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Melodious tunes sound, sometimes euphemistic, like the babbling of flowing water; sometimes high-pitched and bold, like a lion roaring and a tiger roaring, in the midst of ever-changing, let the listener be moved, this is the charm of the traditional drama Feng Yinghuai.
"If you want to catch the temple market, you must see Feng Yinghuai's play!" The slang of the people in circulation represents the degree to which it is liked to hear.
As an intangible cultural heritage project in our city, Feng Yinghuai has been for more than 300 years. In order to sacrifice the gods, bless the peace of people and animals, and pray for a good harvest, Feng Yinghuai's opera has changed from the beginning of the sutra drama of one to three people singing, to the drum circle drama of sitting around the table and singing together, to the huaijue of dozens of people blowing and playing and singing a complete huaiju, and the content of the speech is mostly to praise the story of defending the country, being kind to people, and advocating filial piety, and through the performance form of singing, reading, doing, and beating, thus becoming an opera art on the high stage.
Speaking of the world, the singers of the country, the bittersweet and bittersweet in the Taoist stories, Feng Yingren's feelings of liking drama and singing Huaiju opera have never changed.
"The characteristics of our Feng Ying all-plate cavity Huaiyi opera are that the plate style retains the whole, the singing cavity is more, the rhyme is beautiful, and when singing, we pay more attention to the plate style, and the harmonious use of the singing cavity and rhyme tone makes Huaiwu truly reflect the clear pronunciation, beautiful singing voice, and attractive emotions!" Meng Shexiang, the 68-year-old main representative inheritor of Feng Yinghuai and head of the Feng Yinghuaiwu Opera Troupe, said that she began singing at the age of 12, and the unique charm of Jiaozuo Huaiwu opera was still unfinished.
Nowadays, under the leadership of Meng Shexiang, Feng Yingquan Fanxiang adheres to the traditional, fashionable and innovative concept of inheritance and development, and after years of exploration, sorting and adapting, he has polished out plays such as "Yan Wang Sweeping North", "Liu Tongxun Private Visit", "Qilin Mountain", "Anti-Xuzhou" and other plays, and most of the singing segments have become classic works, and their unique singing methods have been praised by the audience and drama workers.
In order to protect, inherit and develop the ancient artistic treasure of Feng YingHuaiyi opera, in recent years, Meng Shexiang, the inheritor of Feng Yinghuai, and Guo Xianliang, an old artist, have actively "passed on and helped" young actors, and guided Feng Yinghuaiwu actors to actively participate in the performances and competitions of various types of Huaiyi opera, stimulating the audience's love and love for the intangible cultural heritage of Huaiyi opera, and also enabling Feng Yinghuaiyi to be well inherited and continued, and played a positive role in the development of opera culture in the new era and the promotion of rural revitalization.
Jiaozuo Daily all-media reporter Yang Jingpeng/Wen Song Chongfei/Photo
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Editor-in-chief: Wang Jingfeng Total Duty: Shen Jinxing
Editor-in-Chief: Wang Yan Coordinator: Feng Xinrui
Editor-in-Charge: Yang Ke Editor: Li Kai
Reviewer: Wang Jianxin Xu Ling
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