Yu Right ren cursive calligraphy famous Wei Stele everyone
Yu Ren's book "Zeng Mengming Monument"
Yu Youren's calligraphy devoted himself to Wei Bei in his early years, and after middle age, he studied cursive calligraphy, immersed himself in his originality, and floated in its shape, gradually forming a unique style of writing with momentum and freedom. His couplet works have further interpreted this style of writing to the extreme.
Zhang Daqian, however, was too famous for the painting, and the title of the book was eventually hidden
Zhang Daqian (1899-1983), also known as Ji Ye, also spelled Daqian, was a 70-step posthumous sign of 爰翁 and 爰癲. Sichuan Neijiang people. Contemporary chinese painting masters renowned at home and abroad. A lifetime full of legends. He has a stage name at an early age. Enjoy a long life. Rich can be enemy of the country. Calligraphy is based on the Wei stele, and also learned from the Tang and Song dynasties, from the "Crane Ming", "Shimen Ming", "Yunfeng Carved Stone", "Zheng Wen Gong Monument" and so on. Win with cursive writing, long skim and long stroke, vertical and horizontal elephants, notes to the old, knots stretched, strong and strong in the inch to reveal the breath of elegance. His pen and knot body are different from ordinary people, with a unique personality, known as "the great thousand body". Zhang Daqian learned art from Zeng Xi and Li Ruiqing in his early years, which can be described as a profound method and a huge source of learning.
Uncle Li's book of accession to the world, the Dharma of birth
Uncle Li is associated with the Book of Five Words
Li Shutong (1880-1942), name Wentao, the word Shutong, many aliases. A native of Pinghu, Zhejiang, he was born in Tianjin. Li Shutong's characters are naturally divided into two distinct periods, namely, before and after renunciation. Influenced by the customs of the times, Li Shutong naturally studied wei monuments in his early years, and repeatedly studied monuments such as "Longmen Twenty Pins", "Zhang Ronglong", and "Cuan Baozi". However, Li Shutong's stele is more artificially moisturized than the average person, and it seems that he is mainly taking its wonderful structure. Basically did not form their own face. After Li Shutong became a monk, "all the arts are in the house, and the calligraphy alone is not abolished." He used calligraphy to promote the scriptures and spread the buddhist relationship, but the early fierce talent and Wei Bei's strong and majestic style disappeared, and in its place was a face that was peaceful and solemn to the point of not eating human fireworks. In his later years, Li Shutong's calligraphy was mainly based on copying albums and couplets of Buddhist scriptures. The font is narrow and long, the pen is lighter and slower, and the chapter space is very sparse. Presents a solemn, ancient Buddhist atmosphere.
Lu Weizhao's inscription combined with the letters of everyone
Lu Weizhao's "Shi Men Ming"
Lu Weizhao (1899-1980), formerly known as Ziping, was a character with a slightly different character. Zhejiang Pinghu people. A contemporary calligrapher with a fairly comprehensive traditional Chinese cultural attainment. In 1979, he was ordered to recruit the first batch of calligraphy and seal engraving graduate students in China, so he was also a calligraphy educator. Lu Weizhao also began to teach Wei Bei, but he never suppressed the post, and took the road of attaching equal importance to the stele. He said that "the stele can strengthen its bones, and the thesis can nourish its qi", which can be described as a good scholar. Based on the seal, he integrated into the grass meaning, and planed out a new body that was not sealed and non-subordinate, but also sealed, with both pen and square, and the knot body was flat in the middle, and the human forest "flat seal", that is, the "flat body" of the ancients that "non-veterans cannot reach".
Zhao Pu Chu Jin Jian graceful and generous line Kai
Zhao Puchu's book "Heart Sutra"
Zhao Puchu (1907-2000), a native of Taihu, Anhui, was a famous scholar, Buddhist scholar, social activist, and former president of the Buddhist Association of China. He is also a famous calligrapher. His influence spread at home and abroad, especially among religious scholars. His characters are best at writing in calligraphy, born from Li Beihai and Su Dongpo, the body posture of the characters is tilted to the upper right, the structure is rigorous, the pen is strong and strong, and there is a graceful and broad temperament, which faintly reveals a Buddhist atmosphere. Other scholars known for their calligraphy include Luo Zhenyu, Zhang Binglin, Liang Qichao, Wang Guowei, Dong Zuobin, Shen Congwen, Tai Jingnong, Shang Chengzuo and others.
Pu Xinshe said that learning willow body can not be everyone, and Xiaobian believes that Pu Er Ye deserves it
Pu Xin She's letter couplet
Pu Xinshe (shē) (September 2, 1896 – 1963) was originally named Ai Xin Jue Luo Pu Ru , the original character Zhongheng , changed the character Xin She , self-proclaimed Emperor Xi , Xishan Yishi. A native of Beijing, of the Manchu ethnic group, he was the grandson of Yi Xun the Prince of Qinggong. He studied in Germany and is fond of poetry, calligraphy and painting, all of which have achievements.
