He went through the three dynasties of Northern Qi, Northern Zhou, and Sui Dynasty, and all of them were officials in the dynasty, but he was not reused, because his temper was too "cattle", he did not pay attention to his own character and cultivation, often despised and insulted others, resulting in countless enemies, so he could not be reused in his career, he was Lu Sidao. His poetic style is clear and loose, his style adheres to the characteristics of the rough essence of the north, expresses personal sadness and sentiments, the text is strong and full of beautiful wind, sincere and sincere, and implies lofty ambitions, and he is one of the most important poets in the north during the Southern and Northern Dynasties. Today, we will enjoy the ten poems of this "cow" tempered poet who likes to slander people, experience the chastity and beauty of his poetry, and believe that it will be rewarded.
Lu Sidao was born in Fanyang Lu clan, his grandfather was a high-ranking official in the Northern Wei Dynasty, known for his family governance. In this family atmosphere, Lu Sidao naturally received the best education and tutoring, and later studied under Xing Shao, one of the "Three Talents of the Northern Dynasty", and grew rapidly in literature and became a great talent under the times. Let's take an example to prove Lu Sidao's talent. It is said that after the death of Emperor Wenxuan of Qi, the imperial court ordered the literati to write ten elegy poems each, and select excellent works from the works, of which Eight poems by Lu Sidao were shortlisted, and the others were selected at most, so Lu Sidao was called "Eight Meters LuLang".
Confucianism had a great influence on Lu Sidao, and Confucianism had a strong concept of dedication and a strong enterprising spirit, so he traveled to study at the age of fifteen and befriended many sages, which was highly praised by everyone. However, his personality was too arrogant, his self-esteem was too high, he showed a wild character, and he was often inferior to others in speech, so the official field was not smooth, and he could not be promoted. Although it has been influenced by Confucianism since childhood, its thinking is not single, Confucianism, Taoism, and Buddhism are one, and in the poems of different periods, different ideological feelings are reflected, rather than a single Confucian thought.
As mentioned above, Lu Sidao lived in the Northern Qi, Northern Zhou and Sui Dynasties during the Southern and Northern Dynasties, three eras, in the period of relative social chaos in Chinese history, but this period was also the era when people were most free, liberated, wise and enthusiastic, and most of his poems were written during the Northern Dynasty. His poems have both the simplicity of the northerners and the gentle style of the south, and it can be said that in Lu Sidao, he can reflect the traces of the fusion of northern and southern literature, the words are solemn, the syllables are fluent, and his poems are the most perfect works of the cultural integration of the north and the south at that time, which is of great historical significance.
According to records, most of the 28 surviving poems of Lu Sidao embody the meaning of sadness. As an individual, he stands in the social reality and meditates, strengthening the self-consciousness under the society, thus embodying a tragic style. His grief is introverted and externalized, touching the scenery and expressing the sadness that the great ambitions and ideals of the times cannot be realized. In addition, Lu Sidao uses an introverted way to pin the decline of the country and the ups and downs of life in the text, reflecting the poet's inner pursuit and life appeal in the chaotic period, such ideas are not a Confucian family, but can better reflect the spiritual connotation of Taoism and Buddhism. It is worth mentioning that Lu Sidao is good at using the replacement of situational time and space to set off a sad sentiment, which is a major feature of his poetry.
The most famous poem mentioned in Lu Sidao is "Listening to the Cicadas", which was borrowed by the poet and can be described as a pioneer of yongwu at that time, because the words in the poem were full of strong personal emotions and played a role in promoting the poetry of future generations. In addition, since Lu Sidao's "Listening to the Cicadas", many poets have imitated the way this poem was written in lyrical poems. The poem is exquisitely written, fluent in language, harmonious in rhythm and changeable in rhyme, and is an outstanding representative of the Northern dynasty borrowing poetry of the Northern and Southern Dynasties, and its achievements and influence are no less than those of the famous masters of the Southern Dynasty. In addition, the content of "Listening to the Cicadas" is deeply moving, the expression technique is profound, and the pain of the subjugation of the country is expressed in a thousand ways, and after reading it, it is touching and deeply touched, and it is extremely infectious.
From an ideological point of view, Lu Sidao is quite like Li Bai, the poems feel debauched on the surface, but behind the poems hide the poet's lofty ambitions and ambitions, and at the same time have the spirit of realism. Of course, due to the great environmental influence of the times, he was also influenced by the flashy poetic style of the Southern Dynasty. However, from the perspective of his poetry and realist emotions, Lu Sidao's poems are extremely advanced, and in the development of the mainland poetry scene, they are transitional poets of poetry transformation.
Today, we will enjoy the ten poems of this poet spanning the three dynasties of Northern Qi, Northern Zhou and Sui Dynasties, and experience Lu Sidao's ideological feelings and the significance of the times, and I believe that you will gain something.