Happy New Year to all cabinet friends, welcome to the cabinet for a nap!
Host Long Yang's white clothes today, what poem titles will he bring us?
The answer is naturally A. Li Yong, and the name of Li Bai's poem is called "Shang Li Yong":
Dapeng rose with the same wind one day and soared up to ninety thousand miles.
If the wind stops and comes down, it will still be able to bump but be in the water.
When the world saw me, they sneered at me.
The father can still fear the future, and the husband can not be young.
Why did Li Bai write this poem to Li Yong?
Many biographies or articles say that Li Yong was arrogant and rude to Li Bai and looked down on Li Bai, so Li Bai wrote a poem to fight back and hit Li Yong hard in the face.
In my opinion, this statement is somewhat taken out of context.
At that time, Li Yong was a literary celebrity and a great calligrapher, and he was known as a corporal of lily and adept at promoting his descendants.
For example, Cui Hao, who wrote "Yellow Crane Tower" and "Long Gan Xing", was deeply appreciated by Li Yong and was invited to Li Yong's mansion as a guest. In addition, Du Fu and Gao Shi also received help from Li Yong.
When Li Bai confronted Li Yong, Li Yong was serving as the secretary of the Chongqing Municipal Party Committee, and Li Bai was just a young man who had just emerged from the jianghu. Perhaps because Li Yong was busy with official business at that time, or perhaps Li Bai was too arrogant and arrogant in the poems that Li Bai presented to Li Yong, in short, Li Yong did not personally receive Li Bai, but still sent his subordinate Yuwen Shaofu to receive Li Bai, and also let Yuwen Shaofu give Li Bai a peach bamboo book.
It was normal for Li Bai to have some feelings of loss at that time, so he wrote this poem "Shang Li Yong", but it was by no means a hatred in his heart, and he turned his eyes into a vendetta. Especially with the growth of life experience, Li Bai's understanding of Li Yong also underwent a great change, and later Li Bai mentioned Li Yong many times in his poems, saying that he had experienced the deeds of the brave women in the East China Sea and wrote to the imperial court to intercede, "Li Shijun of the Beihai Sea, Fei Zhang playing the Heavenly Court". Li Yong is also mentioned in the "Answer to the Twelve Cold Nights of the King": "The king does not see Li Beihai, where is the heroism and arrogance now", in order to express his remembrance of his persecution and death by Li Linfu. In his later years, Li Bai also visited Li Yong's former residence and wrote poems to commemorate it, which shows that Li Bai's life is still very respectful of Li Yong, and the relationship between the two is judged to be unavoidable in the poem "Shang Li Yong".
Many poets like Jiang Jie's "Yu Meiren Listening to the Rain":
The teenager listened to the rain song upstairs. Red candles dim. In his prime, listen to the rain in a passenger boat. The river is wide and the clouds are low, and the broken geese are called the west wind.
And now listen to the rain monks down. Sideburns have stars also. Joy and sorrow are always merciless. Before the first term, drip until dawn.
A lifetime, in such a short period of words.
Here is the contrast between youth and prime-age, the so-called "young and strong do not work hard, the old man is sad", so the ancient prime-age generally refers to about thirty years old.
Cao Cao also has a poetry cloud: "Old Ji Futuo, determined to be in a thousand miles, martyrs in their twilight years, strong heart." ”
Life is an eternal topic in poetry.
Li Bai's "Long Gan Xing" uses the allusion of "tail life holding pillars", from "Zhuangzi Thief": "Tail students and women are under the beam, the woman does not come, the water does not go, and the beam and pillar die." ”
What a poignant story! And Li Bai's "Long Gan Xing", in addition to bringing us both traditional and beautiful Chinese love stories, also left us with beautiful idioms such as "green plum bamboo horse" and "two small no guesses".
This sentence is from Su Shi's "Xijiang Yue", which is a memorial to Ouyang Xiu's work.
Three times under the Pingshan Hall, half a life in the sound of fingers. Ten years have not seen the old fairy. Dragons and snakes fly on the wall.
Want to hang the article too conservative, still sing the willow spring wind. Hugh said that everything turned empty. Dreams when you don't turn your head.
Speaking of which, this sentence "I want to hang the article too conservatively, still sing the spring wind of Yang Liu", which is related to a word of Ouyang Xiu:
Asaka Tso HirayamaDo
The flat mountain railing sill leans on the clear sky, and the mountain color is in or out. Weeping willows in front of the hand planting hall, don't come to a few degrees of spring breeze?
The article is too conservative, waving a million words, drinking a thousand bells. Xingle Zhi must be young, and he looks at the decaying man in front of him.
There are too many stories between Ouyang Xiu and Su Shi's teachers and students.