Zhang Jizhi, "The Book of The Book of Wang's Baoben", on paper, 29.3 × 91.4 cm. Collection of Liaoning Provincial Museum. After the post, there are inscriptions on Wen Zheng Ming And Xiang Yuan. Zhang Jizhi is one of the "Four Houses of the Southern Song Dynasty", and his calligraphy features are outstanding and radiant, which can be called a model of Song Dynasty calligraphy. Its cursive writing is also famous, with the charm of Huang Tingjian and Mi Fu. His calligraphy style has a profound influence on the book world of later generations, and his reputation has spread overseas, and the Japanese book circle has taken him as a model, and its influence has even greatly exceeded that of China.
Zhang Jizhi wrote the Fa Tang people, and combined the Sui and Tang Dynasty scripture writing styles, with unique ingenuity, and created his own distinctive calligraphy style. Mr. Qi Gong praised Zhang Jizhi's calligraphy for its dangerous writing and the precise and rigorous knotting. Mr. Xu Bangda believes that Zhang Jizhi's calligraphy skills are not below Wu Ju and others. Zhang Jizhi's writings have long ceased to exist, and most of the existing research objects are a large number of scriptures and some large characters and cursive scripts copied by Zhang Jizhi.
Zhang Jizhi's xingshu and kaishu are both good at it, and his works include "Wang Shi Baoben Anji", "Su Shi's "Xie Hanlin Bachelor's Table", etc., the style of the book is beautiful and healthy, brilliant and radiant, all based on the calligraphy, the penmanship is flexible but not losing the implication, skillful but beautiful. However, very few of Zhang's writings have survived, and they are all small print works. What truly embodies Zhang Jizhi's calligraphic achievements and establishes his place in the history of calligraphy are the works of calligraphy. In the Qing Dynasty, Liu Yong and others copied Zhang Jizhi's xiaokai calligraphy and were deeply influenced by Zhang Jizhi.
