overpass. "Wine flag plays drum Tianqiao City, how many tourists do not remember home", Yi Shunding, a famous poet in the late Qing Dynasty and early Min, wrote such a popular poem in "Tianqiao Song". In the early years of the Republic of China, it truly formed into a prosperous civilian market and was regarded as a typical area of the civilian society in old Beijing. As the famous scholar Qi Rushan said in the "Preface to the List of Flyovers": "Those who have overpasses are also places where the lower-level people of Beiping will meet and rest." Into it, and the social customs of Peiping can be seen. "In the process of its development, the flyover has gradually formed a unique civilian culture of the flyover, because it is rooted in the common people, although it has gone through vicissitudes, it can last forever."
In history, Beijing was partly the Beijing of the royal nobility centered on the imperial city; the other part was the Beijing of the commoners represented by the tianqiao. It was the commoners of Beijing that created the Beijing of the royal nobility. One of the people who go to the tianqiao is to buy some daily necessities; one is to see various folk arts; and the other is to taste the delicious and cheap flavor food at the food stalls in the tianqiao. Over time, the Beijing Tianqiao area has become the most abundant and concentrated area of traditional culture in Beijing and even around Beijing, Tianjin and Hebei.
Since the 18th National Congress, with the proposal of the Chinese dream of the great rejuvenation of national culture and the call of the National Belt and Road Initiative, the flyover in the new era has become a temple of intangible cultural heritage, not only restoring the Changdian Temple Fair, but also successfully applying for dozens of national intangible cultural heritage projects. The Museum of Intangible Cultural Heritage of Oriental Civilization also came into being under the background of the country's vigorous promotion and popularization of intangible cultural heritage. The Museum of Intangible Cultural Heritage of Oriental Civilization is located in the middle of the old hutong of Tianqiao, Xicheng District, Beijing, and the plaque name is inscribed by Pan Zhenzhou, honorary director of the National Museum and former vice minister of culture and tourism, and most of the exhibition content is national-level projects, and the curator is Zhu Lianqiang, director of the Beijing Intangible Cultural Heritage Protection and Development Center for Passing on Skills.
Pan Zhenzhou, honorary curator of the National Museum and former vice minister of culture and tourism, inscribed a plaque for the museum
Museum pavilions
East Hall of the Museum
Museum Thangka exhibition area
Museum collection - national intangible cultural heritage screw thangka
Museum collection - national intangible cultural heritage thangka
Exhibition area of traditional porcelain making techniques
Museum collection - national intangible purple sand pottery
Museum collection - national intangible heritage white porcelain
Museum collection - national intangible heritage porcelain
Museum collection - national intangible cultural heritage Ru porcelain
Museum collection - national intangible heritage stranded tire porcelain
Museum collection - national intangible cultural heritage paintings
Museum collection - national intangible cultural heritage bronze sculpture
Museum collection - national non-heritage fish skin paintings of the Hezhe ethnic group
Museum collection - national intangible cultural heritage cloisonné
Museum collection - national intangible cultural heritage bamboo root carving
Museum collection - national intangible cultural heritage miniature sculpture
Museum collection - national intangible cultural heritage wood carving
Museum collection - national intangible cultural heritage embroidery