shooting stars, falling flowers, fireworks, the most singing blue-headed, red-billed and green-winged queen mother birds, and there is no home. Who has ever seen a man raise a phoenix? Who can bind the moonlight? A meteor has its own direction of coming and going, and I have my place to go. The mind is the most beautiful, so the soul has no home, no home. I thought, maybe an eternal heaven doesn't exist, because if God is lovely, He has no home either.
5. Life is a thing that is too brittle and thin, and it is not more able to withstand the wind and rain of the years than a flower, and it is necessary to reflect on life with the eyes that are devoted to nature. I can't help but feel enthusiastic and cherished, and value the vine katsu that people make a coincidence.
6
Ba jin
Ba Jin, a Chinese writer, translator, and social activist, was deeply influenced by the new wave of ideas after the May Fourth Movement, and under the influence of this idea began his personal anti-feudal struggle. Ba Jin's Caprice, written after the Cultural Revolution, is simple in content, sincere in feelings, full of the author's repentance and introspection, and Ba Jin is known as the "conscience of Twentieth Century Chinese literature".
1. The young and lively heart will never be sadly left behind.
2. The reason I write is not that I am talented, but that I have feelings.
3. People lie down, take off the masks they wear during the day, and settle the day's ledger. They opened their hearts, opened their "corners of the soul," that hidden corner, where they regretted and wept. For the waste of this day, for the loss of this day, for the painful life of this day. Naturally, there were a few proud among the people, but they had fallen asleep satisfactorily, and the remaining unfortunate, the disappointed, wept their fate in the unwarming bed. Whether in day or night, the world has two different faces, existing for two different kinds of people.
4. We are young people, not deformed, not fools, and we should fight for ourselves happiness.
5. Be a person who sends charcoal on a cold day and comforts in pain.
7
Money Bell Book
Qian Zhongshu is a modern Chinese writer and literary researcher. In 1941, he completed the writing of "Talking about Art" and "Writing on the Side of Life". In 1947, he wrote the novel "Siege of the City". In March 1972, at the age of sixty-two, Qian Zhongshu began to write "Pipe Cone". Qian Zhongshu learned five cars and was known as "Erudite Hongru" and "Cultural Kunlun".
1. For ugly people, it is cruel to look closely.
2. Rumors are faster than the flu, greater than the energy contained in meteors, more malicious than hooligans, and more heart-wrenching than miscarriages.
3. Love is mostly unsuccessful, either suffering from the boredom of eventually becoming a family member, or suffering from the sadness of not being able to finally become a family member.
4. No dreams, no feelings, the most primitive sleep of life, but also a sample of death.
5. Some people who have lost love will immediately turn their sadness like a rotten leg called Huazi, a bloody public exhibition, a bo people's pity, or a matter of passing, like a warrior's golden sores, undressing instructions, and making people admire.
8
Sanmao
Sanmao, modern writer. In 1967, he went to Spain to study, and later went to Germany and the United States. In 1973 he settled in the Spanish Sahara Desert and married Jose. He is the author of more than ten kinds of essays and novels, such as "The Story of the Sahara", "The Weeping Camel", "The Rainy Season Will Not Come Again", "Gentle Night", "How Much Do You Know About Flowers in Dreams", "Back Shadow", "My Baby" and so on.
1. A person has at least one dream and a reason to be strong. If the mind has no place to dwell, it is wandering everywhere.
2. Dreams can be crazy, ideals, is the bumpy road that we step by step.
3. All people, at first, are just hollow people, the so-called self, just a vague shadow, all rely on books, paintings, music and movies in other people's life experience to evoke the direction, and use their own experience to fill, and gradually become solid people. And the most decisive force in this process of falsehood and truth is time.
4. Every time I think of you, a grain of sand falls from the sky, and the Sahara is formed.
5. The most beautiful relationship of friends is the icing on the cake; the most precious, expensive in the snow to send charcoal; the best among friends, like good tea, light but not astringent, fragrant but not fragrant, slowly wafting, like a long stream of water.
Content from: Language Newspaper
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