Pan Lingao's calligraphy was once all the rage, and few people mention it at the moment, but his calligraphy skills are not comparable to today's people.
Pan Linggao's letters
Pan Linggao (1867-1954), Zi Xijiu, Hebei An xinren. In 1881, the 15-year-old Pan Linggao took the examination for Xiucai, and in the twentieth year of Qing Guangxu (1894), he was a scholar in the apse examination, and was taught the editor of the Hanlin Academy, and he was successively in Renzhi County, Gansu. Zhizhou. Magistrate. After the success of the Xinhai Revolution, Pan Linggao served as the governor of Gansu Province, and later resigned in 1922 to return to his hometown because he hated official corruption, and then moved to Tianjin and Beiping, where he took pleasure in poetry and writing, becoming a famous calligrapher in the north during the Republic of China.
Shen Yinmo's deep efforts in shen old study books are admirable, and it is said that he has been studying painting for eight years.
Shen Yinmo wrote in black
Shen Yinmo (1883-1971), formerly known as Junmo, was born in 1883 in Hanyin Hall, Xing'an Province, Shaanxi Province (now Minzhu Street, Chengguan Town, Hanyin County, Ankang City, Shaanxi). He studied in Japan in his early years, and later became a professor and president of Peking University and a professor at Fu Jen University.
Tang Camel practiced writing on his back, what a hard work
Tang Camel Letters
Tang Camel (1871~ 1938), formerly known as Cheng Lie, Zi Quan, Trumpet Quren, Jiangsu Wujin people. The pioneer of the modern printing industry in the mainland. His calligraphy is beautiful and vigorous, implicitly simple and mao, then known as the Tang style, together with Shen Yinmo, Ma Gongyu, Tiantai Mountain people and called the inscription plaque four holy hands.
Zheng Xiaoxu put aside politics, calligraphy can be called a generation of people
Zheng Xiaoxu's letter
Zheng Xiaoxu (1860-1938) was a politician and calligrapher in modern China. A native of Minhou, Fujian Province. In 1882, he was raised in the eighth year of the Qing Dynasty, and served as the minister of border defense in Guangxi, the envoy of Guangdong in Anhui, and the envoy of Hunan Province. After the Xinhai Revolution, he regarded himself as an old man. In 1932, he was appointed Prime Minister and Minister of Culture and Education of puppet Manchukuo. The Book of Good Letters, taken from Ouyang Qing and Su Shi, is due to the Northern Wei Monument. The work is vigorous and simple.
Teacher Zhang BoyingQi Baishi, powerful
Zhang Boying's letter
Zhang Boying (1871-1949), the word spoon garden, a word ShaoPu, the name of qi rang, do not sign Yunlong Shanmin, Yuzhuang old farmer, the late name Ofea Old Man, old spoon, spoon sorcerer. The room is named Yuanshan Building, Xiaolai Poultry Hall. A native of Tongshan District, Xuzhou, he was raised during the Guangxu Dynasty of the Qing Dynasty. Calligrapher, connoisseur of goldstones, poet, scholar.
Hua Shi Kui Jin Men first, Yan Kai in modern times unparalleled
Hua Shikui Kai shu
Hua Shikui (1863~1941), zi Qichen, Bichen, Han, one of the "Eight Greats" of Tianjin. Originally from Wuxi, Jiangsu Province, he later moved to Tianjin and is a famous calligrapher. His calligraphy takes the bone of the yan character, and the courage is majestic, the bone strength is open, and the skill is very thick. The handwritten "Tianjin Persuasion Field" five-character giant plaque, with a word size of 1 meter and a majestic vigor, is its representative work. The calligraphy works are as small as the fly head and as large as the list books above the diameter of the ruler, and the structure is very dignified and relaxed, and it is more vigorous and upright in the later years. It ranks first among the four major calligraphers in modern Tianjin.
Tan Yanmin is another Yan Kai everyone, General Hanlin
Tan Yan Min Kai Shu
Tan Yanmin (1880-1930), Zizuan, Fearless, Cut Zhai, Hunan Chaling people. Together with Chen Sanli and Tan Sitong, he was called "The Three Princes of Huxiang"; together with Chen Sanli, Xu Renzhu and Tao Jucun, he was called the "Fourth Duke of Restoration". Born in Hangzhou, Zhejiang, he was a famous politician, calligrapher and founder of Xiangcai in the Republic of China period.
The two kings of Pan Boying's book and Chu Suiliang's book have a very high level
Pan Bo Ying Pro Yin Rune Sutra
Pan Boying (1904-1966), a native of Huaining, Anhui. The original name style, the word Bo Ying, after the word line, the number of the public has a hair, but qu Weng, do not sign the lone cloud. Modern calligrapher, poet, novelist. Pan Boying is a world-widely recognized calligrapher. When it comes to Pan Shu, it is said that he is "an active admirer of the Erwang Calligraphy".
