Whether in ancient times or in modern times, calligraphy has a very strong practicality, and is a kind of practical calligraphy often used by calligraphers in the process of calligraphy creation.
However, among the many learners of calligraphy, more than 90% of beginners will face a very difficult problem, that is, they often write in italics rigidly, sluggishly, and full of craftsmanship.
This is actually determined by the historical peculiarities of the script.
Throughout the history of Chinese calligraphy, in the five-body calligraphy (篆屬行楷草), the kaishu is actually the most mature one. Needless to say, the pre-Qin and Han dynasties had matured, and the cursive writing was in the Wei and Jin dynasties, and through the joint efforts of many calligraphers such as the father and son of the Second King, it reached its peak state. Only the letters appeared the latest and formed the most tortuous.
From the change of affiliation in the late Han Dynasty, to the Xiao Kai in the Wei and Jin Dynasties, to the Wei Monument in the Southern and Northern Dynasties and the Epitaphs of the Sui Dynasty, and finally, to the Tang Dynasty, it gradually matured and became Legalized. And this process, all occurs after the maturity of the "seal book", "Lishu", "Xingshu", "cursive" and other books.
This means that to some extent, the script has evolved and developed on the basis of the "seal line grass", and there are some factors of the "seal line grass" within itself. When people who first studied calligraphy learned calligraphy, because they did not have the basis of "seal line grass", it was inevitable that their letters naturally lacked an innate "gene" of "seal line grass".
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