The plot follows on from the previous one: After that, Furuhata took Imazumi to the antique shop in Chunfengdo, saying that he wanted to see the Goryeo period "three-eared pot" that he returned from last night's high-priced auction. Haruhokudo took the pot from the corner, and Furuhata asked him why he couldn't wait to buy this pot back at a high price last night. He said that he asked the people at the auction house, and they also felt incredible, how the antique shop's Chunfeng Hall could buy this "three-ear pot" that was obviously a fake at a high price. Chun Feng Tang said that he suddenly had a strong desire to own this pottery.
Leaving the antique shop at Chunfeng hall, Furuhata went to Nagai's art museum, where he saw the "Keicho Nojutsu" on display. Nagai introduced furuhata to the "Keicho No.D. Pot" to be recognized as an important cultural treasure. However, after he said this, he thought of letting Furuhata and Imaizumi leave as soon as possible, and he was furious at Imagi's touching of this clay pot. So Furuhata asked him if he had really been in the office last night, because his secretary had knocked on the door halfway and brought him coffee, and never heard a response. Nagai had to argue that he might be asleep. Then he said he was busy and left. Furuhata took Imazumi to the Antique Auction House Club and saw Haruhodo sitting there. After a few words of greeting, Furuhata asked him what he meant when he left with Nagai at Kawabei's house. Haruhokudo did not answer him positively, at this time, the old man who was watching the auction muttered a "flaw" in his mouth, and Furuhata heard it and asked him what he meant. The old man said that this was the jargon of the antiques industry, which meant, "Nothing can be done." Late that night, Furuhata came to the art museum again and told Nagai that the police would make a professional appraisal of the upcoming "Keishō Nojuku", and Nagai was scared. After Furuhata left, he went to find Haruhodo, who told him that he would bring the real "Keicho Nojuku" with him at night to exchange with the one he was now exhibiting. After Chunfengtang came to the art museum, he complained about him, and it was he who took the clay pot from Chuanbei's house without permission. However, Nagai was too scared and said that he did not want to have anything to do with Haruhodo anymore. When Chunfeng tang heard this, he was very angry, picked up the "Keinaga Pot" on the table and smashed Nagai to death, and also took out a samurai sword for the exhibition, cutting his throat, creating the illusion that he was afraid of sin and committing suicide.
The next day, the police came here to investigate, and Furuhata called Haruhodo as well. In the museum's warehouse, Chunfengtang said to the clay pots he had brought from Chuanbei's house that Nagai had killed Chuanbei for these clay pots, and now he had committed suicide in fear. At this time, Furuhata saw that one of the clay pots was still stained with the blood of Northern Sichuan. Later, they talked about the "Keishō No. Tsuki no Jug" that was used to smash Nagai to death, and Furuhata said that the fragments had been taken for testing, and if it was identified as a fake, it meant that someone had knocked Nagai unconscious, and then created the illusion that he had committed suicide in fear of sin. Haruhokudo said bluntly to Furuhata that the man was not me. After a while, Imaizumi brought the appraisal book of the smashed "Keinaga's Pot", and Furuhata looked at it and it was actually a genuine product. After Chun Feng Tang saw it, he left triumphantly. Furuhata was alone in the art museum, puzzled, when suddenly he took inspiration from a cultural relic and knew what Kawabei meant in his diary. So he dragged a suitcase and a clay pot packed in a box to the chunfeng hall apartment. He first opened the suitcase and told Chun Feng Tang that this was the clothes that Nagai had prepared, and he was already ready to leave here and hide, would such a person choose to commit suicide? After that, he took out the clay pot stained with the blood of northern Sichuan and told ChunfengTang that he had recorded that "squatting down, quite cold", before, he thought that he himself squatted down because of the cold, and later found that he wanted to be simple. He said that the squat body recorded in Chuanbei refers to the shape of the pot, and the cold means that it is not done well. This work was completed by Kawabei after you and Nagai left their home in Kawabei, and the time is recorded in a notebook. Chun Feng Tang did not understand, he said that this was Nagai after turning back to Chuanbei's house and stealing him out. However, Furuhata asked him why when you were in the nagai Art Museum warehouse, why did you think that this pot was also made in Kawabei? That night, according to you, when you left chuanbei's house, this pot had not yet been made, can you explain? Chun Feng Tang thought about it, but he really couldn't justify himself. He admitted that he was the murderer of these two cases, and he smiled and said that he was clever but mistaken by cleverness, and if he did not recognize the pot when he was in the warehouse of the Nagai Art Museum, perhaps Furuhata would have no evidence. Later, he told Furuhata that in fact, he knew that the "Keishō Nojuku" he had smashed was genuine, and the reason why he deliberately broke the real thing was that he felt that the fake "Keishō Noju" was made by the greatest potter and existed to threaten himself, so it was more meaningful to himself.
This is the seventh episode of the second part of the Japanese suspense drama "Gentleman Criminal PoliceMan Renzaburo Furuhata", released in 1996. This episode is about a cultural relics dealer who is afraid that he will expose the crime of obtaining profits by displaying fake cultural relics as real cultural relics, and will not hesitate to kill a well-known pottery master. In the end, Clever was mistaken by Clever, and Furuhata Renzaburō still found evidence of his crime. The star who made a cameo appearance in this episode is Sawamura Fujishiro.
