Colorful Guizhou Network Zhongwang News (Reporter Ying Teng) Revitalize local opera, "front wave" with "back wave", ride the wind and waves together! On March 17, Zhu Hong, the inheritor of the national intangible cultural heritage, received apprenticeship in Guiyang. This is also the first time that Zhu Hong has received apprentices in 39 years of art.
Zhu Hong, the inheritor of the national intangible cultural heritage, received apprenticeship in Guiyang
"Master, please drink tea!" Witnessed by dozens of people at the scene, Zhu Hong officially included Zheng Hanyue, Zhou Gang, Liu Sa, Liu Zicheng, Yuan Yongjing, He Junlin, Wei Yingru and other seven "post-70s" Qian opera rookies. "Whether the development of Qianju opera can emerge a new development pattern" makes people look forward to it.
As the fourth generation of qian opera inheritors, Zhu Hong, who has never accepted apprentices in 39 years, why did he choose to accept apprentices this year?
"The inheritance of opera dramas, the most feared thing is the 'fault' of the newcomers, which is why I decided to accept apprentices." On the road of searching for The Art of Qianju Opera, Zhu Hong has received countless honors and titles, among which what he values most and cherishes most is the identity of "the representative inheritor of the national intangible cultural heritage of Qianju Opera".
At the scene of receiving the apprentice, Zhu Hong gave the "secret book" of Qian opera, "Inheritance", to the apprentice
Qian opera originated from the "pop song" Yangqin in Guizhou during the Kangxi period of the Qing Dynasty.
As an emerging local opera genre developed on the basis of yangqin, in February 1960, "Qian opera" was officially named. After continuous reform and development, this folk rap art sung by the Guizhou dialect has evolved into a type of opera with local characteristics and performance styles. In June 2008, Qianju opera was officially included in the national intangible cultural heritage list.
As the representative inheritor of Qianju opera, the only national intangible cultural heritage of Qianju opera, it is equally important as "Shouyi" and is "the reserve of qianju reserve talents".
"Receiving disciples and passing on the art is both a responsibility and an obligation. Pouring out the teaching, so that the talent reserve of Qianju opera into a virtuous circle, as a national non-hereditary heir, I have an unshirkable responsibility. Zhu Hong told reporters that the development of Qianju opera can only be continued under the attention of the state and the attention and love of the people, "the inheritance cannot be lost, let alone broken!" ”
Learn from teachers and inherit the art of opera
Apprentices learn art from teachers in order to hone their skills for the present; masters pass on virtue, art, and skills, in order to reserve talents and revitalize local opera in the future.
"Worship the Master! Get starter gifts back! "The simple and brief worship ceremony and the sense of ceremony set off on the scene play the function of Qianju opera in carrying traditional cultural symbols." It is also this sense of ceremony that highlights the "inheritance" meaning of the living inheritance of intangible cultural heritage.
Then enlarge the vision from the worship ceremony - with the development of China's social economy, the comprehensive national strength has become stronger, the national self-confidence has greatly increased, and the excellent traditional culture represented by Qianju opera is gradually standing on the C position of the national tide.
"Only after listening to it did I sigh, the happiness of the old ancestors, I know too late!" According to the 2021 Douyin Intangible Cultural Heritage Drama Data Report, the "post-90s and post-00s" are the main force listening to intangible cultural heritage dramas, accounting for 52% of the total audience. Endangered dramas in intangible cultural heritage dramas, such as Chao opera, Cantonese opera, Yang opera, Fujian opera and Huayin laolu, have also received attention.
Zhu Hong, who has always attached importance to the cultivation and reserve of Qianju talents, also noticed the phenomenon of intangible cultural heritage drama and young people achieving "two-way rushing". Of the 7 disciples he included in the disciple, 4 were "post-00s."
After learning the art from the master, the apprentice received a return sticker from the master
"Front wave" with "back wave", Zou Xiuzhong, a famous young student of Qian opera, said, "I see the hope of Qian opera. ”
"This is a latecomer, and I see the hope of Qianju." In this regard, at the scene of receiving apprentices, Zhu Hong's master, Zou Xiuzhong, a famous young student of Qianju Opera, as a master, sent nine words to the "Houlang" of Qianju opera - the technique is not pressurized, and the work is natural.
And these nine words are also the admonitions of Zou Xiuzhong to Zhu Hong in 1983 when he studied Qian opera with his teacher.
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Representative inheritor of the national intangible cultural heritage of Qianju opera: Zhu Hong
In 1987, he entered the Qian Opera Troupe, and after 39 years of art, he gradually grew into a national first-class actor, a national intangible cultural heritage inheritor, the vice chairman of the Guizhou Provincial Drama Association, enjoying special government allowances of the State Council, an outstanding expert of the Ministry of Culture, a "four batches" of talents in Guizhou Province, and a literary and art worker in Guizhou Province.
He has represented China in cultural exchange performances in Australia, New Zealand, Canada and other countries for many times, and has starred in large-scale TV sitcoms "Happy Qian Opera", "Huaxia Medical Family Music", "Qian Opera", "Virgin", "College Student Village Official", "Jiuyi Tu", "Meishui Long Song", "Tianqu", "Lamei Yingxiang" and other dramas.
Reporter: Ying Teng