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Divine | Ren Qing's calligraphy: He is famous for his noh books, known as the "Song Shu Dian Army"
Southern Song Dynasty calligrapher Zhang Jizhi's book "ZhizunTang Tai'an Ren Zhi Zhi× Zhi
【Interpretation】
That is, the above asked the Zun Tang Tai'an Life To perform Kangning, the relatives inside and outside were introduced, the special children led the women and grandchildren to worship the elderly women below, there were micro-concubines who did not dare to waste the ceremony with cold and ugly, one pass to appreciate the luck, the color line Cui Xiao Yu each small cover and attached, but also a light blasphemy, knowing that the elder concubine could not serve, did not dare to ask the commission, that is, asked above.
Zhang Jizhi (1186-1263), a Song Dynasty calligrapher, was a native of Liyang (present-day Hexian County, Anhui). Born in a family of famous eunuchs, he is the son of Zhang Xiaobo, the governor of the government, the nephew of the patriotic poet Zhang Xiaoxiang, and the eighth grandson of the famous poet Zhang Zhi of the Middle And Tang Dynasties.
Zhang Jizhi's calligraphy was deeply influenced by the Tang people, and the calligraphy of Ouyang Zhi, Chu Suiliang and Yan Zhenqing was first studied, and later Zhang Jizhi's calligraphy was transferred to Mi Fu, who participated in the Han Li and Jin and Tang classics, and was influenced by Zen philosophical thought, so a unique style of calligraphy art was formed. And can "pass on the family learning alone", with Zhang Xiaoxiang's book as the main tone, and become a system of its own. This system was formed on the basis of inheriting the traditional techniques of the ancients, absorbing a lot of nutrients and then boldly innovating. Zhang Jizhi is good at calligraphy and list books, and especially xi is a big character. He was erudite and knowledgeable, "sexually pure, fond of school books, and hand-written books of scripture and history." ”
Zhang Jizhi was the leading figure in the Southern Song Dynasty's calligraphy circle, the History of the Development of Chinese Calligraphy was a Song Dynasty six, including Zhang Jizhi, and the other five were the Northern Song Dynasty Sijia and Zhao Tuo. Zhang Jizhi was an innovator who turned the tide in the late Southern Song Dynasty, revitalized the art of calligraphy, and spent his life to change the declining style of calligraphy, and was known as the "Song Shudian Army". The "History of Song" said that it "smelled the world with noh books", the big characters were elegant and vigorous, and the fine books were extraordinary. The next stroke is simple and condensed, the pen is solid and strong, the dot painting gu pansheng, the knot is handsome and the bone is strong, so that the character knot is vivid and bright, refreshing and not conventional.
His book "Big Character Du Fu Poetry Volume" was rated by predecessors as "there is a long wind and breaking waves". Although the Jurchens were far in the north and were in a hostile position with the Southern Song Dynasty regime, they did not hesitate to buy Zhang Jizhi's Hanmo works with heavy money. Among the works that have been handed down through the generations are the Buddhist Relic Teaching Sutra, the Vajrapani Prajnaparamita Sutra, and the Taishang Dong Xuan Lingbao Immeasurable Human Shangpin MiaoJing. The books "Song of Shuangsong Tu", "The Record of the Courtyard to be Leaked", "Shu Du Shi", "The Record of the Wang's Baoben An" and so on.
Some people in the book circles of later generations ridiculed the book as deliberately "strange" and inconsistent with the "rules", and denounced it as calligraphy "Shangyi", the pursuit of "meaning", and the expression of personality. Ouyang Xiu, the leader of the literary circles in the early Song Dynasty, proposed that calligraphy could not be a master and simulate the ancients, but that gui was "overwhelmed" and became a "family body" in itself, otherwise it was a "book slave". Later, An Shifeng of the Ming Dynasty also had Yun in the "Merlin Quick Affair": "The Book of Liliao, the former people denounced it as evil." Commenting on his writing now, it is not strange to have a heart, but like his bosom, the original is contrary to the customs, and he does not know that there is a pleasing circle, and the steepness can be frightening. Since the opening of the heavens, there are thousands of different things, why the monogram method can not be left to the heart!? Here, An Shi not only clarifies the characteristics of Zhang Jizhi's calligraphy, but also refutes the so-called "evil Za" from the aesthetic perspective of the art of "Yi Qi".
The Southern Song Dynasty calligrapher Zhang Jizhi's book "To Zun Tang Tai'an Ren Zhi Zhi Zhi
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