Zhao Mengfu's "Idle House" is a good choice for beginners. Compared with those elusive and more free codexes, it has a clearer and clearer writing specification, which is more suitable for beginners; and compared with some more formal writing content, it is a little more casual, and the writing is rich and varied, wonderful and colorful.
Part of Zhao Mengfu's "Idle Residence"
Collection of the National Palace Museum in Taipei
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Zhao Mengfu's "Idle Residence" is 38 centimeters in length and 248.3 centimeters in width, in the collection of the National Palace Museum in Taipei. The famous literary scholar Pan Yue of the Western Jin Dynasty wrote a poem" with 56 lines, 627 words, and a paragraph signed by Zi Ang.
"Idle Residence" was written by the Western Jin Dynasty literary scholar Pan Yue. Predecessors seem to have quite a few words, such as the famous poet Yuan Hao of the Jin Dynasty asked "On Thirty Poems" Yun: The voice of the heart painting is always distorted, and the article is rather seen as a person? Gao Qing's "Idle House Endowment" for thousands of years, fighting for the trust of An Ren Bai Lu Chen. Judging from the historical records, Yuan Haoqing's discussion of the relationship between the author and the work is still relatively objective.
Similar to the situation of Pan Yue, Zhao Mengfu is also one of the historical figures that caused great controversy in later generations. He himself has been hovering between the poles of Shi and Cain, and he is also a grandson of the old king, so his psychological strategy can be imagined. He was often troubled by the involuntary body of retreat in his life, and Zhao Mengfu's guilt and guilt was really an objective existence that was difficult to dispel and accompanied for life. He wrote "Idle House", in fact, hoping to use the power of calligraphy to adjust or alleviate the contradictions and uneasiness in his heart in a certain procedure, so that his heart can obtain the tranquility of the film. This work is leisurely, fresh, combined with the whole text, both square and round, elegant posture, and also reflects the style and wealth of Zhao's calligraphy art.
There is no year for this work, but from the perspective of calligraphy, it should be written in his later years, which is the best work of Zhao Mengfu. At the end of the volume, there is a Qing Cao Rong inscription.