In the past month, someone in the background of the backstage has cue "Dear Child". Some people are impatient, some people are indignant... Why are you writing now? Sorry, the excitement of eating melon is too much... After all, I haven't encountered such a "menacing" and "controversial" domestic drama for a long time. First look at the topic - the hot search on "Dear Child", almost every one of them is so powerful that people tactically lean back. Soon after the start of broadcasting, "eating placenta" exploded on the hot search.
Just a few episodes after the baby was born, the topic of "lactation cheating" came up.
Finally bid farewell to the wrong and the right encounter, Ren Suxi's Fang Yinuo "kneeling for the baby" and abusing the hot search.
Baby knee may not have recovered, was reported by the always loyal and honest husband...
This is not only hilarious, it is simply a heat stroke. Look at word of mouth again - like it, but praise it as true and frank and not levitating.
Don't like it, desperately scold it for selling anxiety is too depressing.
Now that the whole drama has been broadcast, the current Report Card of 8.0 points on Douban has been counted in domestic dramas. And this is not much different from the judgment in the floating heart - it is good, but it can be better.
So far, the vast majority of reviews around "Dear Little Kid" are inseparable from one key word: authenticity. First of all, let's briefly introduce the plot: Xiao Lu (played by Qin Hao) and Fang Yinuo (played by Ren Suxi) happily ushered in the birth of their daughter Hehe, but after the birth of the child, there were frequent contradictions, and finally parted ways.
Years later, Fang Yinuo married their mutual friend Xie Tianhua (Nie Yuan) with the child, Xiao Lu also formed a new family with his wife Dong Fan (Xie Keyin), but his daughter Hehe was found to be suffering from leukemia. In order to save Hehe's life, the doctor suggested that Xiao Lu and Fang Yinuo have another child...
"Dear Child" can shoot a sense of reality, which has little to do with the ups and downs of the storyline, but lies in the presentation of various details in the process of childbirth and parenting.
The whole play is shocking at the beginning. Fang Yinuo, who is already in the third trimester, removes makeup and changes clothes in the mirror. It took four minutes to go from a radiant white-collar beauty to a pregnant woman with stretch marks on her stomach. In those four minutes, a mother-to-be went from beautiful to "unbeautiful," from confident to vulnerable. And this is also the four minutes that make many people instantly enter the pit - the "unbeautiful" and fragile pregnant woman in the lens is far more warm than the "pregnant beauty" with a smile and sweet on various promotional coloring pages.
This real "unbeautifulness" runs through the birth and growth of the child. The first few episodes are almost "Fang Yinuo's Crucifixion" - after giving birth to a child, he has not recovered from the pain and tiredness of tearing his heart and lungs, and he has fallen into the anxiety of breastfeeding.
Asked the sister-in-law to take care of herself and the child, and as a result, the sister-in-law was lazy and a chicken thief, which led to the aggravation of the child's jaundice, and he was admitted to the hospital before the full moon.
The mother-in-law took the initiative to ask for a grandchild, but as a result, she patronized playing cards without looking at the baby, and the stroller was out of control and the child fell out of the car.
The husband not only socializes every day and does not touch the family, but also accuses his wife: "Can you not be so neurotic?" ”
After the wind and rain is still wind and rain, the old (**) is wind and rain.
What shocked me was not only the plot, but also the bullet screen. When Fang Yinuo's mother-in-law said, "The mother is fat and strong", she took a bowl of greasy pig's foot soup for her to drink.
This piece of "envy" in the bullet screen really caught me off guard, what have these women experienced?
It is possible that the complexity of life is higher than that of art. This heart-wrenching story is adapted from Wang Xiaoshuai's movie "Left and Right", and there is also a real archetype behind it, the mother in the real event, in order to match the eldest son with leukemia and the ex-husband to have another son, as a result, the matching failed, and the eldest son eventually passed away. After that, the cost and responsibility of raising other children falls on the mother alone.
Whether it is the mother in the play or in the real event, they are struggling in the hardships of carrying the baby alone. But why does Piao think that "Dear Child" is "not good enough"? The flaws are mainly in the second half of the series after Xiao Lu and Fang Yinuo divorced.
After a large description of the hard work of parenting in "Dear Child", many additional settings are added to the theme: the current husband and the former husband are brothers for many years, making the two men face each other more slightly (awkward) wonderful (embarrassing).
Fang Yinuo took Hehe for a long time to live under the same roof with Xie Tianhua's parents, poisonous tongue sister and brother-in-law's family to eat a large pot of rice, adding a lot of blockages.
Not to mention the "coincidence" that is becoming increasingly unacceptable. Fang Yinuo "just happened" to find out that she was pregnant at a critical moment, and "just happened" to be aborted by a suddenly open door when answering the phone at the door of the corridor... Such a rough and convenient accumulation of coincidence plots, is it really not afraid of being said to be dog blood?
However, even if there are these flaws. But in my opinion, it is not easy to hear the stories of mothers and witness them, which is to respect this group. If we refuse to face these hardships and collapses that may really exist, we are essentially ignoring these women who are desperate to be good mothers and erasing their great efforts to be a good mother.
Looking back at the parts of domestic film and television dramas that involve parenting over the years, we will find that the concept of this has undergone subtle changes. In early domestic dramas, the image of the "father" was often absent in the growth of children, and parenting seemed to be the same as childbirth, which was naturally the responsibility of the mother. For example, the father in "Wrong Love Life" not only did not see any help for the growth of his child, but also directly served as a villain, and everyone did not seem to feel strange.
Later, the collocation of "Tiger Mother and Cat Father" began to penetrate the hearts of the people, and the role of the father slowly surfaced, but it always seemed to be used to "flatter" the mother - the representative was huang Lei's father played in "Little Joy" and "Xiao MinJia", as if a mold carved out, understanding children, inclusive, not strong, hip-hop ha... It is completely the mirror image of "mother", as if it exists deliberately to reflect the strictness and unreasonableness of the mother.
And this change is once again pushed forward in "Dear Child". Here I have to cue the Silver Bear Award-winning movie "Left and Right". As the prototype of "Dear Child", "Left and Right" also tells the story of the mother of a sick child and her ex-husband who gave birth to a baby and saved her son.
But the first focus of "Left and Right" is always the mother. The whole film can almost be summarized as "almost crazy mother, and the dilemma of the father, stepfather, stepmother" and "stepmother". It is always the mother who makes bold suggestions for another son and sticks to it. And Dad's role is from surprise, resistance, to helpless acceptance.
But in "Dear Child", the promoter of this matter is finally no longer just the mother. In order to save the child, "following the whole family of the director of the bone marrow bank" is the wife and ex-husband Xiao Lu, the husband Xie Tianhua and the girlfriend Lei Wen. The one who proposed to have a child was her ex-husband Xiao Lu.
It dilutes the "madness" of a simple mother with the common "attachment" of four people. Such a setting makes Piao feel a kind of tenderness: it makes her mother no longer so lonely. It also returns the matter of parent-child relationship to the axiom that should be universal: it is not only the mother who will worry about the child.
It also reflects a change in perception created by the times – more and more people realize that when we talk about "parent-child relationship", it should not be equated with "mother-child relationship". Moreover, regardless of the subject, the parent-child relationship is a miracle and a force that can give birth to miracles.