From ancient times to the present, there is no doubt that the seal is the positive vein of calligraphy, and the essence of calligraphy art is condensed between its intention and law, and Wang Xizhi's creation of a new body is carried out on this basis, so the seal as the soul of calligraphy has become the most basic artistic feature of calligraphy. The meaning of the seal and the brushwork are important sources of the Chinese calligraphy tradition.
Today we invite a young artist, whose calligraphy takes the north stele as the fulcrum, takes the seal pen meaning as the aesthetic pursuit, and the composition of the body, on the basis of reflecting on Tang Kai, with the means of side, staggering, contrasting, exaggeration, etc., abnormally enters the Tao, returns to the bell and the king, so that each dot painting has a reason for existence in the whole, neither for no reason, nor the thickness for no reason, he is the teacher Mei Yuehui.
Mei Yuehui image photo
Biography
Mei Yuehui, Ph.D. in Art (Calligraphy), Associate Professor, full-time artist of the National Academy of Painting of China. He is a member of the Chinese Calligraphers Association, won the National Arts Fund Young Artistic Creation Talent Project, and was selected as the "Rixin Talents" of Beijing University of Technology and the National Youth Calligraphy Creation Backbone Advanced Research Class of the China Book Association. "Calligraphy Newspaper" 2013 annual calligraphy audition "book rookie", "Oriental Art Calligraphy" magazine nominated "National Youth Calligraphy 20".
Its stippling generation rises from the momentum, and the combined knots move each other in tension, not only surviving the image space of flesh and blood, muscles and bones, but also rhythmically expressing the trajectory of time, with a strong visual impact, and orderly, natural and vivid. He fused the inscriptions into his own emotions and expressed them in a way that expressed society and the times.
We invited Teacher Mei Yuehui to create two Weibei calligraphy works around the characters "Gua" and "He" respectively, "Zao Gua Empty Hanging" and "Wind and He".
1
The melon is hanging in the air
Squash, a type of gourd, can be used as a water scoop when ripe. The Analects of Yang Goods has a phrase: "Am I also a melon?" It can be tied without eating. It means: "When the melon is ripe, it is still hanging on the melon rack as a metaphor for not meeting talents, and talented people are not used by the world." "The teacher began to create.
"匏" is the left and right structure, and the word "qua" on the left is suitable for writing long, taking a long momentum. And the line of the stele should be counter-sharpened to the top paper, so that the line written will be very mellow. Wei Bei belongs to the characteristics of relatively thick and strong.
Since the first word is written more fullly, the second word "melon" is written relatively easily.
The first two are taken with a wider potential, and the word "empty" takes the vertical potential, which is a little longer. "Suspension" belongs to the strokes are relatively dense, so when writing a little more compact, do not write scattered, when writing Wei Monument, we remember to use ink a little heavier to highlight the thickness of the line.
The drop should be matched according to the front book, it is best to have a little bit of the feeling of the book, for the sense of staggering of the picture, the back of the writing is not too full. When stamping, use even force and gently lift it when lifting the print.
Talented people are always not easy to be accepted by the world at first, but time will prove everything, justice is in the hearts of the people, and there will be a time when people who are in the air will be entrusted with heavy responsibilities.
The teacher's "Hanging melon in the air" is here, I hope you like it!
2
The wind is blowing
The allusion of "The Rise of the Wind and Grass" is about the Western Zhou Dynasty, after the death of King Wu of Zhou, the regent of the Duke of Zhou suppressed the rebellion of King Wu's younger brothers Guan Shu and Uncle Cai. King Wu of Zhou's son, King Cheng of Zhou, was influenced by rumors and doubted the loyalty of the Duke of Zhou, so "the thunder and lightning of the heavens were filled with wind, and the great mus were pulled out, and the people of the state were afraid." Later, the Duke of Zhou returned to power, and the strong wind re-erected the blown-down seedlings, and from then on, Guotai and Min'an were safe. Later, the term was used as a metaphor for conforming to the Heavenly Heart and receiving Heavenly Help.
The "wind" word teacher took a relatively wide potential and tried to use a counter-front. The pursuit of dot painting is thick, and when the hook is hooked, the teacher suggests that everyone push up, and the line that comes out will be very mellow. The outer semi-enveloping structure is more important, and the middle part needs to be tightened.
The word "wind" takes the broad momentum, and the apostrophe of the word "he" is weakened and becomes a short point.
The front "wind" and "he", the writing is relatively scattered, the strokes and strokes written by the "exhaustion" character are relatively dense, and the middle point adopts the rhythm of the book with a little line, and the turning place should be heavier to support the top.
When writing "up", you can write a little wider, and when writing, it is also recommended to push up, and when you close the pen, you must send it, and the parts inside are slightly put away.
After that is the falling paragraph, "words out of the Book of Shangshu" is the source, the fall of the two lines will appear relatively full, writing Wei Stele is best to use heavy ink, seal penmanship, because the right side of the book ink method is more concentrated, so the teacher in the back with a little dry pen.
There is much help for the way, and little help for the wrong way. Fenghe did this allusion to warn us to do things in our daily life and work, not against the will of the people. The teacher's "Wind and Grass" is here, I hope you like it!
Appreciation of works
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