Tang Yin, this is a well-known talent, but also a down-and-out talent.
Tang Yin (6 March 1470 – 7 January 1524), a native of Wu County, Suzhou Prefecture (present-day Suzhou, Jiangsu Province), was a Ming Dynasty painter, calligrapher, and poet.
When Tang Bohu was young, he could be regarded as a young genius, but when he entered the Beijing Conference at the age of thirty, he was framed and deposed. Based on these anecdotes, anecdotes, and legends, we tend to think that his works are arbitrary, informal, informal, but in fact this is not the case.
【Works】Ming · Tang Yin · Mountain road pine sound map
Tang Yin inscribed a poem: "The female mountain is in front of the wild road, and the sound of pine is partial to the sound of the spring." Try to lean your ears out of the quiet, and you will feel angry. Under the rule of Tang Yin, he painted Mr. Li's parents. ”
Seals: "Dream Ink Pavilion", "Nanjing Xieyuan", "Escape Zen Immortal Official".
Tang Yin is a rigorous painter, his pictures, whether it is layout, or with a pen, or color, are very subtle, the painting method of trees and stones, the treatment of mountains, the method of rendering, the method of coloring are very interesting.
"Mountain Road Pine Sound Map" is an important work of his, there are two visual sensations of loftiness and far-reaching on the picture, mountain springs and mountain roads play a good hint at space, and the stream at the foot of the mountain meanders into the distance, taking our eyes to the distance, which is a perfect work.
The mountain body in the painting is outlined by a delicate center, the mountain and stone are sharply angled, which is obviously the style of the Northern Song Dynasty, but his technique is calm, the lines rise and fall with the mountain, there is no big jump, Tang Yin's technique combines the advantages of long lines of cloaking and axe splitting, which belongs to his personal style.
The ink color of his grass and trees is relatively thick, and the ink color of the mountain is relatively light, which presents the characteristics of the deep mountains in summer, and also emphasizes the interest of ink painting, which is a technique often used by Tang Yin.
There are many other works of his, such as Buxi Tu, Wang Shu Palace Diagram, Grass House Futon Diagram, Tao Gu Gift Word Diagram, Riding a Donkey back to the Si Tu Axis and so on.
【Works】Ming · Tang Yin (Tang Bohu) · Step Creek Diagram
Painted peaks stand on the walls, clouds misty. At the foot of the mountain, one person walked slowly, his sleeves fluttering with the wind, the hermit mood was born from the moment, and the other person stood opposite it, looking pleasant. Pinggang is lined with trees, Banqiao streams, mountain winds and sounds, and the mood is empty and desolate.
【Works】Ming · Tang Yin (Tang Bohu) · Wang Shu Palace prostitute chart axis
This figure was originally named MengShu Palace Diagram, commonly known as Four Beautiful Pictures, which was first named and used by Wang Zhenyu's Coral Net Picture Catalogue at the end of the Ming Dynasty. Later, Mr. Zhang Boju, one of the four princes of the Republic of China, collected and donated it to the Palace Museum.
Later, after further investigation by the experts and scholars of the Forbidden City, they found that in fact, the "Shu Hou Lord" who liked to make the palace prostitutes change into such clothes and wear lotus crowns to play with themselves in history should actually be the second and last monarch of Wang Shu. The final name of this painting, The of Wang Shu Palace, was determined.
The picture shows four song and dance palace ladies dressed up and waiting for the king to summon and serve. They wear golden lotus crowns on their heads, dressed in Taoist robes decorated with clouds and clouds, and their faces are rouge, and their bodies are rich and beautiful, and their mood is dignified and delicate. When Tang Yin created this painting, he intended to reveal the absurd and corrupt life of the former Shu and Later Lord Wang Yan, which contained a distinct ironic meaning.
Tang Bohu figure painting mechanics Southern Song Dynasty Liu Songnian, coupled with Zhou Dongcun, Du Tao crazy two brushwork, elegant color, high standard, can be described as the first talent in Jiangnan. This picture is a representative work of Tang Yin's character painting, which shows his superb skills in modeling, pen use, color setting and other aspects. The woman's posture is well-proportioned and beautiful, with a narrow shoulder and back, a willow eyebrow and a cherry bun, and the forehead, nose and chin are applied to the "three whites", which not only absorbs the "Tang makeup" female styling characteristics created by Zhang Xuan and Zhou Fang, but also reflects the aesthetic fashion of the Ming Dynasty's pursuit of qingxiujuan beauty.
【Works】Ming · Tang Yin · Thatched house futon diagram
"The Picture of the Grass House Futon" is the most abundant and mature work of Tang Yin's middle and late period.
