Ancient society is difficult to hear, many wanderers have been running around for many years, although they miss their hometown and relatives very much, they cannot contact each other in time, not only do the two places care about each other, but also dare not say the sorrows in their hearts. When the Tang Dynasty poet Li Yi was reunited with his relatives, he asked his surname for the first time, called his name and remembered the old appearance, and the brothers occasionally reunited after a long time, and they did not even dare to recognize each other, which was really touching.
The Middle Tang Dynasty poet Jia Dao's life experience is quite legendary, and his poems are also amazing. The poet is often wandering and wandering, so he understands the sorrow of the wanderer in all directions. Although works on the theme of travel are not rare, Jia Dao's poems are novel in conception, which is even more remarkable. The following is a famous work by Jia Dao, full of melancholy, but the ending is strange.
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Tang Dynasty: Jia Island
Guest joy is not real joy, guest sorrow is not real sorrow.
Hundreds of letters arrived home, but did not return home.
Not returned to the long sorrow, the sorrow filled in the heart.
I opened my mouth to spit out a sad sound, but it still came into my ears.
Often afraid of teardrops, self-damage two eyes.
Although the sideburns are silky, they can't weave winter clothes.
Jia Dao, the character Lang Xian, was originally a monk, closely related to Han Yu and MengJiao, and studied under Han Yu, but later returned to the world, but repeatedly failed. Jia Langxian is good at five-character poetry and is also a representative writer of the bitter poetry style.
When he was creating, he often constantly deliberated, and his poetry style was clear and bitter, cold and thin. The poem is a classic of his, and although it is slightly longer, it is worth perusing.
The first two sentences are abrupt, the author believes that the wanderer's sorrow and joy are only a kind of appearance, because the wanderer lives in a foreign country, far away from his family, and the joy and sorrow are difficult to synchronize, but it increases the homesickness. The author shows the sadness of the wanderer in the opening chapter, and contrasts the joy with sadness, which makes people feel impressive.
The next two sentences illustrate his point that even if the messenger were to carry a hundred letters home, it would not be worth returning to the old garden himself. Because of living in a foreign country, in order not to let the family worry too much, even if there are all kinds of grievances in the heart, I don't want to come out one by one in the original local family letter. Only when the relatives are reunited, the author will pour out all the bitter water, and can also describe the sorrow of the guest house more concretely.
The middle four sentences express the author's true feelings about the guest house, when he did not return home, he often lamented, and the sorrow lingered and lingered; if he opened his mouth to say the sorrow in his heart, but entered the brain from his ear, not only did not alleviate the worried emotions, but became more sad.
As Su Shi wrote when he evaluated Mengjiao: Poetry comes out of the heart, and it comes out of the heart. Like the yellow river fish, it is ointmented to cook itself. Although these poems of Jia Dao are bland in language, their intentions are extremely strange.
The poet often travels from place to place, but he is always alone and sad, but he tries his best to control the tears of sadness to prevent damage to his eyesight. The last two sentences are strange and praised by the world. "Although the sideburns are silky, they can't weave a winter coat", although the sideburns have long been frosted, but they can't use it to weave the winter clothes of the wanderer.
Sideburns, originally referring to white hair, the author thinks of silk fabrics, which seem to be wild thoughts, but it truly reflects the pain of Lang Xian's travel to other places and the difficulty of food and clothing. The author vividly depicts the cold and bitter situation of the guest house, and also says that the wanderer is suffering from sorrow, and he wants to rationally discharge the sorrow, thus appearing to be strange and strange.
This poem by Jia Dao delicately describes the wandering man's feelings of being a guest, and expresses it in a wonderful way. The author deeply explores the source of the wanderer's heart, with a tortuous and gentle expression, a strange and strange association, a new and hard language, and reproduces the complex psychology of the guest.
The wanderer is infinitely depressed and overwhelmed, hoping to control his sorrow with reason and temporarily soothe his mood. Although the title of the poem is "Kexi", the author writes about the sorrow of the guest house. At the end, it is even more strange and strange, writing about the contradiction between reason and emotion in the heart of the guest, which is ingenious.