Poetry hunting every day
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As a kind of Gelug poem, song words have a variety of formats, and different word plates are different format tunes. And its genre form is also quite varied, such as changing the tune on the basis of a song to become a long and long slow song, like "Magnolia Flower" derived from "Magnolia Slow"; and some adding another one on the basis of the single small order, such as the monotonous "Wangjiangnan" becoming the double "Wangjiangnan" and so on.
Some lyricists constantly create their own tunes to create new words, such as Liu Yong has created a lot of long and slow words, Zhou Bangyan has also created many new words, and the Southern Song Dynasty gentle word Sect Jiang Kui and so on.
Today to introduce to you is the two words of Jiang Kui's self-created tune, these two words are extremely unique in genre, two can be combined into one word, separate and can be independent, historically called "serial words", can be described as an unprecedented innovation. And the two words Yongmei are even more untouched:
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Dark incense
Southern Song Dynasty
Prologue: The Winter of Xinhai, Yuzai Snow Stone Lake. Stop the month, teach the simple suo sentence, and recruit new sounds, compose these two songs, Shi Hu played endlessly, so that the two prostitutes practiced wildly, the syllables were harmonious, and the names were "Dark Incense" and "Shuying".
In the old days, how many times did you look at me, and the plum played the flute? Evoke the jade people, regardless of the cold and climbing. He Xun is getting older and older, and he has forgotten the spring wind word pen. But the strange bamboo outside the flowers, the incense cold into the Yao mat.
Jiang Guo, is lonely, sighing and lu yao, the night snow is beginning to accumulate. CuiZun is easy to cry, and the red calyx is speechless. Long memories have been hand in hand, a thousand trees pressed, West Lake Hanbi. And pieces, blow out, when to see?
Shadow removal
Moss branches are dotted with jade, there are small kingfishers, and the branches live together. Guests meet, hedge corners at dusk, wordlessly rely on themselves to repair bamboo. Zhaojun is not accustomed to Hu Shayuan, but secretly remembers that Jiangnan and Jiangbei are north and south. I want to wear a ring, return from the moon and night, and become this flower.
Remembering the old things in the deep camp, the man was sleeping, flying near the moth green. Mo is like a spring breeze, regardless of Yingying, early with the arrangement of the golden house. He also taught a piece to go with the waves, but he complained and the jade dragon mourned. When waiting for the time, re-looking for the fragrance, has entered the small window banner.
The two poems "Dark Incense" and "Shuying" were composed by Jiang Fu when he visited his friend Fan Chengda, and rhymed with the gesture of the original serial chanting plum blossoms, and at the same time wrote Mei's love and allegorized to Mei. Among them, "Dark Incense" pins on the sense of personal wandering, and "Shadow" contains the sadness of the rise and fall of the country.
"Dark Incense" rises with moon-colored plum blossoms, evoking memories of the past, swaying back and forth between the past and the present, the brushstrokes are ethereal and elegant, and the words are clear and cold. Time and space change, the artistic conception is long, the feelings are poignant, there is no sentence that does not write Mei, and there is no sentence that does not borrow Mei to refer to people. Yu ren is naturally poignant and moving, and the writing of Mei is extremely ethereal, just starting with the four words of "the moonlight of the old times", it has been evaluated by later generations of lyricists as "making the authors of the ages, all out of it"!
In "Shuying", Shang Yan focuses on the beauty of plum blossom-shaped gods, with bright colors, elegant and beautiful; xia Yan writes that plum blossoms are not only self-beautiful but also beautify the beauty of women. The whole passage depicts the image of beautifying the quiet and lonely, pinning the lyricist's love and nostalgia for beautiful things, and at the same time containing the lament of the rise and fall of the country. At the end of the word, it echoes the opening sentence of "Dark Incense", becoming one link!
Generations have written poems about plum blossoms or written about the beauty of plum blossom-shaped gods, or written about the lonely spirit of plum blossoms. Among them, the poems that give the beauty of plum blossoms, there is no ancient and modern "the shadow is horizontal and shallow, the dark incense floats in the dusk of the moon", and the words that give the beauty of plum blossoms are the two words of Jiang Kui as the most.
Zhang Yan of the Southern Song Dynasty once commented in "Etymology": "The words of fumei, but Jiang Baishi's "Dark Incense" and "Shuying" two songs, no ancients before, no comers after, self-reliance and novelty, really for the song"!
There is no ancient person before the serial body, and Yongmei is a person who has never come after, the brushstrokes are ethereal and profound, and it is indeed a song that has been sung for eternity!