Let the theme of the narrative motif be quietly revealed through the comedic ending triggered by accidental events, which is more in line with the nature of comedy than the dog-tailed sequel of the pawn Xianzhi song finale, and the choreographer of some films always feels that if the protagonist does not say the theme himself, he is afraid that the theme is not clear, and such an unmistakable policy announcement is inevitably unappetizing.
For example, "Filial Piety and Virtuous Sun Waiting Together" was originally a relatively successful absurd comedy, but in the end, the protagonist shouted that he should be cremated, not buried. However, I am afraid that the audience will not understand that this is a film made to promote a certain national policy. This makes the comedic nature of the film greatly reduced.
Of course, in order to make the film better meet the needs of mainstream ideology through examination, many comedy films will have an external force in the endings to transform the ending into a happy one.
The plainclothes policeman who appeared last in "No Thief in the World" killed the thieves, but his excessive success and everything in my grasp are contrary to the comic nature, and at the same time dissolve the deeper allegorical revelation of the play, and what Wang Bo fought his life to protect is also reduced to a mockery of himself in the end, and all kinds of efforts have lost their meaning and turned into a kind of nothingness, which may be the direct reason why this ending has become a big failure.
The same is true of "Fallen Leaves", Lao Zhao was initially worried that he would be seen by the police and would forcibly cremate his co-workers, so he tried in every possible way to avoid the police, and in the end he still reached his final destination with the help of the police. "Departure on the Day" is relatively ingenious, in order to take revenge on Xiao Xia and them, the neighbors call the police to say that they are disturbing the people, and the beating is right to relieve Xiao Xia and Lao Cui's siege, so that the criminals who are threatening them are arrested.
The solution to this crooked beating is comedic, and although the police are involved, it is not blunt. The same police intervened, and the ending of "Crazy Racing" is the most comedic. Two policemen determined to solve a big case struggle to track down the suspect, while two drug dealers who have just changed their careers follow them all the way as if it were a car to be traded.
The car driven by the police suddenly ran out of gas, and the two got out of the car in frustration, while two stupid drug dealers carrying a drug bear with a rice cooker, Zhao Zhao, walked up to them in high spirits, shouting that they wanted to trade with them. The comedy of this ending is almost unprecedented, and the final ending brought about by a series of accidents not only meets the audience's expectations, but also diffuses the tension of comedy to the fullest.
But at the same time, only accidental events can trigger strong comedy, and the traditional ethical and moral purposes such as good and evil that comedy fables themselves strive to reveal have retribution for evil and do not suppress righteousness, which just form a paradoxical relationship.
On the one hand, the requirements of comedy laws are accident and accident, and accident and chance are caused by unknowable irrational factors, and it is this unpredictable accident that will bring a sense of surprise and comedic effect to comedy: on the other hand, the happy ending of good and evil required by the comedy theme is an ideal picture with traditional rational colors, and the organic unity of the two constitutes the "meaningful form" of the comedy ending.
Of course, some films also want to change the case of a happy ending and create an unhappy ending. However, for comedy films, this treatment is not ideal.
For example, the chaotic narrative of "Hahaha" eventually leads to a false harmonious ending of right and wrong reversed, after a scramble, Wang Mali, who was absent in this melee, suddenly changed into the boss of the new hospital that merged into one, the two protagonists of the story, Wu Yingde and Liu Shuobao, have become their subordinates, and Li Xiaoguo and his wife, who have suffered greatly from the hospital's pits, have become smiling actors in the shooting of fake advertisements in the hospital!
Although two punks eventually attracted two policemen, they were drunk and silenced, and the story was finally fixed on fake advertisements. Perhaps this is the intentional, intentional anti-genre of the main creator, alluding to the social reality of value reversal and chaotic order, but for a comedy, the final ending should return the order to its original position is normal.
