#Sanya headlines #Xin word appreciation slow sound fu mahogany rhinoceros. When Yu was a child, he tasted the Jingshi Forbidden Pond, because the book saw the Kaiyuan Flourishing Day, the flowers planted in the sky, and the Moon Hall

#三亚头条 #

Appreciation of the words

      The sound is slow

       Endowed with mahogany rhinoceros. When Yu was a child, he tasted the Jingshi Forbidden Pond, because of what he saw at that time

On the grand day of the new century, flowers are planted in the sky, and the laurel shadow of the moon temple is heavy. Ten miles of fragrance, a branch of golden millet exquisite. The orchestra condenses on the pool, remembering the time, the wind and the moon are sad. Cuihua is far away, but Jiangnan grass and trees, smoke lock deep palace.

Only for the cold weather, brewed by the west wind, full of aroma. Learning Dan Banana in vain, Ye Zhan secretly dyed demon red. Daoists take the second costume, which is their own home and the family style of the incense base. I am afraid that I am drunk for the sake of desolation.

【Explanation】

Shen Xianglong's "Essay on Words" said: "The works of Yongwu are borrowed to allude to temperament, the sense of life, the worries of the monarchy, hidden in it, and the si sustenance is far away, and it is not a thing that is not stained with chanting." For example, Wang Bishan Ou Xinyue's "Mei Fei", Yong Mei's "High Balcony", and Yong Liu's "Qing Qing Dynasty" all have other meanings, so their words are yu Yi good feelings. Although this poem is "endowed with mahogany rhinoceros", it carries the "worries of the monarchy" and the sense of vicissitudes, and like Li Qingzhao's "Water Meets Joy , Lantern", it is an excellent chapter full of patriotic passion.

The upper piece of the word pans the grass and trees of the old Beijing Forbidden City. The two poems of Du Fu's "Remembrance of the Past" say: "Recalling the heyday of the Kaiyuan Dynasty, Xiaoyi is hiding in the ten thousand families." "The opening two sentences use Du Shi, sorry for the Tang Dynasty and the Song Dynasty, saying that when the Northern Song Dynasty was in its prime, the flowers and trees in the palace were flourishing, and the gui shadows were heavy. From one side, it reflects the prosperity of the Northern Song Dynasty. This is the same as Li Qingzhao's saying: "Zhongzhou is full of sunshine, the boudoir is full of time, remember to focus on three or five", all have the meaning of seeing the big with the small. The two sentences of "Ten Miles" are from large to small, reflecting the mahogany rhinoceros. Wood rhinoceros and golden millet are aliases for osmanthus flowers. "Ten Miles of Fragrance" inherits "heavy guiyin", writes the many osmanthus flowers and fragrances; "a branch of golden millet", writes the dazzling brilliance of the mahogany rhinoceros. The word "Linglong" accurately describes the style of the wood rhinoceros flowers like golden millet embellishment, but until the point is reached, it leaves sufficient room for the positive description of the mahogany rhinoceros in the next film. Ningbi Pond, the name of the pond in the court of the Tang and Song dynasties. Volume VIII of Li Lian's "Chronicle of the Ruins of Fenjing" says, "Ningbi Pond is southeast of the Chenzhou Gate. Tang was Muze, and Song Zhenzong changed it to Chi. "Press: Chen Zhou Gate is one of the southern gates of the outer city of Kaifeng, not the imperial city gate, and the location of the Ningbi Pond recorded is inconsistent with the forbidden ones in the author's title, somehow. However, this poem is mainly not written about Ningbichi, but borrows the poetic meaning of Wang Wei's "Ningbichi Head Orchestra", indicating that although there was an orchestral sound on the Ningbichi at that time, it could not give people a sense of happiness, but made me feel the wind and the moon, full of sorrow. The three sentences of "Cuihua" closely acknowledge the reasons for his worries: the Second Emperor was imprisoned in the distance, the Forbidden City was deserted, the strange flowers and grasses of the past were difficult to see, and his "worries of the monarchy" and the sense of vicissitudes were fully revealed.

The lower part of the word is written on the front of the mahogany rhinoceros. The first two sentences write about the color and fragrance of the mahogany rhinoceros. The heavenly posture is known as "cold", which is said to be natural and not beautiful; the fragrance is strong and "through the bone", saying that its fragrance is endless. With the eight characters of "Heavenly ColdNess" and "Bone Fragrant", the mahogany rhinoceros can be described as both form and god. The five words of the noodles "awakened by the west wind" not only point out the season when the wood rhinoceros blooms, but also hint at its gestation process and extremely delicate strokes. The two sentences of "vain learning" positively point out that they are endowed with mahogany rhinoceros. "Ye Zhan steals the demon red", which means that the red of its flowers can be compared with the dan banana. And the Qing "vain learning" seems to say that although the flower is bright red, it does not bloom at the right time, and no one has appreciated it anymore. The Taoists, the cultivators, and the enlightened ones are also those who have The Taoist skills. The second sentence of "Daoren" uses the allusion of the obscure Zen master Huang Tingjian, saying that even if its flowers are reddish and leafy, as long as its incense is the fragrance of the wood rhinoceros, it is still "Taoist people's style", and the charm is not reduced. "Afraid" three sentences of people, flowers, semantic puns, not only the long-term view of "smoke lock deep palace", writing about the desolation of the mahogany rhinoceros; but also because of flowers and people, writing people borrow wine to dispel sorrows. This poem is nominally a remembrance of what he saw and felt in the forbidden pool when he was a child, but in fact it permeates the author's tragic complex at that time. "For the sake of desolation, long in drunkenness", the implication is that it is more painful to be a "lonely awakening" person who is "drunk and I am awake", which contains the author's deep sense of distress.