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Qi Baishi White Monkey Heshou
Use the medium sheep pencil to blend Garcinia and Sanqing and then dip in water, harmonize, the tip of the pen to adjust the red, the flank with the tip of the pen into the pen point to draw the peach body.
2. Gradually plump the surface of the peach side, making it appear full and full.
3. Then use the brush to flank and dot the right side of the peach body with the twisting pen momentum to complete the dot painting of the peach body.
note! The peaches that are dotted and painted should be transparent at the root, the peach belly is full of color, and the peach tip is light, which sets off the luster of the peach. The transition between light and dark is natural, giving people a sense of verdant, full and delicious.
4. Use a medium sheep pen to dip in the akebode, and the center uses the pen to draw some small spots on the surface of the peach.
5. The surface of the more ripe fruit will have some small spots, and the pen needs to be free, generous and vivid when painting.
6. Finish drawing the peaches.
The steps of drawing the peach on the bottom
1. Use the medium sheep pen to blend Garcinia, flower cyan and akebode, a slightly more akebode, twist the pen with a flank, and draw the side of the peach body with a reverse point.
2. Add and supplement its form with lighter color ink.
3. Then use the tip of the pen into the pen, twist the pen against the other side to draw the peach body on the other side, pay attention to the peach form on the bottom surface, and leave a sense of convexity between the two sides of the peach body.
4. Finish the peach twist pen on the other side.
5. Use the center forward to outline the indented part in the middle of the peach body to make its shape more vivid and realistic.
6. Use the medium sheep pen to tone the red and akebode, and the center pen to paint spots on the peach at the far end.
7. Paint spots at the proximal end with heavier hue dots, and naturally open up the spatial layers near and far through the virtual and real changes of hues.
8. Use the medium sheep pen to dip Garcinia yellow, and use the pen to dot the blank space above the peach near the pen to plump up its form.
9. Finish drawing the bottom surface of the peach.
Side peach drawing steps
1. Use garcinia, white powder and water to lighten to the root of the pen, adjust the belly of the pen again, adjust the tip of the pen to red, let the color transition freely in the pen body, use the pen on the flank, and draw a face of the peach with two strokes.
2. Use the brush flank to continue to draw on the left side, bending and turning with the pen to draw the other half of the peach.
3. Because it is at the angle of the side, one side of the peach is large, and the other side can only see less parts. When pointilling, a blank space in the middle of the peach is left to express the feeling of depression.
4. Use a medium sheep pen, the tip of the pen is red, and the center micro-side uses the pen to draw the spots on the peach.
5. Gradually draw the spots on the two halves of the peach completely.
6. Use the sheep pen to tone the red and a little zhu zhen, and rub part of the peach body with the flank dry pen to make its hue more full and full.
The steps of drawing peach branches and leaves
The leaf shape of the peach tree is relatively narrow and long, and when stippling, it is necessary to make full use of the law of five colors of ink, and the leaf tone needs to be naturally divided into layers with thick and light ink colors, showing the transition between the thickness and lightness of the leaves. The dot painting leaves should be bold with the pen, the leaf shape is full, there are smooth leaves, side leaves, hidden leaves, both large and small, dense and appropriate, with the pen is capable and powerful, the meaning is appropriate.
1. Use the medium sheep pen to tone and light ink, the tip of the pen is dipped in thick ink, the flanking edge is used to draw the blade with the pen, and the pen should be drawn longer when point painting, highlighting the morphological characteristics of the leaf.
2. First point out the middle one, and then point out the two pieces next to it to complete the drawing of a set of leaves. Note that the pointillist blade brush can be left white, highlighting the texture of the blade edge.
3. In order to enrich the picture, draw a group of leaves at the top of the picture with lighter hue points, and pay attention to the occlusion relationship between the two leaves.
note! When painting leaves, the leaves near the peach should be drawn thicker, and the leaves farther away from the peach should be transitioned lighter, and the leaves are to set off the peach, and their trend should be echoed with the peach.
4. Paint another leaf below to increase the vividness of the picture. Using a small wolf pen to dip in thick ink, the center of the pen to outline the branches, first determine the position of the top of the branches.
5. Gradually draw the branches with a dry pen downwards, and leave more flying white to highlight its texture.
6. Pay attention to the connection and shading relationship between the leaf and the branch, because the leaf obscures the branch of the middle part, so the lower part of the branch is drawn under the leaf.
7. Use the small wolf pen to dip in thick ink, and the center forward uses the pen to outline the leaf veins.
8. Draw the leaf veins in turn, and pay attention to the color tone of the leaf veins to be near the real and far ends.
9. Use light ink to paint some new shoots on the branches, add some vitality, and complete the drawing of peach leaves.
The steps of the creation of the work "Three Thousand Years"
1. Use the medium wolf pen to tone and light ink, the center uses the pen, and uses the double hook method to outline two intersecting tree trunks in the picture, and sketch the meandering branches at the top of the trunk.
Use a medium-sized sheep pen tone and light ink, the tip of the pen is dipped in thick ink, and the flank uses the pen to dot the leaves between the branches, paying attention to the change in the shape and tone of the leaves, to be vivid and natural.
2. Use the medium sheep pen to blend Garcinia, rouge and dawn, use the color transition to paint several ripe peaches in the picture, pay attention to the morphology and angle of the peaches to be varied, and show the shielding relationship between the peaches and the leaves.
3. Blend the ochre with light ink and add water to lighten, dye the branches, express their hue, and then dip the thick ink with the trumpet wolf pen, and the center uses the pen to outline the leaf veins. Decorate the branches with small pens to garnish some new shoots to enrich the picture.
4. Clean up and organize the picture, seal the inscription, and complete the picture creation.
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