Dr. Zhong Zhenzhen was born in 1950 in Nanjing. He is currently a professor at Nanjing Normal University and a doctoral supervisor. Director of the Institute of Ancient Literature Collation. He is also the guidance professor of the "Foreign Scholars Chinese Culture Research Scholarship" of the National Scholarship Council, the president of the Chinese Rhyme Literature Association, the vice president of the Global Chinese Poetry Association, the consultant of the Chinese Poetry Society, the general consultant of the "Poetry Conference" of CCTV, the consultant of the poetry platform of "Listening to the Rain in the Small Building", and the Distinguished Professor of the Wenjin Pulpit of the National Library. He has been invited to lecture at more than 30 famous overseas universities such as Yale and Stanford in the United States.
Professor Zhong Zhenzhen Q&A Mailbox(54)
An extended reading of Song Fan Zhongyan's poem "Xie Liu Tai Bo Hui He"
Xie Liu Tai Bo Huihe
[Song] Fan Zhongyun
The new poem Refers to the True Scriptures, and the Immortals dare to take this lightly.
Wanli Huating thought of going to the companion, and the thousand-year-old Liaohai knew the return journey.
The flock and the place were not humiliated, and Penglu would be honored.
The only love jiugao is good, and the sound and sound are clear.
Yesterday's "Q&A", I explained Fan Zhongyan's Seven Laws. I will provide some relevant literature and say as I have.
(1) The "Qing" of Crane Ming and the "Qing" of Heaven and Earth
In ancient poems, the sound of cranes is written, and the word "Qing" is often used. For example:
Southern Dynasty Liang Wujun's poem "Master Chiqian Crane" says: "The one who takes the Xuan from the original is a bird under the rank of the king." How good-looking it is, and there is a strange sound in the clear. ”
Chen Nguyen Zhuo's poem "Giving the Yellow Crane a Farewell" (黄鹄, i.e. Yellow Crane) says: "Heng Si used to be a rice sorghum, and lied the whole Han Shangjunxuan." The solo dance flew lightly towards Wu City, and Gu Mingqing spat out the thunder gate. ”
Tang Li Bai's poem "Minggao Song Sending Cen Zhengjun" says: "The widow crane is clear, and the hunger is groaning." ”
Zhang Zhongsu's poem "Crane of the Mountain" says: "Qing Qi is far away from the wind, and Gao Zi is idle with the water." Sheng Song recalls the heavens, and the city sighs on earth. ”
Lu Tong's poem "Ice Monks Who Will Return to the Mountains" says: "Near the crane's nest, the lonely voices intersect." ”
Bai Juyi's poem "At Home renunciation" says: "Qing sipped several pine cranes, and the cold light was a little bamboo lamp." ”
Li Shen's "Over Meili" poem seven of its seven "Memories of the Crane" said: "Feathers are like snow flawless spots, Gu Ying Qiuchi dances white clouds." Idle Su Yi Mishima near, back to the Clear Nine Heavens Smell. ”
The anon. "Crane Ming Jiugao" poem says: "The fetus is immortal, and the long song is in Jiugao." Empty and scatter, reflect the frost hair. ”
Song Huang Zhiming's poem "The Second Rhyme Answer to The Master Book of Qingjiang Zhao Yancheng" says: "Look at the Junzi is a Qingtian quality, and the Qing Dynasty should smell through Jiugao." ”
Wei Yiweng's "Water Tune Song Head Yu Jian Zhou Gang Jian Birthday" lyrics: "Qing Qiao Jiu Gao Crane, evoking the dream soul." ”
Originally, the "qing" of Heming and the "qing" of heaven and earth were not necessarily related. Why does the poet say, "Love Jiugao alone, and the sound of heaven and earth is clear"? Because his crane ming is a metaphor for the loyal words of the sages. The loyal and upright words of the wise men, if adopted and implemented by the monarch, can make politics clear and the world clear.