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Heavy | Masterpieces: A thousand words in one go, such as elegant people, leisurely strolling between the trees of Langyuan
Tang Yin's book "Manxing Poetry Thesis".
"Tang Yin Manxing Inkblot" is his own "Manxing Poem" written by a friend. More than a thousand words in one go, with a fine pen to delicate, the posture to the right side, full of vivid posture, such as elegant people, leisurely strolling between the Langyuan trees, very intriguing. The last sign of the volume is written in the date and month, but from its elegant and natural tone, it should be written in his later years, And Tang Yin has very few authentic works, and "Manxing" is one of his main representative works.
Tang Yin's interpretation of Manxing Poems
1
In this life, he divided himself into old Wu Zhang, ten thousand volumes of books and a grass hall.
The autumn list is the first, and the spring wind string orchestra is drunk for a thousand times.
The futon is soft, and the shoes and socks are fragrant with apricot cheese.
This is just my business, why should Kong Ming rise to Nanyang.
2
Both are dusty old green plackets, half an acre of old Bichen.
Laziness is more difficult to medicate, and few people do not keep the piano.
Pingkang donkey back drunk, Gu Yu flower bed Fei Lang groaned.
Old to the wine glass chess game, this life is not willing to be reconciled.
3
When chen ji was young, Chen Ji cared about his own pity.
Duqu pear blossom cup on the snow, Baling herbs dream smoke.
The future has two sleeves of golden tears, and the public case is three lives of white bone Zen.
After thinking about it, he should not regret it, and begged for food in front of the courtyard.
4
Returning to Beijing, the country was full of dust, and the bird's coat was covered with a horn scarf.
Ten thousand points of falling flowers are hate, a cup of bright moon is to forget poverty.
The incense lamp does not afford Vimo disease, and the cherry shoots are difficult to eliminate the rain and spring in the valley.
In the mirror, he saw himself as a laughing, puppeteer.
5
Pingkang Lane is strange and tired of tourists, and the peach blossoms are drunk.
Short dreams, smoke and butterflies, amorous strings a bed of dust.
Gold who buys Nagato Fu, dai pen is difficult to draw full of forehead.
But with some joy, he burned high candles to send the remnants of spring.
6
Self-hatred and pedantry are more self-pitying, and the earthen-walled huts are every year.
Su Qin was still annoyed, and Zhao Yi had run out of money.
Full of words and curses, he is overwhelmed with worries about the sky.
Amorous and sentimental, and drink a deep cup to see the full moon.
7
Stepping through the cloister to raise his own money, Tengteng bowed his head wordlessly.
Four more wine half bed disease, March wound spring full of mirror sorrow.
White-faced books are born empty pengfu, and gold tourists are left with mink fur.
Knowing that we want to find new traces, the yellow leaf monk's black rain boat.
8
It is always impossible to be inclined to the cabin, and it is only when fang knows that there is no basis for life.
It is difficult to find a grass to reward a confidant, and to pick lotus flowers for the holy monks.
Three Gu Cao Lu into the bottom of the matter, a hundred years of vegetables and water qu Wu Humerus.
Taste the taste of the world still in the tongue, tea with fate dare to love and hate.
9
Creation yuan lai is the most taboo, too peaceful and old and incompetent.
The traffic is cold, and the wind and snow invade the crock pot ice.
The second is not a conspiracy to attach to Guo, and a meal is divided according to desire.
Drunk to try the Qian family dao, dissipated the arrogance has not been.
10
Ten years of lead Hua dream, will pay the heart to the waves.
The inner garden is full of song and dance, and the southern country has zero white hair.
A bed of chaotic book dust desert, several Qiang flute moon cang.
Not only is there left to the waist, lying on the peach to check the prescription.
11
walk
In The city of Wu Wang, Liu Chengqi, qi nu gate in front of the grass full of embankment.
Selling wine as a person Yuanna, the sunset flowing water road things.
Try on flat-toed socks and shoes, tongue hook flag around the tree.
