He was a "bearer" in the calligraphy circle of the Yuan Dynasty, who could write 10,000 words a day, and his calligraphy works were regarded as treasures by the United States
In the history of calligraphy, there is such a strange man, he can write 10,000 words of calligraphy every day, for decades like a thunderbolt, his calligraphy is famous in history, and even some people compare him with Wang Xizhi, and he is not inferior.
This calligrapher is Zhao Mengfu, the master of calligraphy of the Yuan Dynasty.
Zhao Mengfu was a genius, poetry, literature, books, paintings, music, seals, appraisals, almost all literary and artistic styles he could do, of course, his most outstanding field is in calligraphy and painting.
Take calligraphy, for example, he is a well-deserved "shoulder handle" in the Yuan Dynasty book world, proficient in calligraphy five-body seal, subordinate, kai, line, grass, etc., but also can write more than 10,000 words a day, under decades of meticulous polishing, his calligraphy level has already reached a super high realm of pure fire.
In his early years, he studied the tomb of Emperor Gaozong of Song, and later turned to the Second King, and obtained a pure brushwork inheritance, and every character in his pen was worth savoring.
For example, when he was 60 years old, he wrote a book work "Plum Blossom Poem".
This work was written by Zhao Mengfu in his later years, and he felt it when he admired the plum, the poetry and calligraphy were completed in one go, and his poetry was beautiful and beautiful, which can be called a masterpiece of two swords.
Throughout this work, from beginning to end there is the charm of Wang Xizhi's calligraphy, the temperament of the book is unobstructed, its glyphs are flowing, the temperament is superior, at first glance it may feel ordinary, but the careful taste has a different kind of charm, which is the product of the combination of Zhao Mengfu's soft calligraphy and aristocratic temperament, which is very worth learning for future generations.
Zhao Mengfu himself was a member of the Zhao and Song imperial family, and later forced to be helpless to be Shi Yuan, so there was a very strong aristocratic atmosphere in his calligraphy.
In the third year of Ming Chongzhen, this work was compiled by Chen Yuanrui of Haining, Zhejiang Province, into the famous "Bohai Tibetan True Thesis", and then by Zhang Yong, and this calligraphy work "Plum Blossom Poem" is in the eighth volume of this series of posts.
In addition, a total of 18 authentic works by Zhong Shaojing, Chu Suiliang, Su Shi, Huang Tingjian, Mi Fu, Cai Jing, Cai Xiang, Mi Youren and others are hidden in it.
Each one is a masterpiece of the history of mingzhen calligraphy.
Later, Zhao Mengfu's calligraphy work "Plum Blossom Poem" flowed into the United States and is now stored in the Hanhe Library of Harvard University in the United States, which is regarded as a calligraphy treasure by the library.
Nowadays, we will carry out a museum-level high-definition reproduction of Zhao Mengfu's "Plum Blossom Poem", and the characters are exactly the same as the original handwriting, so that everyone can learn to collect and copy.
——Editor Tao Li Chunfeng
Zhao Mengfu xingshu "Plum Blossom Poem" brush practice post original large HD copy copy mounted adult