Deng Sanmu's all-round magic hand, all bodies are exquisite, including hard pen calligraphy is also a pioneer.
Deng Sanmu wrote in letters
Deng Sanmu (1898-1963) was a modern Chinese calligrapher, seal engraver, and a member of the Chinese Calligraphy Research Society. Formerly known as Iron, Scholarly Name Shijie, Word Pure Iron, Alias and Canal Zi, More Number One Hammer, One Foot, Zhai Ming Toilet Jane Building, Leopard Skin Room, Self-Called Toilet Jane. Born in Shanghai, he is known as "Northern Qi (Baishi) Southern Deng" in the art world. Good at calligraphy and seal carving, true, line, grass, seal, subordinate all kinds of fine.
Wu Yu is like Ouyang Zhongshi's teacher, neglected by everyone
Wu Yuru is like a book
Wu Yuru, zi jia zhen, later with character lines. Born in Nanjing in 1898. Originally from Maolin Village, Jing County, Anhui Province, he was called Maolin Resident in his early years, and in his later years he signed himself as a pedantic. He studied at Nankai Middle School in Tianjin, was in the same class as Zhou Enlai, and was appreciated by the principal Zhang Boling because of his proficiency in ancient Chinese. After the victory of the War of Resistance Against Japanese Aggression, Wu Yuru taught at Zhida Middle School, Daren College, School of Technology and Business, etc. After the school of business was changed to Jingu University, he served as the head of the department of Chinese until the liberation of Tianjin.
Chu Tunan people are old and not very influential
Chu Tu Nan Kai Shu
Chu Tunan (1899-1994), a native of Wenshan, Yunnan. He was a professor at Jinan University, Yunnan University and Shanghai Law School. After the founding of New China, he successively served as a professor at Beijing Normal University, director of the Southwest Cultural and Educational Committee, president of the Association of Foreign Cultures, and chairman of the Central Committee of the China Democratic League.
Mai Huasan has a great influence in Guangdong, and is good at calligraphy, especially Xiaokai.
Mai Hua San kai book
Mai Huasan, male, Han ethnicity, from Panyu District, Guangzhou. He began to work in education at the age of 17, and was appointed as a teaching assistant at Guangzhou University in 1938, a lecturer in 1944, an associate professor in 1948, the principal of Guangzhou Maosheng Memorial School in 1950, and a teacher at the Guangzhou Academy of Fine Arts in 1961. Before his death, he was an associate professor at the Guangzhou Academy of Fine Arts and a librarian at the Guangdong Provincial Research Museum of Literature and History.
Sha Menghai has a great influence in modern times, especially in the Zhejiang generation, with many disciples.
Sha Menghai Kai shu
Sha Menghai (1900–1992) was born in Yin County, Zhejiang (present-day Yinzhou District, Ningbo, Zhejiang). The titans of the twentieth century book scene. He has studied language, literature and history, archaeology, calligraphy, seal engraving, etc. Graduated from Zhejiang Provincial Fourth Normal School. He was a professor of the Department of Chinese of Zhejiang University, a professor of Zhejiang Academy of Fine Arts, the president of Xiling Printing Society, the president of Xiling Calligraphy and Painting Institute, the honorary curator of Zhejiang Provincial Museum, and the vice chairman of China Calligraphers Association.
Ren Zheng is a famous artist on the sea, combining chu body and European body, and has profound skills in calligraphy and calligraphy
Ren Zhengkai
Ren Zheng (1916-1999), Zi Lanzhai, a native of Huangyan, Zhejiang. Before his death, he was a librarian of the Shanghai Research Museum of Culture and History, a member of the Chinese Calligraphers Association, a standing director of the Shanghai Calligraphers Association, an art consultant of Shanghai Overseas Chinese College, and an art consultant of the School of International Cultural Exchange of Fudan University. Famous artists on the sea, the combination of Chu body and European body, the calligraphy and the line of calligraphy are profound.
Creator of the Qi Gong "Qi Body"
Qi Gong Shu
Qi Gong (1912-2005), self-proclaimed "surname Qi Ming Gong", the character Yuan Bai, also known as Yuan Bo, the number of Yuan Beiju shi, Beijing Manchu. The ninth grandson of the Yongzheng Emperor. He is a famous contemporary Chinese calligrapher, painter, educator, classical philologist, appraiser, red scholar, poet, and master of traditional Chinese studies. He once served as an associate professor and professor of Beijing Normal University, a standing committee member of the National Committee of the Chinese Political Consultative Conference, a chairman of the State Cultural Relics Appraisal Committee, the director of the Central Research Museum of Culture and History, a doctoral supervisor, an advisor to the Jiusan Society, an honorary chairman of the Chinese Calligraphers Association, the founding chairman of the World Federation of Chinese Calligraphers and Painters, an advisor to the Buddhist Association of China, the Palace Museum and the National Museum, and the president of the Xiling Printing Society.