This is the place where I live and live, if I leave no title for the poem.
12
Up
The paper tent is empty and warm, and the cloth is soft and cold.
Half of the window red sun shakes the pine shadow, a yellow sorghum boiled wave Xin.
There is not much taste in sleeping, and there is no mood in middle age.
The world is mostly provoked by chickens, and they can't help but be famous.
13
Drinks
After three passes, the soft simmer raises a cup.
If there is a guest to accompany you, you will buy it without credit when you get money.
What will be the use of the false name in the hereafter, just ask the ancients An Zaiya.
Under the sunset, the eaves move the shadows of the trees, leisurely and look at the decadence of the Jade Mountain.
14
Night sitting
In front of the paper window under the bamboo campfire lamp, the companion is bored and unfolds a compilation.
Tea pots boil soup singing worms, incense burners buried charcoal and scorched dragon saliva.
Man Si Yu is bound to travel, sitting in the cold is more like old Zen.
The strength of the tendons gradually faded and the head became white, and the wind and snow in Jiangnan were still years old.
15
Forty years of life
Fish soup and rice are safe and settled, and the fingers flow from the year to forty.
Good is lazy, not to mention evil, and the rich are not expected to be poor.
The mountain house is filled with gold, and the wild shop has three cups of stone frozen spring.
Fortunately, it is not the right time to rule the world, and there is nothing to do in half a life.
16
Fifty self-life
The only way to be a child is to be a child, who expects time to move.
It was eighteen thousand days, forty-nine years.
Once upon a time, sorrow and joy were dreams, and the future glory and withering were unknown.
It is too late to rush to the day, and it is too late to hurry up and laugh.
17
Lantern Festival
There is no light without a moon that does not entertain people, and there is no light in the moon that is not a spring.
Spring to the human world is like jade, and the lamp burns the moon and the next month is like silver.
Full of streets Zhucui tour village women, boiling ground sheng song Saishe god.
Don't show Fang zun to laugh, how to sell this good day.
18
Except at night
The lights are removed again at night, and there are no fish on the plate.
The decaying sun and moon resigned from the calendar, and the haggard head chanted the back car.
A volume of articles is dusty, and both trace the snow with the donkey.
The Ming Dynasty turned to more current events, and the drizzle of the wild chickens was leaning on the lulu.
19
Tour Lushan
Kuang Lu Mountain is high and heavy, and the mountain rain and mountain smoke are thick.
Moving home wants to live in the screen stack, riding a donkey to see the incense burner peak.
The black hat on the river who shades the water, the rocky white-clad people pick pine.
The ancient sentence Moya River and Lake where to go
Recently, the number of passes is submitted for advice, and I hope that Kaman will not sit idly by.
Yousheng Tang Yin said goodbye to tang yin for the first time, and Shuncheng's elder brother Han Xue.
Tang Yin (1470-1524), also spelled Bohu, later changed to Zi Wei, was a Ming Dynasty painter, calligrapher, and poet.
At the age of thirty, he entered the Beijing club to take the exam, was deposed by the case of the test, and his wife remarried, and his life was bumpy. Later, he traveled to the famous mountains and rivers, and was famous for selling literary paintings. In his early years, he studied painting with Shen Zhou and Zhou Chen, and the patriarchal Li Tang and Liu Songnian integrated the northern and southern schools of painting, with fine brush and ink, sparse layout, and beautiful style. The figure painter inherits the tradition of the Tang Dynasty, with bright and elegant colors, beautiful posture and accurate shapes; he also works freehand characters, with simple and meaningful pen, which is interesting. His paintings of flowers and birds are longer than ink freehand, free and elegant. The calligraphy is strange and handsome, taking the fa Zhao Mengfu. In the poem, together with Zhu Yunming, Wen Zhengming, and Xu Zhenqing, he is called "the four talents of Wu Zhong". In painting, together with Shen Zhou, Wen Zhengming and Qiu Ying, they are called "Wumen Four Families", also known as "Ming Four Families". Tang Yin's works include "Riding a Donkey and Thinking of Returning", "Mountain Road Songsheng Map", "Shi Ming Tu", "Wang Shu Palace Prostitute Map", "Li Duanduan's Fall of The Book", "Autumn Wind Fan Map", "Dry Maple Partridge Map" and other paintings, which are stored in major museums around the world.
