(Southern Song Dynasty) Zhang Jizhi's "Song of Double Pine Figures", on paper, 33.8×1196cm, collection of the Palace Museum, Beijing.
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This volume, also known as "Du Fu Opera as a Song of Shuangsong Tu", is the pen of Zhang Jizhi in his later years, and the calligraphy of Xingkai is vigorous and powerful. Later generations called him "able to smell the world with noh books", "the big characters are elegant and vigorous, and the fine books are especially handsome and extraordinary". This volume is full of big characters, full of energy, vigorous and majestic, and sometimes dangerous.
This volume, also known as "Du Fu Opera as a Song of Shuangsong Tu", is Zhang Jizhi's drunken work in his later years, and the calligraphy is vigorous and powerful. Later generations called him "able to smell the world with noh books", "the big characters are elegant and vigorous, and the fine books are especially handsome and extraordinary". This volume is full of big characters, full of energy, vigorous and majestic, and sometimes dangerous.
Zhang Jizhi's calligraphy is very spicy and decisive, and the dry pen is like Cangsong sophisticated. Brush out with a pen, but send it to place,
At the end of the pen, I saw a sudden setback, and I could see that I had been influenced by mi fu. There are light and heavy strokes between strokes, alternating, especially vivid. But on the other hand, Zhang Jizhi's calligraphy has "skillful and vulgar penmanship, lacking the interest of high antiquity." Gai qi intends to be ancient, but it is lost and shallow; desire is for cang, and it is lost and humble; it wants to be clumsy, and it is clumsy and humble, and it is not supernatural, and it is intended to use labor and be an ear" (Zhan Jingfeng).
Zhang Jizhi, as a famous calligrapher of the Southern Song Dynasty, was a Tang dynasty scholar with a rigorous body and a dangerous penmanship, which had a great influence on the book world at that time, and the northern Jin people also had a lot of effect on their bodies. The book circles of successive dynasties have recognized that "big characters are difficult to be wonderful", "difficult since ancient times", and "rare effects". Why? In terms of writing and knotting, few people can achieve the ideal state of expectation. However, Zhang Jizhi's Gong kaishu is especially good at list books and big characters, and is cherished by the world, and is heavily purchased by the jin people, and the monument is scattered on the left side of the river. It can be seen that Zhang Jizhi's calligraphy is extraordinary.
Zhang Jizhi was an innovator who turned the tide and revitalized the art of calligraphy in the late Southern Song Dynasty, and spent his life to change the declining style of calligraphy. According to the "History of The Song Dynasty", Zhang Jizhi "smelled the world with Nengshu". Although the Jurchens were far in the north and were in a hostile position with the Southern Song Dynasty regime, they did not hesitate to buy Zhang Jizhi's Hanmo works with heavy money.
His calligraphy began to learn Ouyang Qing, Chu Suiliang and Yan Zhenqing, and then transferred to Mi Fu, and was able to "pass on the family learning alone", while Zhang Xiaoxiang's book was the main tone, referring to the Jin and Tang Dynasties, and was influenced by Zen philosophical thought, so it reached a unique style and realm of calligraphy art, forming a system of its own. This system was formed on the basis of inheriting the traditional techniques of the ancients, absorbing a lot of nutrients and then boldly innovating.
Some people in the book circles of later generations ridiculed the book as deliberately "strange" and inconsistent with the "rules", and denounced it as calligraphy "Shangyi", the pursuit of "meaning", and the expression of personality. Ouyang Xiu, the leader of the literary circles in the early Song Dynasty, proposed that calligraphy could not be a master and simulate the ancients, but that gui was "overwhelmed" and became a "family body" in itself, otherwise it was a "book slave". Later, An Shifeng of the Ming Dynasty also had Yun in the "Merlin Quick Affair": "The Book of Liliao, the former people denounced it as evil." Commenting on his writing now, it is not strange to have a heart, but like his bosom, the original is contrary to the customs, and he does not know that there is a pleasing circle, and the steepness can be frightening. Since the opening of the heavens, there are thousands of different things, why the monogram method can not be left to the heart!? Here, An Shi not only clarifies the characteristics of Zhang Jizhi's calligraphy, but also refutes the so-called "evil Za" from the aesthetic perspective of the art of "Yi Qi".
Commentary:
Several people in the world painted Gu Song, and Bi Hong was already old and Wei Yan was young. The long wind of the pen is slender, and the hall is full of colors and sounds. Two plants are tragically cracked with moss bark, and the flex iron staggers back into the tall branches. The white destroyed the decaying bone dragon and tiger died, and the black fell into the yin and thunderstorm. The Songgen Hu monk was lonely, and Pang Meihao's head was not dwelling. Favoring the right shoulder and bare feet, the leaf li pine nut monk fell in front. Wei Hou Wei Hou counted to see each other, I have a good eastern silk, the weight does not reduce the splendid embroidery section. The light has been disturbed, please put the pen straight dry. Zhang Jizhi wrote at the age of seventy-two, when the rain was moldy, the dragon danced, drank with guests, and drunkenly played books.
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