The heroes and heroines in "Station for Two", directed by Ryazanov, met in this way. The relationship between the sissy little brother and the man's mother-in-law-like cousin in "Family Has Happy Events 1992" is also an exaggerated joyful family.
The two extreme personality performances make the two of them quarrel, denigrate each other, and even fight every time they meet, and after their fantasy lover announces their engagement, they cherish each other and comfort each other, and finally after the emotional transformation, the two are ashamed to admit it, resulting in a strong comedic effect.
Liu Yuan and Li Qing in "Not Seen, Not Dispersed" directed by Feng Xiaogang are also a pair of happy and unhappy families. They did not fall in love at first sight, but every unexpected meeting would have some unpredictable events that turned their beautiful encounter into an awkward breakup, but in contact after contact, their emotions quietly heated up unexpectedly, and finally walked hand in hand.
This is one of the more common narrative modes in romantic comedies, and the romantic comedy "Love is Excellent" directed by Chen Yili in 2010 is also more successful in using this model.
Men and women who were originally purely working relationships or ordinary friends, one side quietly developed feelings while helping the other, and eventually became a match made in heaven. Such as "My Fair Gentleman", "Yang Decai Marriage", "Unspoken Rules of Love", "Endless", "Big Names", "Slim Men and Women" and so on.
The girl in "My Fair Gentleman" helps a rural nouveau riche transform his image and improve his taste out of work, in order to complete his plan to pursue female stars. However, after he really chased the female star, he suddenly found that what he really loved was not the female star, but the girl who carefully helped him.
The girl who works in the marriage agency in "Yang Decai Marriage" tries her best to help the super-rich Yang Decai get married, because he wants to hide his identity and find someone who really loves him and not his money, but after the failed marriage again and again, the sparkle in his body moved the girl little by little, and the two of them showed true love.
However, this kind of narrative often focuses on the work plan they completed together, so the conflict and emotional transformation of the two often exist as a side line, and the final outcome is often a failure at work and a mature relationship, such as "Big Shot", of course, there are plans that succeed and the relationship is also complete, such as "Slim Men and Women". Therefore, it is called unintentional willow insertion.
Men and women who originally wanted to pretend to be lovers or originally concealed their identities for some special reason came into contact with each other in mischievous situations, and from the initial mutual vigilance, true feelings emerged from gradual familiarity, forming a happy ending.
For example, in "Marrying a Rich Man", Ame and Ah Sheng were originally pretending to be rich people hoping to take the opportunity of travel to find a real rich man, but after the two met, they were originally going to make a scene but loved each other in the real joy, even if they finally discovered the truth of each other's embarrassment, they still did not give up, forgetting their original intention of finding a rich man.
Liu Zao in "Contract Lover" is a fake girlfriend who inspired to cheat his parents, because he was worried that his real girlfriend would behave too modern and would not get his parents' consent.
However, after taking Liu Zao home, the two gradually developed a good feeling in the close contact between the two living in the same room, which caused a conflict after his real girlfriend followed, and Liu Zao did not say goodbye.
However, Inspiration broke up with his former girlfriend, met Liu Zao again in an accident, and found that true love was still here.
Wang Feng in "A Hundred Years of Good Marriage" tortures the "hurt queen" Hong Feihu, but in the end, in order to seek sadness, he finds him and lets him hurt her to the fullest, so that she can find the sad feeling and practice the sad sword. However, when he pretended to love her and hurt her again and again, the relationship between the two changed wonderfully, and true love finally had a happy ending. This mode is also one that is particularly capable of providing a comedic plot.
