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More than 80 years ago, in this temple in Macau, he used a paintbrush as a knife to take pictures of national disasters

More than 80 years ago, in this temple in Macau, he used a paintbrush as a knife to take pictures of national disasters

Puji Zen Temple

Also known as "Guanyin Hall"

It is one of the three ancient temples in Macau

Located in the former Wangxia Village

Peaceful setting

More than 80 years ago, in this temple in Macau, he used a paintbrush as a knife to take pictures of national disasters

There have always been many literati and scholars

He prefers to gather here to chant poems and paint

For hundreds of years

Puji Zen Temple has been tempered over the years

It has also witnessed the growth and development of generations of people

Guan Shanyue, the representative of the Lingnan School

It was here that I learned to paint with my teacher

He also created a series of anti-Japanese works

Zen-in Rent-a-hotel Sketch painting

After the outbreak of the War of Resistance Against Japan

In 1938, Guangzhou fell

Guan Shanyue disregarded his safety

He fled to Macau after his teacher Gao Jianfu

Borrowed to live in Puji Zen Temple

Although it has been through hardships

But he never gave up his dedication and study of art

During the day, go to the beach to sketch and eat mixed food

Come back in the evening to learn painting with the teacher

More than 80 years ago, in this temple in Macau, he used a paintbrush as a knife to take pictures of national disasters

It was this time

Guan Shanyue studied systematically

The artistic essence of ancient Chinese traditional painting

He also received the true transmission in the process of oral transmission by the teacher

Using a paintbrush as a knife is a realistic portrait of the country

1939

Guan Shanyue created the long volume "Retreat from the City"

In this work

He depicted a multitude of characters

Skillfully combining the "travel map" of traditional Chinese landscape painting

Replaced with a "picture of displaced people" that "photographed the country's difficulties"

More than 80 years ago, in this temple in Macau, he used a paintbrush as a knife to take pictures of national disasters

Guan Shanyue , "Retreat from the City"

"Retreat from the City" is the performance

In the snow and ice in the north

The scene of people fleeing under the Japanese bombardment

For why you want to draw

A northern snowscape that has never been seen before

Guan Shanyue recalled

"At that time, I thought it was very miserable to be a slave to the country

Witnessing and experiencing the guangzhou escape was so tragic

You can imagine the cold north's escape

So I think

Painting the northern escape

Wouldn't it be more revealing of the aggressive atrocities of the Japanese Kou? ”

Guan Shanyue experienced through his own escape

Imagine depicting the horrors of the occupied areas of the North

The aim is to provoke public outrage

Exposing the atrocities of the Japanese

More than 80 years ago, in this temple in Macau, he used a paintbrush as a knife to take pictures of national disasters

Guan Shanyue, "Seen Outside Sanzao Island"

Except for Retreat from the City

Guan Shanyue uses a pen as a knife

With anger and grief

Created "What I Saw Outside Sanzao Island"

Paintings such as "The Fisherman's Robbery"

Depicts Japan's war of aggression against China

Disaster for Chinese people

January 1940

Guan Shanyue in Macau

Successfully held the first exhibition of his life

Sensational throughout the city

A month later

The Guan Shanyue Painting Exhibition was held in Hong Kong

Cultural celebrity in Hong Kong

Comments were made in newspapers

Guan Shanyue's works

It is a powerful indictment of the barbarism of the Japanese Kou

It can arouse the enthusiasm of compatriots for resistance

Guan Shan Yue is also known as yes

A new star rising in the Lingnan painting world

More than 80 years ago, in this temple in Macau, he used a paintbrush as a knife to take pictures of national disasters

thereafter

Guan Shanyue went to the front line in the interior again

Sketching and painting in the field

At the same time as the fame rises

He embarked on a journey of thousands of miles north and south of the great river

Use art to serve the War of Resistance

More than 80 years ago, in this temple in Macau, he used a paintbrush as a knife to take pictures of national disasters

See Macau

Jointly produced by the Voice of the Guangdong-Hong Kong-Macao Greater Bay Area of the Central Radio and Television Corporation and the Information Bureau of the Macao SAR Government, it presents you with the charm of Macao exclusively.

Producer/Ren Yongwei

Editor-in-Chief/Bei Zhang

Editor on duty/Lu Jia

Proofreading / Wan Zuyan

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