Heavy snow, dry grass, bullets and white cloth cloaks together built a background board that was destined to be visually inauspicious, and "Sniper" in the background of "cold guns and cold guns" was only intercepted in the War to Resist US Aggression and Aid Korea

Heavy snow, dry grass, bullets and white cloth capes together built a background board that was destined to be visually unsightly, and "Sniper" in the background of "cold guns and cold guns" only intercepted a guerrilla war in the War to Resist US Aggression and Aid Korea, and it was precisely this kind of "simplification" that began from the plot faded unnecessary grand narratives, leaving sufficient dramatic space for character image shaping.

On this basis, the main line of "one class saves one person" does not fall into the human dilemma of "Saving Private Ryan", and in addition to the real ha qi of minus thirty-five degrees, the screen is full of the arrogance of the five squads of fighters who are like brothers. Although there is a strong contrast between the hardware conditions of Chinese and American snipers, it is precisely this lack of time and place that highlights the Chinese spirit behind "people" and also makes the audience's emotions gradually fill up with the fall of one soldier after another.

Perhaps this is not the War to Resist US Aggression and Aid Korea that most people imagine, but the creative style of sound and painting blending and rational weaving is still that Zhang Yimou. #Movie Sniper# #看祖国山河敬礼 #