"This man, sometimes he just can't do it, but why can't he do it?" Admit it. ”
The distribution of work was unfair, and the only Chunyan in the family who did not go to the countryside was assigned to the bathhouse, so she had this sentence. Throughout the whole play, in fact, Qiao Chunyan is not a person who recognizes her fate, from green onions to white hair, in fact, she has never confessed her fate, never compromised, and that kind of "awkwardness" is very real. If we say that there are such people in our lives, we will not like it in the back, but this is actually a relatively real person, according to the bullet screen, Qiao Chunyan is actually a typical "small citizen", she is a real person, real people are generally not very pleasing, the audience relatively prefers perfect people, just like "loyal to the ear, good medicine bitter mouth", we off-screen, unwilling to admit these realities.
Truth is not a portrayal of "bad", reality is just an ordinary, real thing happening. We like Zhou Bingyi, Hao Dongmei, Zhou Bingkun, Zheng Juan, Jin Yueji, Qu Xiuzhen and others, just because they are more like an idealized portrayal. In the first half of the TV series, in fact, we also like Qiao Chunyan, and even think that Qiao Chunyan is the best female character in the play. She pursued Zhou Bingkun without hesitation, because Zhou Bingkun read a few books after her brother and sister, and she was more cultured. When she heard Cao Debao's harmonica, she was not afraid to ruin her reputation overnight, and at this moment, I was afraid that not so many people thought qiao Chunyan was good. Understandably higher, relatively cultural and artistic, Qiao Chunyan's heart calls for her to choose art, but we ignore an important detail, she chose Cao Debao, and when she relied on Cao Debao without fear of price, Zhou Bingkun had actually run away from the lumber factory "bucket".
Qiao Chunyan's choice is not art, but if the parents of the two parties know that Zhou Bingkun has left the lumber factory, and even want to beg Qiao Chunyan to find him a job of scrubbing in a state-run bathhouse, they will not be so enthusiastic about matching the two people together. Qiao Chunyan herself is the same, Zhou Bingkun, who has been admired since childhood, lost her job in the wood factory, and she didn't like it? So? In fact, Qiao Chunyan was snobbish and real from the beginning, but everyone was blinded by her courage to pursue love for no reason, and ignored that this person was actually a "small citizen" from the very beginning.
The word "small citizen" is a derogatory word, and in real life, sometimes we feel that this should be a neutral word, because in life, we actually gradually realize that the so-called "small citizen" is actually linked to every ordinary person, and each of us has more or less the inferior quality of some small citizens, everyone has it, and there is no saint in this world. However, why the audience will be so indignant when they see Qiao Chunyan in subsequent episodes, it is only Qiao Chunyan who has become more real.
This is not a mistake, and when you calm down, you must seriously consider that we have been born with great selfishness, especially ourselves. When Qiao Chunyan behaved at the most typical, it was close to the end of the episode. Zhou Bingkun was imprisoned for nine years, released early, wanted to start a moving company, and asked Qiao Chunyan's family to borrow 60,000 yuan. At the beginning, Cao Debao also had the meaning of borrowing, and under the "teaching" of Qiao Chunyan, the two sons reached a common opinion, "do not borrow". When Cao Debao came to the door to apologize to Zhou Bingkun, saying that Lai Laosan's debts did not come back, in fact, it made Zhou Bingkun and his wife chill, and also made the audience chill. Originally, the tepid Qiao Chunyan in the mid-term episode had two mouths, which made the audience gradually hate.
Later, Zhou Bingyi's "conscience" found that when he wanted to do something for the light character film, Qiao Chunyan's two sons could even be called the protagonist. Until the end, several people chatted openly together, in fact, the audience still hated these two mouths.
They were mercenary, and Zhou Bingkun regretted it when he did it. When Zhou Bingyi wanted to renovate, they obstructed it, and when they saw the benefits, they even passed the house to their son, built a small house of one or two flats to pretend to be a houseless, and wanted to take advantage of the loopholes in the policy. Then later, when I saw that there was compensation for demolition in other areas, I even directly reported my big brother to the Discipline Inspection Commission. They do all the bad things for their own benefit... I want to talk about the role of Qiao Chunyan with some luck, and sometimes I feel that I can't get lucky at all. If I understand myself as a "small citizen," my conscience will not tempt myself to seek illegitimate interests by harming the interests of others. This sentence is where Qiao Chunyan attracts people's hatred, pursuing her own interests is never wrong, improper is wrong; under the premise of improper, it hurts others even more, which is even more wrong.
We have an old saying called "Da ze both help the world, poor is good at their own", in this "human world", the representative of "Da" is Zhou Bingyi, and finally with the last light and heat, ignited the light character piece; "poor" is the protagonist Zhou Bingkun, in a bumpy life, never gave up hope, never discouraged, in the limited development space to make their small family as good as possible, let their relatives and friends get better and better. Looking at Qiao Chunyan's feeling, it is that "da" is rebellious and separated, and "poor" asks for three and four. When she was down, Zhou Bingkun had a part to contribute; when she was moving towards a well-off life, the friends around her were just poor people who worked the road. This is her most hateful place, and it can also be said that this is her most real place, so real that it is hateful.
In the play, only Qiao Chunyan "can't help her life" and "admits her life", and only she hurts others to achieve non-recognition. At that time, the six gentlemen had made a promise that "the rich and the noble will not forget each other", but in front of her, they were all empty and had no basis to support.
Qiao Chunyan's life is similar to Zhou Bingkun, there are up and down, good and bad, but her "denial of fate" is difficult to accept such a reality. To say that she is real is actually the least true. Selfishness is the nature of each of us, and when this selfishness transitions to an excessive degree, even cattle and cattle will dislike it. Zhou Bingyi's life was innocent, after all, for the sake of the word "conscience"; Qiao Chunyan's ordinary life was just a confirmation that "the world is bustling, all for profit; the world is bustling, all are for profit".
When watching "The World of Man", you will feel that in Qiao Chunyan's eyes, Zhou Bingkun's insight is no better than the state-owned establishment of the timber factory, and Cao Debao's harmonica is better than the material basis needed for life. I have never opposed material determination consciousness, never opposed to pursuing those "some and not" in the eyes of the older generation on the basis of material abundance, but I really like the phrase "do not forget the original heart, keep in mind the mission", the original heart is our starting point, the mission is our process and result. Along the way, walking and walking, changing back and forth, to the last life full of regrets, why bother?
Not everyone has the opportunity to sit together and freeze their former suspicions, and so do they themselves, as well as with others.