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The "National Treasure Book" of the Forbidden City, some people say it is "jianghu body"

In the long course of thousands of years of Chinese art history, many precious arts have been produced, but they can be preserved to this day and can still be admired by the world.

The earliest authentic works in calligraphy can be traced back to Lu Ji's "Ping Fu Ti", the earliest paintings can be traced to Zhan Ziqian's "You Chun Tu", and then from the Tang Dynasty to the Song Dynasty to the Yuan, Ming and Qing Dynasties, there are more and more authentic works, but the classics are getting fewer and fewer.

The "National Treasure Book" of the Forbidden City, some people say it is "jianghu body"

Zhang Jizhi's "Song of Shuangsong Tuge" is a long scroll

In the history of calligraphy, from the Jin people to the Tang people to the Song people, the use of calligraphy is generally for the literati to sing and harmonize with each other, or self-dispatch, or pen and ink singing, the overall small character works are the mainstay, and the "thesis" characteristics of the "two kings" are all small characters, once the "two kings" penmanship writes large characters, it is not the same!

Today's people need to learn big characters from the Song and Yuan dynasties. In the history of Song Dynasty calligraphy, there is such a large-character calligraphy work, this work can be called the most expensive calligraphy in history, the author of this work once auctioned a small-character work in Poly, only more than 100 words of the work, but auctioned more than 60 million sky-high prices, a word can be enough to buy a BMW!

The "National Treasure Book" of the Forbidden City, some people say it is "jianghu body"

Zhang Jizhi's "Song of Shuangsong Tuge" is a long scroll

He also has a large-character work, which is regarded as a "national treasure" by the Forbidden City, which is a classic that future generations cannot miss when learning large-character calligraphy!

This is Zhang Jizhi's "Du Fu Drama for the Song of Shuangsong"!

If the history of calligraphy in the Northern Song Dynasty is supported by the "Four Houses of the Song Dynasty", then the book world of the Southern Song Dynasty has only one Zhang Zhizhi!

Ouyang Xiu of the Northern Song Dynasty once said:

Learning calligraphy can not be a master, simulating the ancients, and you are "overwhelmed" and become a "family body", otherwise you are a "book slave".

The "National Treasure Book" of the Forbidden City, some people say it is "jianghu body"

Zhang Jizhi's "Song of Shuangsong Tuge" is a long scroll

It can be said that the Shangyi wind of Song Dynasty calligraphy was blown up from Ouyang Xiu! Therefore, from the four families of the Song Dynasty to the Southern Song Dynasty, Gaozong and Zhang Jizhi were working hard to write their own faces on the basis of exploring the ancient law.

For people who do not have a deep understanding of calligraphy, they see Zhang Jizhi's characters, and always think that there is some "jianghu qi", its strangeness, its madness, its danger of using the pen, and the trickiness of its knots, many people can't understand it, but in the eyes of people who really have artistic perception, his words are the expression of true sexual spirits, and they are classic works of art born in the ultra-high technical system!

An Shifeng commented on his words in "Merlin's Quick Affair":

The "National Treasure Book" of the Forbidden City, some people say it is "jianghu body"

Zhang Jizhi's "Song of Shuangsong Tuge" is a long scroll

"The Book of Liliao, which was denounced by the people of the past as evil. Commenting on his writing now, it is not strange to have a heart, but like his bosom, the original is contrary to the customs, and he does not know that there is a pleasing circle, and the steepness can be frightening. Since the opening of the heavens, there are thousands of different things, why can't the monogram method be left to chance? ”

This statement can be described as the supreme evaluation of Zhang Jizhi's calligraphy! Later generations like to learn from Tang Kai, but once the glyphs become larger, it is very difficult to write, and Zhang Jizhi's large characters have given contemporary people a successful exploration of large characters and knots!

In the book circles of past dynasties, there is a saying that "big characters are difficult to be wonderful", and writing large characters is the most difficult, and Zhang Jizhi's big characters "Jin Jian Xiong" have dominated the book world for more than 800 years!

In the History of the Song Dynasty, it is recorded:

The "National Treasure Book" of the Forbidden City, some people say it is "jianghu body"

Zhang Jizhi's "Song of Shuangsong Tuge" is a long scroll

Zhang Jizhi is able to smell the world with books.

Not only in a corner of the Southern Song Dynasty, but even as far away as the North, the Jurchens asked for his calligraphy.

His calligraphy is family heirloom, but also the right vein of calligraphy, from the ancestor Zhang Xiaoxiang learned the introductory brushwork, and then from Ouyang Qing, Chu Suiliangshang and the "Two Kings" portal, while taking Hanli as the criterion, in religion, has a very deep Zen thinking, and at the same time influenced his calligraphy!

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