Tang Yin's calligraphy originates from Zhao Mengfu's integration, the style is rich and flexible, handsome and beautiful, and the representative work is "Falling Flowers Poetry Book".
Wang Shizhen commented in the "Draft of the Mountain People of Yizhou": "The Book of Bohu entered the Temple of Wuxingtang, and the ear was weak. "He studied Zhao Mengfu, Li Yong, Yan Zhenqing, and Mi Fu in general, and showed different emphases at different times, thus forming a changing stage appearance. In general, the changes in his style can be divided into four periods.
The first period was before the age of 30, he lived in his hometown suzhou, and Wen Zhengming of the same age was good friends, very influenced by Wen, so the two calligraphy and painting were very close, Tang Yin's 20-year-old painting "Huang Maozhu Xiaojing Picture Scroll" (Shanghai Museum collection), lake stones, flat slopes, trees are very similar to Wen's fine pen; calligraphy is also from Zhao Mengfu, all knotted and beautiful, with a beautiful pen, Tang Yin's "Gaoren Deep Hidden Map" on the paragraph, very similar to Wen Zhengming.
The second period was 30 to 36 years old, Tang Yin was deposed, his wife divorced, helpless to make a living through poetry, calligraphy and painting, at that time the calligraphy chased the Tang people, and strived to standardize, Youzong Shangyan Zhenqing's calligraphy, with a pen dignified, round and fleshy, the knot body is rectangular, strong and dense, dot painting horizontal and vertical thickness, and absorb the law, the horizontal pen ends like "silkworm head", and the pen is close to the "swallowtail" in the middle of the pen, extremely powerful, such as Tang Yin's "Falling Flowers Poetry Book" composed by Tang Yin at the age of 36 in Hongzhi Yi ugly (1505).
The third period was 37 to 45 years old, Tang Yin was in his prime, living in Taohua'an, concentrating on poetry and painting, and his creation reached its peak. At that time, the calligraphy returned to Zhao Mengfu and chased after Li Yong of the Tang Dynasty, thus forming its own mature style, based on the handsome and graceful Zhao body with a beautiful and graceful body, and the flow of the Zhao body with a pen and a beautiful pen, and integrated into Li Yong's oblique and long character posture, powerful brushwork and vivid cloth posture. There are many works of this style, which were written in the first year of Zhengde (1506) at the age of 37 in the "Seven Verses of Poetry Axis" (collected by the National Palace Museum in Taipei), the 30-year-old "Mountain Road Song Sound Map Axis" (collected by the National Palace Museum in Taipei), and the "Three Absolute Scrolls of Xingshu" (Ding Nian Xianzang) and other works, all of which show the appearance of Zhao Mengfu and Li Yong.
The fourth period was the death of 46 to 54 years old, which was already tang yin's later years. From the king of Jiangxi Ning pretending to be crazy and fleeing back, to further see through the world, calligraphy has also become spontaneous, and absorbed the style of writing that Mi Fu seeks to take the momentum, uses the pen quickly and vigorously, calmly and happily, strikes out on all sides, is frank and free, pursues strength, speed and charm; at the same time, integrates the brushwork of all families, so that the knot body and the use of the pen are full of changes, and reach the state of free swing. Representative works include the title of the "Old Picture Axis of Xizhou Dialect" (collected by the National Palace Museum in Taipei) composed after the age of 50, and the title on the "Scroll of seeing the Spring and Listening to the Wind" (collected by the Nanjing Museum).
Tang Yinxing's book "Manxing Poetry" is super qing appreciation
Calligraphy Discover the beauty of the heart
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