This picture, draw the heart. The work depicts the scene of morning reading on the futon of the shiren in the early autumn of Jiangnan. The distant mountains are towering, the clouds are soothing, and the freshness of the empty mountains after the new rain comes to the face. The close-up view is under the Dicui Mountain, the waterfall is a stream, the strange rocks are hidden, and the green bamboo is upright. In the grass hut of such a secluded place, next to the bookcase, a gentleman sat on his knees on a futon, staring sideways at the bookboy walking on the stone bridge, half contemplative, half sudden; as if admiring the rhyme of bamboo leaves, but also listening to the sound of the stream.
On the left side of the picture, there is a self-titled paragraph: "In the virtual pavilion forest, the water is dry." The trial group sat down, and the leaves sounded cold early. Tang Yin painting. "XiaJu" Tang Jushi" Zhu Wen Fangyin, "Nanjing Xieyuan" Zhu Wen Changfangyin. Qi Shou Plutonium "Wu Trend" Zhu Wen Yuanyin. The whole picture is light and moist, and the characters are vivid, showing the artistic style of Tang's works that is both graceful and elegant, but also rich and energetic.
This painting was collected by the scribe Wang Menglou in the middle of the Qing Dynasty, and was inscribed a second time on the side of mounting. It was collected by Wu Xia Wang before the Qing Dynasty, collected by Fei Junzhi at the end of the Qing Dynasty, transferred to the Cantonese Tan Jing in modern times, and purchased by the Liaoning Provincial Museum from Wu Lianzhen in Shanghai in 1986.
The Tao Gu Gift Picture depicts a historical story.
The "Chronicle of the Southern Tang Dynasty" records that when Song Taogu went to Jiangnan, he believed that he was an emissary from the kingdom of Shangguo and displayed an inviolable and proud attitude.
Therefore, Han Xizai ordered Ji Qin guilan to disguise herself as the daughter of a hostel worker, and Tao Gu saw Qin Qinlan's beautiful appearance, so he liked her and made a poem for her, called "Good Scenery".
After a few days, Li Hou set up a banquet to entertain Tao Gu, tao gu once again posed as a righteous gentleman, Li Hou lord raised his wine glass, and asked Kui Lan to come out to persuade the wine to sing, and the lyrics were written by Tao Gu, which made Tao Gu embarrassed. This picture is the scene when describing the gift.
The brush line is beautiful, colorful and charming, the layout is decent, the color is beautiful, and the rationality is both interesting and excellent, and the shape and spirit are excellent. It is indeed a rare composition, and it should be Tang Yin's work in his later years.
【Works】Ming · Tang Yin (Tang Bohu) · Ride a donkey back to the Situ Axis
The picture depicts the steep cliffs, majestic and magnificent; the rushing stream water, which leaks down; the suspension bridge on the creek, the lush forest, and the donkey traveler, which constructs a different scenery in the mountain stream. Technically, the pen is strong and sharp, the method of splitting the big axe is elongated and thinned, and the ink is thick and light, which has both the three-dimensional sense of the northern school of landscape and the love of the southern school of landscape.
Tang Yin was not only a painter, but also a calligrapher.
【Works】Ming · Tang Yin (Tang Bohu) · Answer protégé Li Ziyuan poem
Explanation: Send protégé Li Ziyuan.
Aoyama White House old papers, cold rain light sitting night equinox.
It is said that the Han Bureau has been violating the Han Bureau for many years, and the sons of fu fu are in Hefen.
The song remnant Cong Gui should be remembered, and the endowment of Chang Yang has not been heard.
The only Hou Ba was lonely, and he waited for Yang Yun several times.
Tang Yin's calligraphy skills are also very deep. In his early years, he studied the Second King (Wang Xizhi of Wang Xianzhi) to lay a deep foundation, and later studied at the same time: Li Beihai (Li Yong), Zhao Wuxing (Zhao Mengqian), Wan Li Junyi, Pure Hou Zerun, and self-established family law. He wrote books like paintings, with a serious attitude, whether it was a large sketch or a cursive writing, he was seriously engaged in it, without scruples and pens.
【Works】Ming · Tang Yin (Tang Bohu) · Wu men summer poetry axis
Commentary:
Wumen is not worried about the summer, and the green willow shade is thick and wide.
The stone head is fresh on the yellow wax surface, and the bayberry is fat and purple gold pills.
Densely shaded bamboo leaves cool ice eaves, scattered with durian horn plate.
Suddenly reported that the weather was raining and rainy, and for a while the dragon hung on to thousands of people to see.
This calligraphy is white, just right, the pen is not hurried, round and beautiful, fat and thin, one of the famous Chinese book titles, now in the Liaoning Provincial Museum. Tang Yin's calligraphy is hidden by the name of the painting, the main study of Zhao Mengfu, influenced by Li Beihai, handsome and beautiful, feminine and colorful, the pen is round and free, but the pen is slightly weaker, and the hook is picky.