This little kai, wrote its own taste!

Zhang Boying (1871-1949), the word spoon garden, a word ShaoPu, the name of qi rang, do not sign Yunlong Shanmin, Yuzhuang old farmer, the late name Ofea Old Man, old spoon, spoon sorcerer. The room is named Yuanshan Building, Xiaolai Poultry Hall. A native of Tongshan County, Xuzhou, Guangxu Renyinnian Supplement Gengzi Xin Ugly Enzheng and Ke Shun Tianbang, calligrapher, connoisseur of jinshi, poet, scholar. Born in Xuzhou, he has four brothers (Zhang Boying, Zhang Zhongjian, Zhang Shugeng, and Zhang Jizun).

Zhang Boying is the most accomplished in his work and is also good at sealing. The structure of the script is tight and informal, the font is regular and dignified, both square and round, both wide and majestic, compact and tight, and has a lot of strength. The line is simple and elegant, ancient and natural. Zhang Boying uses the pen to work together, perfectly, and wherever the dot painting goes, it is a very way to give in to each other. The pen is realistic, the words are full of energy, solemn and subtle, not muddy in the past, not flattering in the present, full of innovative spirit. With the pen, you can swing it at will, and the meaning is lofty. Zhang Boying is very good at writing inscriptions, hundreds of words in large letters do not need to be crossed, from beginning to end in one go, and the branch layout is white, the size of the range is just right.

Zhang Boying loved calligraphy all his life, starting from yan body in his early years, and then learning Wei Bei, and became a family. Since the Ming and Qing dynasties, the calligraphy circles in Xuzhou have emerged one after another, forming the Pengcheng School of Calligraphy. The Pengcheng Shu Sect has always taken the Northern Monument as the sect, and Fang Jin is ancient and clumsy, and it is fashionable. Zhang Boying adhered to the tradition of the Pengcheng School of Calligraphy, and was rooted in the Han soul and transformed into Su and Huang, the pen strength was solemn, the structure of the calligraphy was tight and informal, the font was regular and upright and free, and the pen was both square and round, wide and majestic, compact and strict. The book is simple and elegant, ancient and natural, and has a detrimental effect. Cursive writing can also see its strong wind bones. Profound skills come from tradition and originality. Therefore, he took the name of Peng chengshu in the current world, and was the leader of the Pengcheng shu faction to receive the alliance of wu qianxian. Later, under the influence of Kang Youwei, Bao Shichen and other Jinshi schools, he studied the northern stele such as "Zhang Xuan's Epitaph", and the bones were naturally extraordinary, "the pen array once taught Huaihai to be shocked".

He was also proficient in the evaluation of stele tablets, and once wrote seven volumes of the "Outline of the Four Libraries" in the style of the "Outline of the Four Libraries". It lists 512 kinds of inscriptions from the Song Dynasty to the Qing Dynasty, and analyzes in detail the advantages and disadvantages of each school of calligraphy, which is an authoritative masterpiece in the field of mainland calligraphy inscriptions. He said that he "has no other skills in his life, but he inherits the family training and distinguishes the authenticity of the book and the post without loss." "Sexual Gengsuke, who emphasizes ethics, has made great contributions to the promotion of the traditional culture of the motherland and is respected by the people of the time."

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