Re-acquaint yourself with "scar literature".
They are essentially political opportunists who, when the political winds change, want to use imaginary literary works to cater to a certain value orientation, to gain a certain benefit or gain fame.
A well-known writer of "scar literature". Many years after this writer became famous, in a big city, he met the instructor of the company he was in when he went to the countryside in the Heilongjiang Production and Construction Corps, and as a result, he was pointed at the nose and scolded by this white-haired retired veteran of the state farm: "When you went to the countryside, you were only 17 years old, your height was only 1 meter 6, and your weight was only 100 pounds, and when you returned to the city, you grew to a strong boy who was nearly 1 meter 8. When you first arrived in the Northern Wilderness, the intellectuals and young people told you to be small, and even the team would not let you do any heavy work. Someone else cuts a soybean and arranges for you to sharpen your sickle on the ground, and you can't do it well. In winter, as long as you are responsible for boiling water for everyone. Why did you return to the city and write a novel, and you became a persecuted person? You little fart child, why are people persecuting you? The former veteran workers of the farm were all veterans of the War to Resist US Aggression and Aid Korea. How did you end up with a villain worse than Huang Shiren? When you shovel the ground in the summer, which time is it not the old staff and party members of the corps who are in the front? Everyone can do it, they have worked all their lives, how come you young people have become persecuted? Have you forgotten that on your birthday, the old staff boiled the eggs at home for you to eat? Obviously, it is you ignorant urban young women who seduce the farm boy to break his shoes' (the original words are so), you write that the cadres of the corps rape the female Zhiqing. Your conscience let the dog eat? After the national policy of returning to the city, the company actively helped you with the formalities
When people leave, they have a farewell party. But you write in the novel that we card you and don't let you go back to the city? When someone asked you, you said that you listened to others and that it was other companies that were put into the novel. In the future, you are willing to make things up and do whatever you want. But in the novels you write, you are not allowed to have the names of our farms, nor the names of the mountains and waters near us. Your willingness to make things up is your own business, you don't want a face, we still want a face!".
