He insisted that Chinese calligraphy needed to have a master's atmosphere and international vision, emphasizing the originality of calligraphy and finding an international aesthetic consensus, in his view, only truly original calligraphers can become the masters of calligraphy in this era. He is the famous calligrapher Mr. Wang Yuechuan.
Wang Yuechuan, male, born in September 1955, Anyue, Sichuan, is a professor and doctoral supervisor of the Department of Chinese of Peking University, deputy director of the Institute of Calligraphy of Peking University, a member of the Chinese Writers Association, and a member of the Chinese Calligraphers Association.
Professor Wang Yuechuan specialized in Yan Kai in his early years, using his pen to take the thick bones and bones, and pursuing the magnificent beauty. After that, he turned to the Erwang Xingcao, with grass in the pen line, and applied it in all directions, and made up for it with a scholarly atmosphere, which was not exciting or strong, and was quite rich in literary charm.
In the 1990s, Professor Wang Yuechuan focused on cursive writing, immersed himself in Wang Duo, and integrated into his own personality, making calligraphy both the warmth of literati sentiments and the wind and bones of experts.
Professor Wang Yuechuan's cursive calligraphy is good at cutting space with lines to form a strange and dangerous structure. When carrying the pen, the sharp ink is full and in one go.
His vigorous and flying pen makes the shelves between the fonts echo up and down, left and right, and the pen breaks and the joints show a lively and flying momentum, and on the whole, it has the realm of indifference and leisure, and the atmosphere is harmonious, turning the fun of classical cursive writing into a kind of leisurely feeling of today's literati.
His calligraphy has Yan Zhenqing's awe-inspiring righteousness and frank charm, showing a broad chest and a calm heart.
I particularly appreciate Professor Wang Yuechuan's formulation that contemporary calligraphy creation needs to solve the following problems: "for whom to write", "how to write" and "what to write". He believed that calligraphy could not "catch the tide", which would cause the calligraphy group of an era to crowd and type on the sheep's gut trail.
Calligraphy is not only technology, but also to have cultural connotations, relying on sensationalism, writing ugly books, random books, shooting books, blind books is not a family, may be on the Internet for a while, but in the end will be spit on.
Professor Wang Yuechuan believes that calligraphy is more of a "Tao", and the highest realm of calligraphy is philosophy. Only when he has the ideological realm beyond the heavens and the earth can he become a true calligrapher with the spirit of academic culture.
Professor Wang Yuechuan has been practicing writing since he was a child, and he has been in famous posts all over the place. During his college years, he won the first prize of calligraphy for college students in Sichuan Province, the National College Students Calligraphy Excellence Award, and the first prize of the National Education Commission Calligraphy Competition. During his teaching at Peking University, he has been engaged in calligraphy creation and calligraphy teaching for a long time, and has formed his scholarly style of writing with his thinking and knowledge.
Professor Wang Yuechuan's calligraphy works