He also talked about the "Qingshan" in Xin's abandonment of the disease: "Qingshan is still a mountain" in the "Qingshan", reflecting the leisureliness and desolation of history. In addition, Aoyama also refers to "hometown/garden". Such as the Tang Dynasty Division

Also talk about the "Aoyama" in Xin's abandonment of the disease:

"Qingshan is still a mountain" reflects the melancholy and desolation of history. In addition, Aoyama also refers to "hometown/garden". For example, in the Tang Dynasty, Sikong Shu gave birth to white hair, and the old country saw The Green Mountains" of "Qingshan"; Chairman Mao's poem "Why Bury Bones And Need [Sangzi] Land, Life Is Everywhere Green Mountains".

Xin Renjie's "Linjiang Immortal" "Qingshan [but] to arrange itself" "Qingshan" has been extended to "a place of retreat / a spiritual home on which to rest / a confidant of the soul of self-transit". The reason is that Xin Zhiyi was impeached and deposed at this time and lived a village life, and the "stop drinking" mentioned in Xia Que was also related to Tao Yuanming. Tao Yuanming has poems such as "Mind Mind [Mountain] Zeju", "Sexual Love Hill [Mountain]", "Leisurely Seeing [Nanshan]", and "Leisurely Seeing [Nanshan]" is a model of the realm of "No Self".

Since "stopping wine" and "green mountains" are in the same vein, and there is the meaning of "wine meets confidant", why should we say "but arrange ourselves"? In fact, the "Qingshan" here is in line with the "Goose Array Frightening" mentioned by Shangkan. Geese are migratory birds that can travel freely between "north and south", often involving themes such as "lost hometown" and "thinking of home". At this time, Xin Abandoned Disease was impeached and dismissed, and the rescue of the tearful remnants of the north finally became a bubble, so the metaphor of qingshan here refers to "hometown/garden" is the most reasonable. On the first spring day of his return to the Southern Song Dynasty, Xin wrote in the "Spring of the Han Palace" that "swallows in the year, the night of the material, dreaming of the West Garden", swallows and geese are also migratory birds.

The Tang Dynasty Dai Shulun wrote poems such as "[Pedestrians] Infinite Autumn Wind Thoughts, Water Across the Water [Qingshan] Like [Hometown]", and Xin Shulun's "Bodhisattva Bodhisattva" has the sentence "How many [pedestrians] tears in the middle". After all, the deep meaning of "Qingshan" that flows east to "Qingshan" should also refer to the hometown/garden [northern homeland], and the dream of cleaning up the "old mountains and rivers" has been disillusioned.

"I see how feminine Aoyama is, and I think Aoyama should be like this when he sees me." Love and appearance, slightly similar", this poem also mentions Tao Yuanming "want to yuanming, "stop the clouds" poem " on " . "Qingshan" can be regarded as "the realm of forgetting oneself", that is, the spiritual home on which the retreat/soul rests, such as "Qinyuan Spring, Re-expiry SibuZhu" "Qingshan is full of vigor and vigor, as if for my return to the enchanted life". However, some people also extend the phrase "Qingshan" of "I see how feminine Aoyama is" to "confidant/deceased person", on the grounds that the ending sentence of this song is "those who know me, the second and third sons".

"Qingshan", which "Qingshan wants to speak together and connects with countless Malays", is extended to "the deceased", which refers to Ye Heng as "the right minister and privy councillor at that time". However, there is also a saying that Xin Shuyi regards "Qingshan" as a confidant, which is a portrayal of himself, and "Gao Ren" refers to Ye Heng. At the same time, the signal that Xin Abandoned Disease sent to Ye Heng through [Qingshan] was that he wanted to run across the battlefield with a horizontal knife. "Lian Fei Wan Ma Lai countless", let us think of his "strong age Jingqi banner embraces ten thousand men, JinQi tutu ride across the river at the beginning of the river".