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To revitalize Chinese medicine, is it enough to rely on one "Back Wave"? Let's start with He Saifei's angry criticism of the current situation of the opera industry

The Chinese medicine drama "Houlang" Ren Xinzheng is too difficult, because it is different from Liu Changqing and others, and as a result, Boss Liu took back the classrooms and student dormitories originally provided.

His fellow disciple, Wu Shandao, acting president of the University of Chinese Medicine, did not even support the classroom.

Fortunately, with Song Linglan's explanation, in episode 13, Ren Xinzheng lowered his head and set up a dinner to invite Liu Changqing and Wu Shandao together, which was a temporary solution to the problem.

Liu Changqing and Wu Shandao, this pair of "brothers" with the same voice and breath finally intersected, look, they came together, the smell is the same, there will definitely be a good show to watch in the future.

To revitalize Chinese medicine, is it enough to rely on one "Back Wave"? Let's start with He Saifei's angry criticism of the current situation of the opera industry

Traditional Chinese medicine is an important part of traditional Chinese culture. Due to various reasons, the current situation of Chinese medicine is not optimistic, not only facing the great challenges of modern medicine, but also many problems in the Chinese medicine industry itself.

Chinese opera art, with its many genres, is also an important part of traditional Chinese culture. But how has the art of Chinese opera been all these years?

Needless to say, in addition to some middle-aged and elderly people, how many people watch and listen to plays? How many more people can sing?

Chinese opera art, for most young people, can sing and sing, it is estimated that it is "Singing Face" and "New Noble Concubine Drunk".

Zhao Lirong's grandmother, who is generally respected and loved by the audience and friends, turned out to be a drama critic, and in her later years, she changed her career to perform skits and sang popular songs, is it really impossible for Chinese opera art?

From May 18th to 24th, the "China Bangzi Conference" was held in Suzhuang, Gaopingxi Town, Shanxi. Yu opera master Hu Meiling, Yue opera, film and television master He Saifei, Qin cavity master Li Dongqiao and other opera masters served as judges of the competition.

To revitalize Chinese medicine, is it enough to rely on one "Back Wave"? Let's start with He Saifei's angry criticism of the current situation of the opera industry

On May 20, He Saifei's words at the scene, angrily criticized the current situation of the opera industry, drummed and shouted for the inheritance of opera art, and immediately rushed to the hot search!

At the scene of the competition, the host Bai Yansheng introduced that the actor Zhang Junbo on the stage was originally from Luliang, Shanxi, and was selected by the province to be transferred to Taiyuan, but he has not been regularized for 5 years. 1,500 yuan a month salary, accommodation, in addition to acting, double as a ride-hailing driver, delivery food, wife with 3 children in her hometown, several times joked "let's divorce".

Hearing this, He Saifei on the judges' bench was emotional and wept bitterly, and she said in a hoarse voice: "You said that for the career, for the construction of Chinese opera, where there are so many noble ideas, he is a hobby, he likes it, he likes it from the bones." Revitalizing opera is really not shouting, he is an artist!

To revitalize Chinese medicine, is it enough to rely on one "Back Wave"? Let's start with He Saifei's angry criticism of the current situation of the opera industry

You keep saying plum blossom awards and Wenhua awards, spending so much money to arrange a play, and after winning the award, put it in the warehouse, and the people can't see it, what about the play? What about money? Where did it go? ”

To revitalize Chinese medicine, is it enough to rely on one "Back Wave"? Let's start with He Saifei's angry criticism of the current situation of the opera industry

He Saifei's words immediately aroused widespread heated discussions and resonance, and netizens and viewers praised and supported them.

Let's take a look at what netizens say:

The hot search list is full of traffic actors eating and drinking Lasa, and He Saifei's voice for the low-level opera actors is a rare positive energy. Her voice is deafening, and it directly points out the current situation of the industry.

A person who is in a high position but is willing to speak out from the bottom of his heart for those in public is admirable.

Where did the money go? This sentence is deafening. It's not that the state is not invested, it's just that there are links and people who have problems with implementation.

He Saifei: In his life, he has been successful in four transformations.

He Saifei bitterly criticized the current situation in the opera industry, and this tear cannot be shed in vain!

He Saifei also revealed that he went to remake the TV series because he did not act. In this way, Zhao Lirong changed her sketches and sang popular songs at the beginning, and it is estimated that she is the same as He Saifei, there is no drama to sing, no drama to perform.

