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Miaopin | the master in the eyes of the master: the realm of "light ink exploring flowers" is difficult to reach

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Wang Wenzhi's title "Dong Qichang Shu Taifu Xu Wenmu Cemetery Ancestral Record", the Palace Museum collection.

【Interpretation】

Xu Wenmugong and Dong Wenmin are the most suitable teachers and students, this is Wen Mu's tomb shrine, and the friendship between life and death is seen here. Yi Qi's calligraphy is also really rich, and he is directly inclined to Yan Luguo and Yang Shaoshi. It is Yu Wumen, Chen Douquan resident out of this show, overjoyed! Beware of the number at the end of the volume.

Xinhai Autumn July both look, Dantu Wang Wenzhi.

Wang Wenzhi (1730-1802), courtesy name Yuqing, was a native of Dantu, Jiangnan (present-day Zhenjiang, Jiangsu). Qianlong twenty-five years into the jinshi, Qing Dynasty writers and calligraphers. He is the author of "Dream Lou Poetry Collection" in twenty-four volumes, "Fast Rain Hall Inscription", "Thirty On the Book of Absolute Sentences" and so on.

Wang Wenzhi was famous for his calligraphy throughout his life, and in his early years, he began with his predecessor Zheng Zhongguang and was deeply influenced by it. His calligraphy was studied by Chu Suiliang, and his cursive calligraphy was learned from the Orchid Pavilion Preface and the Sacred Order. However, Qian Yong believed that he had learned from Zhao Mengfu and Dong Qichang's pen, and changed to Zhang Jizhi after middle age.

Liang Shaoren of the Qing Dynasty said in the "Essays on the Two Autumn Rain Temples": "The State Dynasty Liu Shi'an Xiangguo (referring to Liu Yong) specializes in boldness, and the Zhengmeng Lou Taishou (referring to Wang Wenzhi) specializes in the wind god, so there is the purpose of 'thick ink prime minister, light ink probing flowers'. Qian Yong also compared him to Liu Yong and Liang Tongshu, believing that Wang Wenzhi's middle-aged Zhang Jizhi's handwriting was copied, so he entered the frivolous way, just like Qiu Niang Fu Powder, with clear bones, self-improvement posture, and lack of solemnity. Although this theory takes a pejorative meaning, it is still relatively accurate in the metaphor of Wang Wenzhi's calligraphy characteristics. This "Qiu Niang Fu Powder" style can also be used as the basis for authenticity identification.

According to Wang Chang's "Biography of Huhai Poems", Yu Qing You Gong Shu, Kai Fa Henan, Xing Shu imitated the "Lan Ting" and "Holy Sect"; entered the Beijing Division, and the scholar Dafu DuoBaozhi was heavy. Wang Shuyun's pen is soft, the ink rhyme is light, the cloth between the lines is white, the sparse and ethereal, the temperament and wind god are extremely graceful, close to Dong Qichang's style of writing and more feminine, the realm of the wind and current is difficult for counterfeiters to imitate, no wonder there was a saying that "the three beams under the heavens (referring to Liang Tongshu, Liang Yan, and Liang Guozhi) were not as good as the one king of Jiangnan".

Wang Wenzhi's book title was popular in Ryukyu. At that time, Koreans came to China and specially bought Wang Wenzhi's calligraphy with cake gold, and his calligraphy reputation spread far and wide. When the Qianlong Emperor toured the south of the Jiangnan River, he saw his book "Qiantang Monk Temple Stele" in the Hangzhou Temple, and greatly appreciated it. Due to the admiration of the Qianlong Emperor, Wang Wenzhi's calligraphy reputation was greatly enhanced, widely circulated, and treasured by Shilin. Many museums in Japan treasure the authentic works of Wang Wenzhi. For example, the Tokyo National Museum, the Fujii Saisei-ku in Kyoto, the Okinawa Prefectural Museum, and the Oita Prefectural Museum all have treasures of Wang's ink treasures.

Wang Wenzhi faithfully adheres to the meaning of the thesis, but there is no traditional thesis of the flow of roundness and lightness. His books are turned less and more with pens, mainly folded, appearing decisive and clean. The thin and hard strokes are slightly rounded, both feminine and moving, but also handsome and luxurious, the wind god is scattered, and the tip of the pen reveals the characteristics of talent and beauty everywhere.

Wang Wenzhi's title "Dong Qichang Shu Taifu Xu Wenmu Cemetery Ancestral Record" is super Qing appreciation

Miaopin | the master in the eyes of the master: the realm of "light ink exploring flowers" is difficult to reach
Miaopin | the master in the eyes of the master: the realm of "light ink exploring flowers" is difficult to reach
Miaopin | the master in the eyes of the master: the realm of "light ink exploring flowers" is difficult to reach
Miaopin | the master in the eyes of the master: the realm of "light ink exploring flowers" is difficult to reach
Miaopin | the master in the eyes of the master: the realm of "light ink exploring flowers" is difficult to reach
Miaopin | the master in the eyes of the master: the realm of "light ink exploring flowers" is difficult to reach
Miaopin | the master in the eyes of the master: the realm of "light ink exploring flowers" is difficult to reach

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