To revitalize Chinese medicine, is it enough to rely on one "Back Wave"? Let's start with He Saifei's angry criticism of the current situation of the opera industry

Traditional Chinese medicine and Chinese opera art are both important parts of traditional Chinese culture, and there are indeed many similarities between the circumstances, challenges and tasks they are facing!

From the perspective of the projects funded by the National Natural Science Foundation of China, the proportion of traditional Chinese medicine is much lower than that of modern medicine, let's take a look at a set of data.

As of 2022, the National Natural Science Foundation of China has funded a total of 21,341 traditional Chinese medicine projects.

Among them, from 2013 to 2022, a total of 14,567 national nature funding projects in the field of traditional Chinese medicine were granted, accounting for 14.53% of the total number of projects funded by the Ministry of Medical Sciences; The amount of national natural funding exceeded 6.4 billion yuan, accounting for 12.87% of the total amount of funding from the Ministry of Medical Sciences; The application funding rate of national natural projects in the field of traditional Chinese medicine was 14.02%.

Although the audience and netizens have many bad comments on the TV series "Houlang", the theme of "Houlang" is indeed to promote, revitalize and inherit Chinese medicine.

To revitalize Chinese medicine, is it enough to rely on one "Back Wave"? Let's start with He Saifei's angry criticism of the current situation of the opera industry

If nothing else, Ren Xinzheng's courage to resign as president of the University of Chinese Medicine and his own family's funding to run a TCM inheritance class are enough to be respected.

Most of the people in the inheritance class, except for Ren Tianzhen, no one else has a master of traditional Chinese medicine, although Sun Tooutou said that he is a "descendant" of Jiang's acupuncture school, but he does not have any foundation in traditional Chinese medicine, and her ancestors and parents are gone, and there is no ancestral shade.

Ren Xinzheng was angry and drove away Sun Toutou, but he was not worried about her all the time. He vigorously cultivated Sun Toutou, even more attentively than his own son, which in itself is worthy of admiration!

According to common sense, he should vigorously cultivate Ren Innocence!

Since the start of "Back Wave", although there have not been many praises, after all, there are still many episodes behind, maybe there will be surprises later, things have to go through the difficulty, revitalization, inheritance, how easy is it.

To revitalize Chinese medicine, is it enough to rely on one "Back Wave"? Let's start with He Saifei's angry criticism of the current situation of the opera industry

To revitalize Chinese medicine, it is certainly not enough to rely on a "Later Wave", more people of insight in the industry like He Saifei are needed to stand up and cheer, and more friends who really love Chinese medicine are needed to rediscover Chinese medicine and develop Chinese medicine together.

The same is true for Chinese opera art and other traditional Chinese culture.

The roots of traditional Chinese culture lie in the people and among the common people.

Therefore, whether it is traditional Chinese medicine or opera art, the most important thing is to pay attention to the grassroots and the inheritance of the younger generation, rather than only paying attention to the senior management of the industry, but only to those industry leaders.

And should Chinese medicine be modernized, and how should it be modernized? How should Chinese opera art innovate on the basis of protecting traditional repertoire?

As He Saifei, a famous Yue opera artist and film and television actor, said, what is the point of spending so much money to arrange a new play, just to win the national award, to be famous for a few people, and then pile up the new play in the warehouse, wasting money and energy, and wasting the state's funding support?

Shi Yihong, a famous actor of Peking Opera and Meipai Daqing Yi of Shanghai Peking Opera, also once sighed in the program, saying that the actors want to shoot traditional dramas and want to apply for money to make new clothes, but no one pays attention to the report, only to do new plays will be supported, but spending millions of rows of new plays, after participating in an art festival or participating in a competition is over, just perform two or three performances, there will be no follow-up, how to carry forward such a play, how to inherit?

To revitalize Chinese medicine, is it enough to rely on one "Back Wave"? Let's start with He Saifei's angry criticism of the current situation of the opera industry

Even a famous Peking Opera artist like Shi Yihong has no choice but to complain about the current situation and drawbacks of such opera, which can be imagined how difficult it is for young actors at the grassroots level of opera to survive and develop.

Everyone can shout slogans and make a show, but in all walks of life, what is lacking is people who can really do things in a down-to-earth manner, people who can really sink their hearts and minds, like Ren Xinzheng in "Back Waves", who painstakingly operate and develop for the cause they love regardless of fame and gain.

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